FAIRPORT CONVENTION w/SANDY DENNY UNHALFBRICKING RARE ORIG '69 UK PINK ISLAND LP

$

134

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       FAIRPORT CONVENTION featuring SANDY DENNY, RICHARD THOMPSON AND IAN MATTHEWS  – UNHALFBRICKING – RARE   ORIGINAL BRITISH PRESSING ; ORIGINAL 1969 ISLAND RECORDS STEREO LP ILPS-9102

·       ORIGINAL U.K. PRESSING

·       ORIGINAL PINK ISLAND LABEL (PLEASE NOTE: THERE ARE TWO LABEL VARIATIONS OF THE PINK ISLAND UK LABEL, ISSUED ABOUT A YEAR APART; WE ARE NOT SURE WHICH ONE COMES FIRST

·       THE COVER WE HAVE HERE IS THE FIRST GENERATION BRITISH COVER;  STARTING WITH THE THIRD PRESSING (CIRCA 1973, THE "PINK RIM" LABEL), THE COVER VISIBLY CHANGED: THE LATER COVERS WERE LAMINATED AND HAD THE LINE 'PRINTED AND MADE BY ERNEST J. DAY & CO. LTD' IN SMALLER FONT; THE COVER WE HAVE HERE IS THE FIRST GENERATION, WITH UNLAMINATED SURFACE AND "ERNEST J. DAY & CO. LTD" PRINTED IN LARGE LETTERS,

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL BRITISH COVER, COMPLETELY, TOTALLY DIFFERENT FROM THE CORRESPONDING ORIGINAL U.S. RELEASE.

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE

·       ORIGINAL NON-LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-A1/-B1'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Unhalfbricking was an album in which Fairport Convention shed its closest ties to its American folk-rock influences and started to edge toward a more traditional British folk-slanted sound. That shift wouldn't be definitive until their next album, Liege & Lief. But the strongest link to the American folk-rock harmony approach left with the departure of Ian Matthews, who left shortly after the sessions for Unhalfbricking began. The mixture of obscure American folk-rock songs, original material, and traditional interpretations that had fallen into place with What We Did on Our Holidays earlier in the year was actually still intact, if not as balanced. Sandy Denny's two compositions, her famous "Who Knows Where the Time Goes?" and the far less celebrated but magnetically brooding "Autopsy," were among the record's highlights. So too were the goofball French Cajun cover of Bob Dylan's "If You Gotta Go, Go Now" (here retitled "Si Tu Dois Partir," and a British hit) and the magnificent reading of Dylan's "Percy's Song," though the bash through Dylan's "Million Dollar Bash" was less effective. Richard Thompson's pair of songs, however, were less memorable. The clear signpost to the future was their 11-minute take on the traditional song "A Sailor's Life," with guest fiddle by Dave Swarbrick, soon to join Fairport himself and make his own strong contribution toward reshaping the band's sound.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some ring wear.  On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3 (front side) and 5 (back side).

-         The cover has a few scratch marks on the front side

-        Back cover has a small store sticker /label, which may be possible to remove with a little effort (we did not attempt to)

-        Cover has a few tiny wrinkles along the spine

-         Visible shelf wear noted on the seams

-         Visible shelf wear noted on the seams

NO OTHER VISIBLE FLAWS AND IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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