FAT MATTRESS Fat Mattress LP POLYDOR 1969 UK orig+poster NOEL REDDING-CHRIS WOOD
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Description
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FAT MATTRESS
Fat Mattress are primarily known as the just-post-Jimi Hendrix Experience band of Noel Redding, putting out a
couple of albums in the late 1960s and early 1970s. The Jimi Hendrix connection was probably responsible
for gaining Fat Mattress much of whatever attention they managed to attract. It might have been a double-edged
sword, however, as Fat Mattress' music wasn't at all similar to what Redding had played with Hendrix,
being in far lighter folk-rock, psychedelic, and early prog rock styles, and integrating plenty of vocal harmonies.
Too, Redding wasn't a dominant figure in the band, though he was an important one; Fat Mattress was a true
group effort, with fellow members Neil Landon and Jim Leverton writing about as much of their material as Redding did.
Fat Mattress formed in late 1968 shortly before Redding's ultimate departure from Hendrix's band. Redding had been
frustrated to an extent in the Experience, playing bass although he had more experience as a guitarist, and barely
being allowed to write anything on their records. Fat Mattress would open up more opportunities for him to both
play guitar (and sing), and to record more original material. The rest of the band were, like Redding, from
Folkestone in England. Singer Landon had done a stint in the Ivy League, and multi-instrumentalist Leverton
had been in the backing band of Engelbert Humperdinck, where he met Fat Mattress' drummer, Eric Dillon
"FAT MATTRESS" Produced by The Fat Mattress
1969 LP POLYDOR RECORDS 583 056 STEREO
MADE IN ENGLAND ORIGINAL FIRST PRESSING
LAMINATED GATEFOLD SLEEVE
THE COVER OPENS INTO A 4-PANEL POSTER
Barcode and Other Identifiers
Barcode: none
LABEL: POLYDOR - RED LABEL - BLACK TEXT (rim in white)
Catalog on cover: 583 056
Catalog on labels: 583056 A / 583056 B
Matrix / Runout (Side A, Stamped & Etched): 583056 B? ? A ? 2 11 7
Matrix / Runout (Side B, Stamped & Etched): 583056 A? ? B ? 2 11 7
On labels: rim text reads "All rights.......prohibited"
Made in England
Copyright Control
ST33(circled)
? 1969
Produced by Fat Mattress
Engineer: George Chkiantz
On Inside Bottom Right Panel: Produced by the Fat Mattress
Photography Gered Mankowitz
Sleeve Design Paragon PublicityManufactured by Polydor Records Ltd/Printed and made by MacNeill Press Ltd London SE1
tracklisting
Side A: ALL NIGHT DRINKER* - I DON'T MIND - BRIGHT NEW WAY
PETROL PUMP ASSISTANT - MR. MOONSHINE
*Chris Wood flute
Side B: MAGIC FOREST - SHE CAME IN THE MORNING - EVERYTHING'S BLUE
WALKING THROUGH A GARDEN - HOW CAN I LIVE
grading
RECORD VG+ but (please, read above description)
SLEEVE VG+ but (please, see pictures and read above description)
Fat Mattress' first album must have come as a surprise to fans expecting something at least somewhat related to the former activities of its most famous member, ex-Jimi Hendrix Experience bassist Noel Redding. But Fat Mattress doesn't sound at all like Jimi Hendrix (and, for that matter, Redding plays guitar on the album, not bass). Instead, it's pleasant late-'60s psychedelia with a far lighter touch than the hard bluesy psychedelic rock Redding played with Hendrix. From the sound of things, Redding (who had a hand in writing much of the material) and his new cohorts were doing some heavy listening to California psychedelic rock and folk-rock, as this is far breezier and more oriented toward harmony vocals. It's often like an amalgam of the Byrds, Buffalo Springfield, Moby Grape, and Love, with some passing nods to British psychedelia by Traffic (whose Chris Wood plays flute on "All Night Drinker"), the Move, and the Small Faces; there's even a bit of a Monkees-go-spacy feel to "I Don't Mind."...(AllMusic)
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