GENE QUILL (w/ JIMMY CLEVELAND) 3 BONES & QUILL RARE ORIGINAL '58 ROOST MONO LP
$
46
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· GENE QUILL with JIMMY CLEVELAND, NAT PIERCE, HANK JONES AND OTHERS - THREE BONES AND A QUILL - ORIGINAL 1958 ROOST RECORDS MONO LP 2229
· ORIGINAL U.S. PRESSING
· ORIGINAL DARK BLUE ROOST LABEL WITH SILVER SCRIPT.
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Gene Quill led very few dates of his own during his career, but these two sessions made for Roost feature the alto saxophonist in an unusual setting with a trio of trombonists (Frank Rehak, Jimmy Cleveland, and Jim Dahl) and a rhythm section consisting of drummer Charlie Persip, bassist Whitey Mitchell, and either Nat Pierce or Hank Jones on piano. Quill, who sounds very similar to frequent musical partner Phil Woods (though he is a bit more laid-back), is obviously stimulated by both groups, while the solo baton is passed around a good bit with no one being left out. Highlights include the sauntering take of Horace Silver's "The Preacher," a lively arrangement of Thad Jones' "Three and One," and a swinging interpretation of Duke Ellington's "In a Mellotone." Liner note writer Barry Ulanov takes the time to identify the soloists track by track, which is always a welcome touch.
(EXCERPT FROM AN ONLINE REVIEW BY KEN DRYDEN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted below, ALL records are graded visually, NOT play-graded!)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the very first pressings. Usually, the sound on such thick vinyl pressings is full-bodied, exceedingly vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from your compact disc!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a partially split bottom seam (between 6 and 8 inches /15 to 20 centimeters)
- Cover has some fraying/wear along the spine
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (VISIBLE ON BACK SIDE ONLY)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant)
- Cover has some tiny, faint writing on its back side (a microscopic price code written in one corner)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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