Gerry Mulligan / Lee Konitz ?– Revelation 1975 Jazz Double Vinyl LP Album

$

26

 
Gerry Mulligan / Lee Konitz ?– Revelation

Label:
Blue Note ?– BN-LA-532-HS, Blue Note ?– BN-LA-532-H2
Series:
The Blue Note Re-Issue Series –
Format:
2 × Vinyl, LP, Compilation, Reissue, Mono, Gatefold
Country:
US
Released:
1975
Genre:
Jazz
Style:
Bop, Hard Bop, Cool Jazz

Tracklist Hide Credits

A1         Disc Jockey Jump

    Written-By – G. Krupa*, G. Mulligan*

    4:34
A2         Almost Like Being In Love

    Written-By – A. J. Lerner - F. Loewe*

    2:46
A3         Too Marvelous For Words

    Written-By – J. Mercer*, R. A. Whiting*

    3:36
A4         Crazy Day

    Written-By – G. Mulligan*

    7:03
B1         Revelation

    Written-By – G. Mulligan*

    5:00
B2         All The Things You Are

    Written-By – J. Kern - O. Hammerstein II*

    3:52
B3         Venus De Milo

    Written-By – G. Mulligan*

    5:07
B4         Sextet I

    Written-By – G. Mulligan*

    2:58
C1         Four And One More

    Written-By – G. Mulligan*

    4:23
C2         Lover Man (Oh Where Can You Be)

    Written-By – J. Davis*, J. Sherman*, R. Ramirez*

    3:00
C3         I Can't Believe That You're In Love With Me

    Written-By – C. Gaskill*, J. McHugh*

    3:02
C4         Turnstile

    Written-By – G. Mulligan*

    7:53
D1         Oh, Lady Be Good

    Written-By – G. Gerscwin*, I. Gershwin*

    2:29
D2         Broadway

    Written-By – B. Bird*, H. Woode*, T. McRae*

    2:54
D3         Sextet II

    Written-By – G. Mulligan*

    4:16
D4         These Foolish Things

    Written-By – H. Link*, H. Marvell*, J. Strachey*

    3:16
D5         I'll Remember April

    Written-By – D. Raye*, G. DePaul*, P. Johnston*

    4:09
Companies etc

    Copyright (c) – United Artists Music And Records Group, Inc.
    Phonographic Copyright (p) – United Artists Music And Records Group, Inc.
    Manufactured By – United Artists Music And Records Group, Inc.
    Recorded At – The Haig
    Recorded At – Phil Turetsky's House

Credits

    Alto Saxophone – Lee Konitz
    Alto Saxophone, Tenor Saxophone – Allen Eager (tracks: A1, A4, B1, B3, C1, C3, C4), Zoot Sims (tracks: A1, A4, B1, B3, C1, C3, C4)
    Arranged By – Bill Holman (tracks: A1, B2, B3, C1, C4, D3), Gerry Mulligan (tracks: A4)
    Baritone Saxophone – Gerry Mulligan
    Bass – Henry Grimes (tracks: A1, A4, B1, B3, C1, C3, C4), Joe Mondragon (tracks: D3)
    Bass [Joe Mondragon Or Carson Smith] – Carson Smith (tracks: A2, A3, B2, B4, C2, D1, D2, D4, D5), Joe Mondragon (tracks: A2, A3, B2, B4, C2, D1, D2, D4, D5)
    Drums – Dave Bailey (tracks: A1, A4, B1, B3, C1, C3, C4), Larry Bunker (tracks: A2, A3, B2, B4, C2, D1 to D5)
    Guitar – Freddie Green (tracks: A1, A4, B1, B3, C1, C3, C4)
    Liner Notes – Nat Hentoff
    Photography By [Photo] – David Redfern
    Producer [Original Recordings] – Richard Bock
    Reissue Producer [Re-issue Produced By] – Pete Welding
    Supervised By [Project Director / Blue Note Re-issue Series] – Charlie Lourie
    Tenor Saxophone, Baritone Saxophone – Al Cohn (tracks: A1, A4, B1, B3, C1, C3, C4)
    Trumpet – Chet Baker (tracks: A2, A3, B2, B4, C2, D1 to D5)

Notes
Recording Data:
 I Can't Believe That You're in Love with Me - Recorded at Phil Turetsky's house, Los Angeles, June 10, 1953
 Sextet #1; Broadway; Almost Like Being in Love; Oh, Lady Be Good - Recorded Los Angeles, June, 1953
 Too Marvelous for Words; Lover Man; I'll Remember April; These Foolish Things; All The Things You Are - Recorded at The Haig, Los Angeles, June 1953
 Four and One Moore; Crazy Day; Turnstile; Sextet #II; Venus De Milo; Revelation; Disc Jockey Jump - Recorded New York City, December 4 and 5, 1957

inside gatefold, BN-LA-532-HS appears (note an 'S' instead of a '2' at the end)
© UAMARG, Inc.
©?MCMLXXV United Artists Music And Records Group, Inc. / BN-LA532-H2
Manufactured by United Artists Music And Records Group, Inc.,
Los Angeles, California 90028/Printed in U.S.A.
-----------------------------

General standards For Record Grading

Mint (M) - Still shrink wrapped, unplayed, new copy of a record.
no visual defects!

Near Mint (NM) - a nearly perfect record that has usually only
been played 1-3 times, in "like new" condition.

Very Good + / Excellent (VG+) -

A VG+ / Excellent record will show minor signs that it was played but
otherwise handled by a previous owner who took good care of it.
Record surface may show light scuffs or very light scratches that
don't affect one's listening experiences. Slight warps that do not
affect the sound are "OK".

The label may have some ring wear or discoloration, but it should
be barely noticeable. The center hole will not have been misshapen
 by repeated play. Picture sleeves will have some slight wear,
lightly turned up corners, or a slight seam split.

An LP cover may have slight signs of wear also and may be marred by a
cut-out hole, indentation or corner indicating it was taken out of print
and sold at a discount. In general, if not for a couple things wrong with
it, this would be Near Mint.

All but the most mint-crazy collectors
will find a Very Good Plus record highly acceptable.

Very Good (VG) - record has a little more wear than VG+ with some
slight surface noise, light pops, scuffs or light scratches. Generally
still a great playing copy, no skips. Jacket may have more shelf wear,
a little writing, sticker residue, punch out/cut out holes or corners.

Very Good - (VG-) - record has noticeable groove wear, minor discoloration,
surface noise, scratches, and/or scuffs but still a decent playing copy,
no skips. jacket has heavier wear and may have a small split seam.

Good + and Good (G+ and G) - record still plays without skipping
but has considerable amounts of groove wear, discoloration, surface noise, scuffs,
and/or scratches.  Sleeve has alot of wear and some defects such
as split seams, heavy creasing, writing, marks, sticker residue, etc...

Poor (P), Fair (F)

The record is cracked, badly warped, and won't play through without
skipping or repeating. The picture sleeve is water damaged, split on
all three seams and heavily marred by wear and writing. The LP cover
barely keeps the LP inside it. Inner sleeves are fully seam split,
crinkled, and written upon.