ELVIS PRESLEY ELVIS COUNTRY RARE ORIG '71 RCA LP IN SHRINK, w/STICKER BEAUTIFUL
$
25
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· ELVIS PRESLEY - ELVIS COUNTRY – ORIGINAL 1971 RCA STEREO LP LSP-4460 (PLEASE NOTE: THIS IS NOT A MID-TO-LATE '70s PRESSING WITH A CATALOG NUMBER WITH AN AFL- CATALOG NUMBER
· ORIGINAL U.S. PRESSING
· ORIGINAL ORANGE RCA VICTOR LABEL, LATE 60’S/EARLY 70’S STYLE
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· NO “RE” SUFFIX AFTER THE CATALOG NUMBER ANYWHERE ON THE COVER.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP WITH A NIFTY STICKER STILL AFFIXED TO THE WRAP.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Western swing, blues, countrypolitan, traditional country, gospel -- if it was music that even brushed the airwaves of a southern state, Elvis Presley at his best could make it his own, and Elvis was at his peak when he cut Elvis Country. Actually, Elvis Presley was positively on a roll at the time. A decade after the end of what were thought to be his prime years, he was singing an ever-widening repertory of songs with more passion and involvement than he'd shown since the end of the 1950s; he was no longer transforming the nature of popular music with every record and performance, but he was a major concert draw and tickets to his shows were in nearly as much demand as those for the far less accessible Frank Sinatra. What's more, his voice had achieved a peak of perfection as an instrument, acquiring a depth and richness, a beauty to go with its power at which even his best work of the early years had only hinted. And it all came together on Elvis Country, his greatest long-player of the 1970s, and one of his three or four best albums ever. Elvis threw himself into this record with every bit of the passion displayed on its better known, soul-oriented predecessor, From Elvis in Memphis, and it was even more personal; new or old, these were all songs he cared about. And he's a commanding and charismatic vocal presence, whether he's covering "Snowbird" (a then recent hit for Anne Murray), redoing a 1940s classic by Ernest Tubb ("Tomorrow Never Comes") in an arrangement akin to Roy Orbison's "Runnin' Scared," a Bill Monroe standard of the same decade ("Little Cabin on the Hill"), reprising Jerry Lee Lewis's "Whole Lotta Shakin' Goin' On" in a version dominated by the guitar and bass (and with scarcely any piano), or covering Willie Nelson's "Funny How Time Slips Away" as a slow blues. He doesn't necessarily supplant the originals (except for "Snowbird," where he does make you forget Anne Murray), but he gives you more than enough reason to listen, again and again, to everything here. And good as he is on the covers, nowhere is Presley better than on "It's Your Baby, You Rock It," the only new song on the album and as fine a record as he cut during this entire boom period in his career. Producer Felton Jarvis and a cadre of Nashville sidemen (augmented by James Burton) provided as good backup as Presley ever got, including a hard-rocking electric guitar and harmonica sound on Bob Wills's "Faded Love" and a gospel-style accompaniment to "Funny How Time Slips Away," and giving "Make the World Go Away" a lean, more urgent sound than Eddy Arnold's original hit.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in the original stock inner sleeve.
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Cover has a minor wrinkle (crease) in the cardboard base on the back panel (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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