GENE CLARK WHITE LIGHT INSANELY RARE ORIG '71 A&M TEST PRESSING STUNNING LP
$
170
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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WE CURRENTLY HAVE NEARLY 400 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS' NAMES) ►CLICK HERE
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· GENE CLARK - SELF-TITLED 1971 ALBUM (ALSO KNOWN AS "WHITE LIGHT", BECAUSE THIS WAS THE ALBUM’S TITLE ORIGINALLY SHOWN ON THE RECORD LABEL UPON THE ALBUM'S RELEASE) –ORIGINAL BRITISH PRESSING - ORIGINAL 1971 A&M RECORDS (UK) STEREO LP AMLS-64292.
· ORIGINAL U.K. PRESSING
*** PREPOSTEROUSLY RARE ORIGINAL 1971 BRITISH TEST PRESSING ***
· ONE OF THE GREATEST FOLK-ROCK ALBUMS OF THE LAST 50 YEARS – THE UNIVERSALLY RECOGNIZED MASTERPIECE
· PLAIN, WHITE, GENERIC UK TEST PRESSING LABEL , WITH ONLY ARTIST, ALBUM TITLE AND TRACK LISTING WRITTEN ON THE LABELS
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. TEST PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-A1/-B1'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· COPYRIGHT NOTICE: THIS TITLE IS BEING OFFERED FOR SALE AS IT IS DEEMED TO BE (OR HAVE BEEN) PUBLICLY AND COMMERCIALLY AVAILABLE. IF YOU ARE THE OWNER OF THE COPYRIGHT AND HAVE QUESTIONS, COMMENTS OR DOUBTS, PLEASE CONTACT US DIRECTLY THROUGH EBAY.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Amazing !!! An unbelievable piece: What we have here is an unheard-of TEST PRESSING of this MONUMENTALLY important and influential Gene Clark album, a proverbial MILESTONE of the West Coast Folk-Rock, and - according to many, yours truly included - Gene Clark's most brilliantly shining moment.. While many test pressings often have alternate or demo- versions of known, later released songs, and while it is possible that this particular test pressing contains demo or alternate versions of some of the tracks, this copy does not appear to have any, but it is possible that the lifelong Byrds and Gene Clark collector will find some telling differences between the test pressing and the commercially released version. Please contact us if you have any questions and we will gladly respond. The generic white test pressing label is (almost) entirely blank and without any details whatsoever.
***
Gene Clark's 1971 platter, with its stark black cover featuring his silhouette illuminated by the sun, was dubbed White Light -- though the words never appear on the cover -- and if ever a title fit a record, it's this one. Over its nine original tracks, it has established itself as one of the greatest singer/songwriter albums ever made. After leaving the Byrds in 1966, recording with the Gosdin Brothers, and breaking up the Dillard & Clark group that was a pioneering country-rock outfit, Clark took time to hone his songwriting to its barest essentials. The focus on these tracks is intense, they are taut and reflect his growing obsession with country music. Produced by the late guitarist Jesse Ed Davis (who also worked with Taj Mahal, Leon Russell, Link Wray, and poet John Trudell, among others), Clark took his songs to his new label with confidence and they supported him. The band is comprised of Flying Burrito Brothers' bassist Chris Ethridge, the then-Steve Miller Band-pianist (and future jazz great) Ben Sidran, organist Michael Utley, and drummer Gary Mallaber. Clark's writing, as evidenced on "The Virgin," the title cut, "For a Spanish Guitar," "One in a Hundred," and "With Tomorrow," reveals a stark kind of simplicity in his lines. Using melodies mutated out of country, and revealing that he was the original poet and architect of the Byrds' sound on White Light, Clark created a wide open set of tracks that are at once full of space, a rugged gentility, and are harrowingly intimate in places. His reading of Bob Dylan's "Tears of Rage," towards the end of the record rivals, if not eclipses, the Band's. Less wrecked and ravaged, Clark's song is more a bewildered tome of resignation to a present and future in the abyss. Now this is classic rock.
(EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE /ALLMUSIC.COM/)
Easily the most venerated of all solo works by this great, late singer-songwriter, this 1971 album is a masterpiece of form and substance, texture, melody and feel. Unavailable in any way, manner or format in well over quarter century (somebody at A&M should be hung by the toenails for this). Track listing: The virgin - With Tomorrow - White Light - Because of you - One in a Hundred - Spanish Guitar - Where my love lies asleep - Tears of Rage - 1975.
For additional historical information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record comes in a hi-grade MFSL PVC inner sleeve, which has - apparently with success - shielded the record from the harmful impact of elements over many years!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER; LAMINATED ON BOTH SIDES):
THE COVER IS NEAR MINT !
The following flaws or imperfections are noted on the cover:
- The laminated cover has a few air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers
- Cover has one corner slightly dinged (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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