GEORGE HARRISON (BEATLES) ELECTRONIC SOUND VERY RARE ORIG '69 APPLE LP NM
$
37
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· GEORGE HARRISON with BEAVER AND KRAUSE - ELECTRONIC SOUND - GEORGE HARRISON'S SECOND SOLO ALBUM – ORIGINAL 1968 (Z)APPLE RECORDS STEREO LP ST-3358
· ORIGINAL U.S. PRESSING
· ORIGINAL (Z)APPLE LABEL: WHOLE APPLE ON ONE SIDE, SPLIT APPLE ON THE OTHER , SUCH AS THE ONE SHOWN BELOW, FROM OUR PREVIOUS AUCTION .
· SCRANTON, PA CAPITOL PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-A1/-B2'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Hard as it is to believe, George Harrison, guitar picker, was also an electronic music pioneer, as these two lengthy, abstract tone poems for early-vintage Moog synthesizer reveal. A naif in the electronic sphere, George had a lot of help putting this music together, particularly from ace California electronic composer Bernie Krause. (Interestingly, Krause was originally given prominent credit in the artist's childlike artwork on the LP cover, but when the album came out, Krause's name was almost, but not quite, obscured by silver paint, and the CD erases it entirely.) The main difference between the CD reissue and the original LP is that the identities of the two works apparently have been reversed; "Under the Mersey Wall" is really "No Time or Space" and vice-versa. Accordingly, Krause is given "assistance" credit for the latter piece instead of the former, which is significant because "No Time or Space" is the masterpiece of the record. Dramatically structured, unearthly in its pitchless writhing, flamboyantly manipulating pink and white noise from the opening electronic gun battle onward, "No Time or Space" is still an entertaining listening experience, and some of its passages would turn up later in the "I Remember Jeep" jam from Harrison's All Things Must Pass album. The shorter "Mersey Wall," recorded in Harrison's Esher bungalow with his own Moog, is a low-key, drifting affair, not quite as virtuosic in its handling of abstract sound, nor nearly as theatrical. Though scoffed at when they were released, these pieces can hold their own and then some with many of those of other, more seriously regarded electronic composers. And when you consider that synthesizers were only capable of playing one note at a time and sounds could not be stored or recalled with the push of a button, the achievement becomes even more remarkable. Alas, George never followed up on this direction, which, like the Zapple label, was abandoned after this release.
(EXCERPT FROM AN ONLINE REVIEW BY RICHARD S.GINELL, ALL MUSIC GUIDE /ALLMUSIC.COM/)
This is only the THIRD solo album by any solo Beatle ever released (also, George Harrison's second solo album) recorded with legendary electronic music guru Bernie Krause in California in 1968 - roughly the time Beatles were recording the "White Album". An indispensable listening experience for any self-respecting Beatle-file. Track listing: Under the Mersey Wall - No time or space.
For additional information on this album click here
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.
- Cover has a visible "wrinkle"(crease) in one of the corners. (VISIBLE ON BACK SIDE ONLY)
- Cover has a few tiny wrinkles along the spine (VISIBLE ON BACK SIDE ONLY)
- Cover has a few tiny wrinkles along the top seam (nothing significant)
- Cover has one corner slightly worn / dinged (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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