10-30-2019


132 a o 9-24-2019



106 as of 8-25-2918




60 as of 4-18-2019

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Andrew Lloyd Webber & Tim Rice* ?– Jesus Christ Superstar - A Rock Opera

Label: Decca ?– DXSA 7206 Format: 2 × Vinyl, LP, Album, Gatefold

COVER-Near MINT in shrink open Gatefold
VINYL-Appears MINT includes Booklet

Tracklist

A1 Overture 3:59 A2 Heaven On Their Minds 4:23 A3 What's The Buzz / Strange Thing Mystifying 4:13 A4 Everything's Alright 5:15 A5 This Jesus Must Die 3:36 B1 Hosanna 2:07 B2 Simon Zealotes / Poor Jerusalem 4:49 B3 Pilate's Dream 1:28 B4 The Temple 4:43 B5 Everything's Alright 0:34 B6 I Don't Know How To Love Him 3:36 B7 Damned For All Time / Blood Money 5:11 C1 The Last Supper 7:10 C2 Gethsemane (I Only Want To Say) 5:33 C3 The Arrest 3:24 C4 Peter's Denial 1:27 C5 Pilate And Christ 2:46 C6 King Herod's Song (Try It And See) 3:02 D1 Judas' Death 4:17 D2 Trial Before Pilate (Including The 39 Lashes) 5:13 D3 Superstar 4:16 D4 Crucifixion 4:04 D5 John Nineteen: Forty One 2:10

Companies, etc.

• Recorded At – Advision Studios
• Recorded At – Island Studios
• Recorded At – Olympic Studios
• Recorded At – Spot Productions Studios
• Copyright (c) – Decca Records
• Manufactured By – Decca Records

Credits

• Acoustic Guitar – Henry McCullough
• Art Direction – Bill Levy
• Bass – Alan Spencer
• Composed By, Arranged By [Orchestration], Directed By – Andrew Lloyd Webber
• Design – Ernie Cefalu
• Drums, Percussion – Bruce Rowland
• Electric Guitar – Henry McCullough, Neil Robinson (2)
• Engineer [Advision] – Martin Rushent
• Engineer [Chief Recording] – Alan O'Duffy
• Engineer [Cutting] – Tony Bridge
• Engineer [Recording] – Anton Matthews, Jeremy Gee, Steve Vaughan
• Lyrics By – Tim Rice
• Management – Don Norman
• Piano, Electric Piano, Organ, Organ [Positive] – Peter Robinson
• Producer – Andrew Lloyd Webber, Tim Rice
• Tenor Saxophone – Chris Mercer
• Trumpet – Kenny Wheeler
• Vocals [Annas] – Brian Keith (2)
• Vocals [Caiaphas, High Priest] – Victor Brox
• Vocals [Jesus Christ] – Ian Gillan
• Vocals [Judas Iscariot] – Murray Head
• Vocals [King Herod] – Mike D'Abo
• Vocals [Maid By The Fire] – Annette Brox
• Vocals [Mary Magdalene] – Yvonne Elliman
• Vocals [Peter] – Paul Davis (11)
• Vocals [Pontius Pilate] – Barry Dennen
• Vocals [Priest] – Paul Raven (2)
• Vocals [Simon Zealotes] – John Gustafson

Notes

Recorded At Olympic Sound Studios, Barnes, Advision Studios, Island Studios And Spot Productions Studios On 16-Track Tape.

Released in a gatefold sleeve including a booklet. Lp's housed in brown paper sleeves. Records are set up for record changers.
Also released as box set with same cat. #.

Barcode and Other Identifiers

• Other (Cat.Nr. Disc 1): DL 79178
• Other (Cat.Nr. Disc 2): DL 79179
• Matrix / Runout (Deadwax Side One): LN7-214 9 2
• Matrix / Runout (Deadwax Side Two): LN7-215 8 2
• Matrix / Runout (Deadwax Side Three): LN7-216 9 2
• Matrix / Runout (Deadwax Side Four): LN7-217 7 2
• Matrix / Runout (Side One): LNMG 7-214
• Matrix / Runout (Side Two): LNMG 7-215
• Matrix / Runout (Side Three): LNMG 7-216
• Matrix / Runout (Side Four): LNMG 7-217
• Rights Society: ASCAP

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Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.