2-7-2019



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Showdown (4) ?– Welcome To The Rodeo

Label: Damon ?– D-1002 Format: Vinyl, LP, Album 
Country: Canada Released: 1980
COVER&VINYL-Near MINT
Country, Comedy, Country Rock

TracklistHide Credits

A1 Banjo Symphony Composed By – Charles Holley, Garry Lee, Kelly La Rocque, Paul McLellan 2:30 A2 Tennessee Stud Composed By – Jimmy Driftwood 3:11 A3 There Goes Another Love Song Composed By – T. Thomasson*, B.L. Yoho* 2:45 A4 Rocky Top Composed By – Boudleaux & Felice Bryant 1:58 A5 Cosmic Cowboy Composed By – Michael Martin Murphey 3:23 B1 Devil Went Down To Georgia Composed By – The Charlie Daniels Band 3:23 B2 Redneck Disco Composed By – Lee Dresser 3:01 B3 Lonesome 7-7203 Composed By – Justin Tubb 2:14 B4 Dueling Banjos Composed By – Arthur Smith (2) 2:39 B5 The Rodeo Song Composed By – Gaye Delorme 2:00

Companies, etc.

• Manufactured By – Damon Productions Ltd.
• Recorded At – Damon Sound Studios
• Pressed By – CBS Records Canada Ltd.
• Mastered At – The Lacquer Channel Limited
• Phonographic Copyright (p) – Damon Productions Ltd.
• Copyright (c) – Damon Productions Ltd.
• Published By – Pet-Mac Publishing
• Published By – PRO Canada
• Published By – Warden Music Co.
• Published By – Hustlers, Inc.
• Published By – House Of Bryant
• Published By – Mystery Music (2)
• Published By – Hat Band Music
• Published By – Starship Music
• Published By – Ceaderwood
• Printed By – Shorewood Packaging Corp. Of Canada Ltd.

Credits

• Drums, Percussion, Vocals – Paul McLellan
• Electric Guitar, Acoustic Guitar, Banjo, Bass, Vocals – Charles Holley
• Engineer – Garry McDonall, Rick Erickson
• Executive-Producer – Garry McDonall
• Fiddle [Electric], Bass, Rhythm Guitar, Vocals – Garry Lee Berthold*
• Lead Guitar [Electric], Acoustic Guitar, Harmonica, Banjo, Vocals – Kelly LaRocque*
• Mastered By – GG*
• Photography By – Wendy Drinkwater
• Producer – Garry Lee

On back cover:
Studio - Damon Sound - Edmonton, Alberta

Barcode and Other Identifiers

• Matrix / Runout (Runout side A, etched): WRC-1-1230-A-1A-2HZ: Q DM
• Matrix / Runout (Runout side B, etched): WRC-1-1230-B TLC-T GG Q DM
• Rights Society: BMI
• Rights Society: ASCAP

ALL VINYL GRADING IS BASED ON VISUAL INSPECTION
A vinyl sound recording has two aspects: visual and audio. I cannot possibly test play every record I list therefore, all grading is visual.
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Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.