GRATEFUL DEAD Live Dead LP WB 1969 US re+foc+insert 2WS1830 JERRY GARCIA
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Description
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THE GRATEFUL DEAD
BOB WEIR, RON 'Pig Pen' McKERNAN, BILL KREUTZMANN, JERRY GARCIA,
PHIL LESH, MICKEY HART, TOM CONSTANTEN
Legendary Haight-Ashbury sextet who took a long strange trip
from acid-testing jugband to worldwide countercultural institution
"LIVE/DEAD"
<reissue, originally published in 1969>
tracklisting
Side A: DARK STAR
Side B: SAINT STEPHEN - THE ELEVEN
Side C: TURN ON YOUR LOVELIGHT
Side D: DEATH DON'T HAVE NO MERCY - FEEDBACK - AND WE BID YOU GOODNIGHT
2LP WARNER BROS RECORDS 1830
PRINTED IN USA 1970 REPRESSING
AUTO-COUPLED VERSION: Sides A and D are on record 1, sides B and C are on record 2.
GATEFOLD SLEEVE + BOOKLET INSERT
THICK CARDBOARD COVER (AMERICAN STYLE)
Barcode and Other Identifiers
Barcode: none
LABEL: WB - GREEN/OLIVE LABEL w/WB ORANGE SHIELD on TOP - BLACK TEXT
Catalog on cover: 1830
Catalog on labels:
DISC ONE: 2WS 1830 (S39602) / 2WS 1980 (S39605)
DISC TWO: 2WS 1830 (S39603) / 2WS 1980 (S39604)
Matrix / Runout (Side A, Etched): 39602 2WS-1830 A -1K
Matrix / Runout (Side B, Etched): 39603 2WS 1830-1C
Matrix / Runout (Side C, Etched): 39604 2WS 1830 -1C
Matrix / Runout (Side D, Etched): 39605 2WS 1830 -1F
On labels: rim text reads "Warner Bros. Records Inc., A Subsidiary.......Made in U.S.A."
Produced by The Grateful Dead And Bob And Betty
STEREO
On inside panels: Produced by The Grateful Dead and Bob & Betty
Lyrics: Robert Hunter / Tunes: Jerry Garcia, Phil Lesh…
Warner Bros.-Sevens Arts Records Inc., A Subsidiary & Licensee Of Warner Bros.-Seven Arts, Inc. 4000 Warner Blvd., Burbank Calif., 488 Madison Ave., New York, N.Y. MADE IN THE U.S.A.
On back cover: tracklisting
grading
RECORDS VG+ but (please, read above description)
SLEEVE VG(-) but (please, see pictures and read above description)
The Grateful Dead's fourth title was likewise their first extended concert recording. Spread over two LPs, Live/Dead (1969) finally was able to relay the intrinsic sonic magnificence of a Dead show in real time. Additionally, it unleashed several key entries into their repertoire, including the sidelong epic and Deadhead anthem"Dark Star" as well as wailing and otherwise electrified acidic covers of the Rev. Gary Davis blues standard "Death Don't Have No Mercy" and the R&B rave-up "(Turn on Your) Lovelight." Finally, the conundrum of how to bring a lengthy performance experience to the listener has been solved. The album's four sides provided the palette from which to replicate the natural ebb and flow of a typical Dead set circa early 1969. Tomes have been written about the profound impact of "Dark Star" on the Dead and their audience. It also became a cultural touchstone signifying that rock music was becoming increasingly experimental by casting aside the once-accepted demands of the short, self-contained pop song. This version was recorded on February 27, 1969, at the Fillmore West and is presented pretty much the way it went down at the show...(AllMusic)
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