ERIC DOLPHY OUT TO LUNCH BLUE NOTE 2009 MUSIC MATTERS 45RPM 2-LP OUT OF PRINT

$

56

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<img src="http://ti2.auctiva.com/web/aswCredit.gif" border="0"><br><a href="http://www.auctiva.com/?how=scLnk1" target="_blank"><img src="http://ti2.auctiva.com/images/sc1line1.gif" border="0"></a> 2 LP SET. 45 RPM. LIMITED EDITION NUMBER 0947. OUT OF PRINT.  factory bag is unsealed. vinyl is near mint with a couple of light spindle marks to label.  JACKET IS NRMT TO MINT STARTING BID BELOW RETAIL. a fine addition to your jazz collection. 4.00 shipping media mail boxed well protected. paypal. good luck. mike In the history of jazz, Eric Dolphy was the first innovator to develop a strikingly original yet different voice on three instruments: alto-sax, flute and bass clarinet. When Dolphy burst upon the New York scene in 1960, he already had over a decade of experience. Originally influenced most by Charlie Parker, Dolphy was part of Los Angeles' Central Avenue scene in the late 1940s. Virtually nothing was heard of him on records in the 1950s before he joined the Chico Hamilton Quintet in 1958, but by then he was ready for the big leagues. His associations with Charles Mingus and John Coltrane along with his series of dynamic recordings for Prestige gave him attention. His speech like solos on alto (which featured wide interval jumps), his pioneering of the bass clarinet as a solo instrument and his flute playing which was inspired by the sound of birds marked him as a major innovator and a true original. His playing was consistently emotional, often-jubilant and always full of passion. Out To Lunch from 1964, his final studio album before his premature death at the age of 36, has long been considered one of his greatest statements. Not only is Dolphy heard at his most explorative and inventive on each of his instruments but he contributes five very original compositions including an unusual Thelonious Monk tribute ("Hat And Beard") and the eccentric "Straight Up And Down." Utilizing quite an all-star group that features Freddie Hubbard, Bobby Hutcherson, Richard Davis and a teen aged Tony Williams, Dolphy maps out a future for jazz that he would never live to experience. One can hear bits of such future greats as Oliver Lake, Anthony Braxton, Bennie Maupin, David Murray and James Newton in Dolphy's playing and writing but, truth be told, there was only one Eric Dolphy. Out To Lunch is his last masterpiece. 

Features:
• Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
• Remastered by Kevin Gray and Steve Hoffman at Acoustech
• Cut at 45rpm for Better Sound!
• Pressed on two 180 gram Virgin Vinyl LPs by RTI
• Limited Edition
• Ultra-Durable, Extra Thick Album Jackets
• Gatefold Album with Session Photos in stunning High Resolution

Musicians:
Freddie Hubbard, trumpet
Eric Dolphy, bass clarinet, alto sax, flute
Bobby Hutcherson, vibraphone
Richard Davis, bass
Tony Williams, drums

Selections:
1. Hat and Beard
2. Something Sweet, Something Tender
3. Gazzelloni
4. Out To Lunch
5. Straight Up and Down

"The albums are being cut at 45 RPM for maximum quality by Kevin Gray and me using our full ANALOG disk cutting system; most studios cannot even cut vinyl in 100% true analog anymore (they convert to digital first) but we can. The original Rudy Van Gelder engineered stereophonic session tapes are used when we master these gems. The sound quality is amazing on our test cuts. Like from heaven. First totally uncompressed versions of these jazz classics that I’ve ever heard and trust me, you will be impressed; they sound like no other releases of this music." 

"The sound is lifelike, the horns are in the room with you. Our non-invasive mastering insures the true breath of life on these original Van Gelder session tapes is transferred to the virgin vinyl with absolute authenticity. It is like hearing these BLUE NOTE masterpieces for the first time and that is NO exaggeration. When we heard the first lacquer acetate playback from our first mastering session I thought Joe Harley was going to pee in his pants he was so excited. Actually we all were; after 50 years of many lackluster and some downright bad sounding versions of these albums, hearing the real deal is a humbling experience, even for us hardened music veterans. You will be able to listen to the music exactly like we did..." - Steve Hoffman  Recently Viewed Items

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