FAPARDOKLY 1967 ORIGINAL MONO GARAGE PSYCH ROCK IN SHRINK AUTOGRAPHED
$
1,000
$ 1000
Sold For
Aug 29, 2020
Sold Date
Aug 22, 2020
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
"FAPARDOKLY"
1967 UIP LP-2250 label
The condition of the cover is M- STILL IN THE ORIGINAL SHRINK WRAP, no seam splits or writing! The back cover is AUTOGRAPHED BY MERRELL FANKHAUSER under the shrink (see photos)! The condition of the disc is M- but does have the mildest of a warp that should be mentioned but absolutely does not have an adverse effect on the play.
THIS COPY WAS OBTAINED BY ME DIRECTLY FROM MERRELL FANKHAUSER!
Fapardokly itself is a 12 track, 30 minute album of recordings from 1965-1967, comprised of then new songs, as well as several leftovers from Merrell and The Exiles, as mentioned in regards to “Tomorrow Girl.” As a result, the musician credits to the album are by no means cohesive, while the music, on the other hand, is top flight from beginning to end. So, on to the contents of the album itself. “Lila” the opening track features most beautiful vocals, bringing to my ear at least, recollections of the late Roy Orbison, as well as impressive vocal harmonies found throughout the album. Fankhauser’s 12 string guitar and the steady drumming of Lee are most memorable. “The Music Scene” is a mid-tempo tune, with vocals and guitar work reminiscent of The Byrds, and another fine guitar solo. “Sorry For Yourself” immediately brings Buddy Holly to mind with its gorgeous melody and includes an organ solo by John Day. This would have been an excellent choice for release as a 45 had the band’s UIP, UIP label so chosen. “Glass Chandalier” is a folkish rocker, with an Eastern influenced raga feel. It does, however, also include the sonic foreboding of The Who’s “Join Together,” a most interesting mixture to say the very least. Next up is the previously mentioned and timeless “Tomorrow Girl.” Side one of the album closes with “Susie Cryin’” with more Orbinesque vocals, more beautiful vocal harmonies and organ work, giving the track a very ’50s texture and feel. Side two opens with “Mr. Clock” a mellow tune, with John French’s drums clicking drums a perfect affectation of the track’s title, along with climbing bass courtesy of Judy Cobb, more gorgeous vocal harmonies, and coo coo bird sound effects providing a perfect ending. “Gone To Pot” is immediately reminiscent of The Byrds’ “Eight Miles High,” the more uptempo tune and exhibits additional Eastern, raga style performances. “No Retreat” has a rolling, gentle yet steady feel with vocals soaring over a lofting guitar riff as well as an incredibly psychedelic solo by Fankhauser, with an ever so soothing acoustic guitar underneath. All in all a most short and sweet song. “Too Many Heartbreaks” has a jangling guitar and tambourine intro, and emanates Everly Brothers, Rick Nelson and Buddy Holly influences, while giving off a Hawaiian vibe, with Fankhauser’s vocals to the fore throughout. “When I Get Home” is an uptempo number with lovely vocal harmonies and a most tasty guitar riff on display. The side, and album, closes with the driving, uptempo “Super Market” which somehow maintains a most serene sound and serves notice as to Fankhauser’s growth as a songwriter. A most fitting end to a wonderfully enjoyable album.COMBINED SHIPPING RECOMMENDED! INTERNATIONAL: $5 PER ADDITIONAL LP'S UP TO 4 POUNDS & DOMESTIC: IS $1 PER ADDITIONAL LP'S
ALL LP'S SHIPPED IN A PROFESSIONAL LP MAILER WITH STIFF INSERTS
THANK YOU & GOOD LUCK!
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