GUIDED BY VOICES Forever Since Breakfast MLP I WANNA 1986 US orig ROBERT POLLARD

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Beginning in the mid-'80s, Robert Pollard revolutionized indie rock with ever-evolving 

lo-fi pop created by a rotating cast. Inspired equally by jangle pop and arty post-punk, 

Guided by Voices created a series of trebly, hissy indie rock records filled with 

infectiously brief pop songs that fell somewhere between the British Invasion and prog rock. 

After recording six self-released albums between 1986 and 1992, the Dayton, Ohio-based 

band attracted a handful of fans within the American indie rock underground. 

With the 1994 release of Bee Thousand, the group became an unexpected alternative rock sensation

"FOREVER SINCE BREAKFAST"

1986     MLP     I WANNA RECORDS     605058X     

PRINTED IN U.S.A.      ORIGINAL  FIRST PRESSING

[Limited to 500 copies. Issued with b&w cover (2005 reissue has a color cover)]

STILL IN SHRINK SINGLE COVER     BLACK VINYL

THICK CARDBOARD COVER (AMERICAN STYLE)

Barcode and Other Identifiers

Barcode: none

LABEL: I WANNA - GREEN-GOLD LABEL - BLACK TEXT

Catalog on cover: none

Catalog on labels: 605058XA / 605058XB

Matrix / Runout (Side A, Etched): 605058X-A   CM   HEY TINA

   Matrix / Runout (Side B, Etched): 605058X-B   you're right, that was my car

On labels: All Songs written by Robert Pollard

© 1986 Needmore Songs

On Back Cover: Produced by Wayne Hartman + Guided By Voices

Recorded 4/86, 5/86 at Group Effort Studios, Crescent Springs, Kentucky

 Mitch Swan guitar on "The Other Place" (courtesy of Pleasures Pale)

from my records collection

tracklisting

Side A: LAND OF DANGER - LET'S RIDE

LIKE I DO - SOMETIMES I CRY

Side B: SHE WANTS TO KNOW - FOUNTAIN OF YOUTH - THE OTHER PLACE

   grading

RECORD NEAR MINT but (please, read above description)

 SLEEVE NEAR MINT but (please, see pictures and read above description)

Though once getting past how dated Forever Since Breakfast sounds, it's clear that 

although Pollard had not yet found his niche, his songwriting talent was present 

and accounted for. That spectacular talent shines through even on songs 

drenched with college rock trappings like "Lets Ride" and "She Wants to Know." 

Oddly enough, Paul Comstock (who plays lead guitar on the album) has a 

similar style to latter-day GBV axe-man Doug Gillard. This apparent coincidence 

helps to place this EP in the body of GBV's work; it is closest to the dark 

Same Place the Fly Got Smashed and Isolation Drills, an album that 

was made more than a decade after these demos were recorded, proving 

how the more Pollard tries to change, the more he remains the same...(AllMusic)