EMI ASD 2961 SIBELIUS: THE TEMPEST & IN MEMORIAM
$
50
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Description
SIBELIUS
THE TEMPEST
Incidental music to Shakespeare's play
IN MEMORIAM
Funeral March
ROYAL LIVERPOOL PHILHARMONIC ORCHESTRA
CONDUCTED BY
SIR CHARLES GROVES
EMI ASD 2961
STEREO
1973 Original EMI record. UK pressing with black-and-white dog in postage stamp label. The LP is MINT and appears unplayed. Surfaces are smooth and retain their original lustre. There is no sign of spider tracery around the spindle hole. The jacket is MINT. Lamination on the front is fully intact, while the back is spotlessly clean.
Charles Groves is not a conductor usually associated with Sibelius; any number of modern British composers, 'yes' but not Sibelius. It was not his metier. Or at the very least his style at first hearing seems out of sync with the composer's spirit. You expect a chill, a freshness, a shiver, a luminous glow in the darkness, none of which are quite what Groves and the Royal Liverpool Philharmonic have in mind.
Groves' In Memoriam though notable for some shuddering outbursts dallies between security and instability; too tentative for its own good. There are no concessions to theatre or parade ground grief in this piece.
The Tempest music, like the Funeral March filler, is beautifully recorded on this record. Compared to Beecham's famous performance, however, Groves is lighter in weight but not superficial. Compared to Boult's Tempest Prelude Groves' is rather too refined and nearly loses touch with the angry emotional pulse. Don't misread me as dismissive of Groves. He has a different take on Sibelius to which we're accustomed, neither better nor worse than other conductors' readings, just refreshingly different. There are some lovely moments in the performance (try Side One, Band 2 - entr'acte) but the pull is more toward a soft-edged panorama than a sharp close-up. When I compare this lovingly recorded version with the affable Beecham account, Sir Thomas delivers one imaginative coup after another--surprising and delighting in music that is already familiar. Groves is more detached and pleases but neither terrifies nor delights; the emotional compass is narrower.
If your preferences in Sibelius run to the more relaxed, smooth and loquacious then Groves will be for you. Apparently it satisfied Harry Pearson, who put the record on his Super LP List in The Absolute Sound. Since then it has become hard to find and its price continues to rise. Don't let this rarity slip by.
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More records coming week after week. Meanwhile take a look at my other items for sale currently being offered. Treasures abound.
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