FREE 2for1 OFFER-Warren Zevon ?– Warren Zevon: Asylum Records ?– 7E-1060/LP
$
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Description
51915
FREE-2 for1-BUY ONE GET ONE FREE
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FREE 2for1 OFFER-Warren Zevon ?– Warren Zevon: Asylum Records ?– 7E-1060/LP
COVER-VG+++
VINYL-VG+++
TracklistHide Credits
A1 Frank And Jesse James Banjo, Fiddle – David LindleyBass – Bob GlaubDrums – Larry ZackGuitar – Waddy WachtelHarmony Vocals [Harmonies] – Phil EverlyPiano – Warren Zevon 4:33 A2 Mama Couldn't Be Persuaded Bass – Bob GlaubDrums – Larry ZackFiddle – David LindleyGuitar – Waddy WachtelHarmony Vocals [Harmonies] – Jackson Browne, John David SoutherPiano – Warren Zevon 2:53 A3 Backs Turned Looking Down The Path Bass – Marty DavidDrums – Gary MallaberGuitar – Lindsey BuckinghamPiano – Warren ZevonSlide Guitar, Harmony Vocals [Harmony] – Jackson Browne 2:27 A4 Hasten Down The Wind Bass – Bob GlaubDrums – Larry ZackGuitar – Waddy WachtelHarmony Vocals [Harmony] – Phil EverlyPerformer – Sid Sharp Strings, ThePiano – Warren ZevonSlide Guitar – David Lindley 2:58 A5 Poor Poor Pitiful Me Bass – Bob GlaubDrums – Larry ZackFiddle – David LindleyGuitar – Waddy WachtelHarmony Vocals [Harmony] – Lindsey BuckinghamPiano – Jai WindingSaxophone – Bobby Keys 3:04 A6 The French Inhaler Bass – Bob GlaubDrums – Larry ZackGuitar – Waddy WachtelHarmony Vocals [Harmonies] – Don Henley, Glenn FreyPerformer – Sid Sharp Strings, ThePiano – Warren Zevon 3:44 B1 Mohammed's Radio Bass – Bob GlaubDrums – Larry ZackEngineer [Harmonies] – Ken CaillatGuitar – Waddy WachtelHarmony Vocals [Harmonies] – Lindsey Buckingham, Stephanie Nicks*Piano – Warren ZevonSaxophone – Bobby KeysSlide Guitar – David Lindley 3:40 B2 I'll Sleep When I'm Dead Bass – Roy Marinell*Drums – Gary MallaberGuitar – Waddy WachtelHarmony Vocals [Harmony] – Jorge Calderon*Jug – Fritz RichmondPiano, Harmonica – Warren Zevon 2:56 B3 Carmelita Bass – Bob GlaubDrums – Larry ZackElectric Piano – Warren ZevonGuitar – David Lindley, Waddy WachtelRhythm Guitar, Harmony Vocals [Harmony] – Glenn Frey 3:32 B4 Join Me In L.A. Bass – Bob GlaubDrums – Larry ZackGuitar – Ned DohenyHarmony Vocals [Harmonies] – Bonnie Raitt, Rosemary ButlerOrgan, Synthesizer – Jai WindingPiano – Jackson BrowneRhythm Guitar – Warren ZevonSaxophone – Bobby Keys 3:13 B5 Desperados Under The Eaves Arranged By [Harmonies] – Carl WilsonBass – Bob GlaubDrums – Larry ZackGuitar – Waddy WachtelHarmony Vocals [Closing Harmonies] – Gentlemen Boys, TheHarmony Vocals [Harmonies] – Billy Hinsche, Carl Wilson, Jackson Browne, Jai Winding, Warren ZevonPerformer – Sid Sharp Strings, ThePiano – Warren Zevon 4:45Companies etc
- Manufactured By – Elektra/Asylum/Nonesuch Records
- Phonographic Copyright (p) – Asylum Records
- Pressed By – PRC Recording Company, Richmond, IN
- Recorded At – Elektra Sound Recorders
- Recorded At – Sunset Sound Recorders
- Recorded At – Record Plant, Sausalito
- Mixed At – Sunset Sound Recorders
- Mastered At – Artisan Sound Recorders
- Mastered At – Specialty Records Corporation
Credits
- Design, Photography By – Jimmy Wachtel
- Mixed By – John Haeny
- Producer – Jackson Browne
- Recorded By – Fritz Richmond, Kent Nebergall
- Written-By, Arranged By [Strings] – Warren Zevon
Notes
Recorded at Elektra Sound Recorders and at Sunset Sound Recorders. Mixed at Sunset Sound Recorders. Lindsey and Stephanie were recorded on track B1 at The Record Plant in Sausalito.'Warren Zevon' printed in blue lettering.
ALL VINYL GRADING IS BASED ON VISUAL INSPECTION
A vinyl sound recording has two aspects: visual and audio. I cannot possibly test play every record I list therefore, all grading is visual.
If you purchase a record and are disappointed with it, let me know and I will make good on the promise to do what is reasonable to make you a satisfied customer. My reputation as a seller allows me to stay in business. As my customer please know that I am dependent on your satisfaction.
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Rating System
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
(VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.
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