FIRST PRESSING Grateful Dead LIVE DEAD 1969 2 LP vinyl gatefold LP set original

$

30

PLEASE NOTE THAT LP'S ARE GRADED ACCORDING TO GOLDMINE STANDARDS.

Grateful Dead Live Dead 2 WS 1830 (S39602-05)

matrix on sides 1-3 is S39602 2WS 1830-1C; side 4 is S39602 2WS 1830-1E

If you are looking for a near mint original copy of this legendary 2-LP set, this is not your auction. Although this is a RARE first pressing with the green / orange / blue W7 Warner Brothers labels, it has been been well-played, with lots of nicks and scuffs that are clearly visible. It play-grades VG without any skips. It visually grades closer to G+, again, with substantial scratches. The original 1969 vinyl fidelity is clear and true, however. None better. The grooves are not worn. Cleaned on the VPI machine. Plays well through the surface noise. Again, this is not a collectible/audiophile copy (that would be worth $100+). This is a play copy.

Heavy duty gatefold jacket is VG with wear but in tact, complete with lyric insert booklet and new inner sleeves. 

Buyer pays $4 media mail for up to 3 vinyls. Check my other stuff.

The Grateful Dead's fourth title was likewise their first extended concert recording. Spread over two LPs, Live/Dead (1969) finally was able to relay the intrinsic sonic magnificence of a Dead show in real time. Additionally, it unleashed several key entries into their repertoire, including the sidelong epic and Deadhead anthem"Dark Star" as well as wailing and otherwise electrified acidic covers of the Rev. Gary Davis blues standard "Death Don't Have No Mercy" and the R&B rave-up "(Turn on Your) Lovelight." Finally, the conundrum of how to bring a lengthy performance experience to the listener has been solved. The album's four sides provided the palette from which to replicate the natural ebb and flow of a typical Dead set circa early 1969. Tomes have been written about the profound impact of "Dark Star" on the Dead and their audience. It also became a cultural touchstone signifying that rock music was becoming increasingly experimental by casting aside the once-accepted demands of the short, self-contained pop song. This version was recorded on February 27, 1969, at the Fillmore West and is presented pretty much the way it went down at the show. The same is true of the seven remaining titles on Live/Dead. The rousing rendition of "St. Stephen" reinvents the Aoxomoxoa (1968) prototype with rip-roaring thunder and an extended ending which slams into an instrumental rhythmic excursion titled "The Eleven" after the jam's tricky time signature. The second LP began with a marathon cover of "(Turn on Your) Lovelight," which had significant success for both Bobby "Blue" Bland and Gene Chandlerearlier in the decade. With Ron "Pigpen" McKernan at the throttle, the Dead barrel their way through the work, reproportioning and appointing it with fiery solos from Garcia and lead vocal raps courtesy of McKernan. "Death Don't Have No Mercy" is a languid noir interpretation of Rev. Gary Davis' distinct Piedmont blues. Garcia's fretwork smolders as his solos sear through the melody. Likewise notable is the criminally underrated keyboard work of Tom Constanten, whose airy counterpoint rises like a departing spirit from within the soul of the song. The final pairing of "Feedback" -- which is what is sounds like it might be -- with the "lowering down" funeral dirge "And We Bid You Goodnight" is true to the way that the band concluded a majority of their performances circa 1968-1969. They all join in on an a cappella derivative of Joseph Spence and the Pinder Family's traditional Bahamian distillation. Few recordings have ever represented the essence of an artist in performance as faithfully as Live/Dead. It has become an aural snapshot of this zenith in the Grateful Dead's 30-year evolution and as such is highly recommended for all manner of enthusiasts. The 2001 remastered edition that was included in the Golden Road (1965-1973) (2001) box set tacks on the 45 rpm studio version of "Dark Star" as well as a vintage radio advert for the album.