FREE 2for1 OFFER-Steely Dan ?– Aja Label: ABC Records ?– AB 1006 Format: Vinyl,

$

20

10-10-2018

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FREE 2for1 OFFER-Steely Dan ?– Aja Label: ABC Records ?– AB 1006 Format: Vinyl, LP, Album, Gatefold
COVER-VG+++ some wear but solid all around
VINYL-VG+++ in original inner sleeve

TracklistHide Credits

A1 Black Cow Backing Vocals – Clydie King, Rebecca Louis, Sherlie Matthews, Venetta FieldsBass – Chuck RaineyClavinet – Joe SampleDrums – Paul HumphreyElectric Piano – Victor FeldmanGuitar – Larry CarltonLead Vocals, Synthesizer – Donald FagenTenor Saxophone – Tom Scott 5:07 A2 Aja Backing Vocals – Timothy B. SchmitBass – Chuck RaineyDrums – Steve GaddElectric Piano – Joe SampleGuitar – Denny Dias, Larry Carlton, Walter BeckerLead Vocals, Backing Vocals, Synthesizer – Donald FagenPercussion – Victor FeldmanPiano – Michael OmartianTenor Saxophone – Wayne Shorter 7:56 A3 Deacon Blues Backing Vocals – Clydie King, Sherlie Matthews, Venetta FieldsBass – Walter BeckerDrums – Bernard PurdieElectric Piano – Victor FeldmanGuitar – Larry Carlton, Lee RitenourLead Vocals, Synthesizer – Donald FagenTenor Saxophone – Pete Christlieb 7:26 B1 Peg Backing Vocals – Michael McDonald, Paul GriffinBass – Chuck RaineyClavinet – Don GrolnickDrums – Rick MarottaElectric Piano – Paul GriffinGuitar – Steve KhanGuitar [Solo] – Jay GraydonLead Vocals – Donald FagenLyricon – Tom ScottPercussion – Gary Coleman, Victor Feldman 3:58 B2 Home At Last Backing Vocals – Timothy B. SchmitBass – Chuck RaineyDrums – Bernard PurdieGuitar – Larry CarltonGuitar [Solo] – Walter BeckerLead Vocals, Backing Vocals, Synthesizer – Donald FagenPiano, Vibraphone – Victor Feldman 5:31 B3 I Got The News Backing Vocals – Clydie King, Michael McDonald, Rebecca Louis, Sherlie Matthews, Venetta FieldsBass – Chuck RaineyDrums – Ed Greene (2)Guitar – Dean ParksGuitar [Solo] – Larry Carlton, Walter BeckerLead Vocals, Synthesizer – Donald FagenPiano, Vibraphone, Percussion – Victor Feldman 5:03 B4 Josie Backing Vocals – Timothy B. SchmitBass – Chuck RaineyDrums, Percussion – Jim KeltnerElectric Piano – Victor FeldmanGuitar – Dean Parks, Larry CarltonGuitar [Solo] – Walter BeckerLead Vocals, Backing Vocals, Synthesizer – Donald Fagen 4:30

Companies, etc.

• Phonographic Copyright (p) – ABC Records, Inc.
• Copyright (c) – ABC Records, Inc.
• Pressed By – Columbia Records Pressing Plant, Santa Maria
• Published By – ABC/Dunhill Music, Inc.
• Recorded At – The Village Recorder
• Recorded At – Producers Workshop
• Recorded At – Warner Bros. Recording Studios
• Recorded At – ABC Recording Studios
• Recorded At – Sound Labs, Hollywood
• Recorded At – A&R Studios
• Mastered At – A&M Studios

Credits

• Arranged By [Horns] – Tom Scott
• Engineer – Al Schmitt, Bill Schnee, Elliot Scheiner, Roger Nichols
• Engineer [Assistant] – Ed Rack, Joe Bellamy, Ken Klinger, Lenise Bent, Linda Tyler, Ron Pangaliman
• Engineer [Executive] – Roger Nichols
• Mastered By – Bernie Grundman
• Producer – Gary Katz
• Sleeve Notes – Michael Phalen, Steve Diener
• Written-By – Donald Fagen, Walter Becker

Notes

1st pressings have the AB-1006 matrix and came in a glossy gatefold sleeve with a glossy card lyric inner sleeve. 

The AB was an ABC label price-code, and approximately two weeks after the release of the album the price was raised $1.00 and subsequent pressings were AA-1006. 

The earliest pressings have 'KENDUN' in the run-off grooves, some AB pressings do not and have the same 1006-(RE-3) run off matrixes as the second pressings, only the AB-1006 or AA-1006 differs (initial AA-1006 pressings have a crossed out 'B'). 

All these pressings are on the red/yellow/orange ABC label.

Barcode and Other Identifiers

• Matrix / Runout (Side A - Label): AB-1006-A
• Matrix / Runout (Side B - Label): AB-1006-B
• Matrix / Runout (Varation 5: Runout Side A): AB 1006 (RE-3) - A T3 TI
• Matrix / Runout (Varation 5: Runout Side A): AB 1006 (RE-3) - B-1 T1

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Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.