Gershwin: Porgy and Bess/ Maazel/ Cleveland Orchestra 1977 3 x LP Box Set NM
$
26
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Description
Gershwin: Porgy and Bess/ Maazel/ Cleveland Orchestra
Label:
London FFrr OSA-13116
Format:
3 x LP Box Set, Album, Vinyl, Stereo
Country:
UK, England
Released:
1977
Genre:
Classical, Stage & Screen
Style:
Opera
Tracklist
Porgy And Bess
A Introduction And Act 1, Scene 1; Catfish Row; A Summer Evening (Start); Jazzbo Brown Blues; Summertime; A Woman Is A Sometime Thing; Here Comes De Honey Man; They Pass By Singin' 28:21
B1 Act 1, Scene 1 (Concl.); Oh Little Stars 8:17
B2 Act 1, Scene 2; Serena's Room - The Following Night; Gone, Gone, Gone; Overflow; My Man's Gone Now 21:06
C Act 2, Scene 1; Catfish Row - A Month Later; It Takes A Long Pull To Get There; I Got Plenty O' Nuttin; Buzzard Song; Bess, You Is My Woman; Oh, I Can't Sit Down 30:58
D1 Act 2, Scene 2; Kittiwah Island - Evening. The Same Day; I Ain' Got No Shame; It Ain't Necessarily So; What You Want Wid Bess? 15:44
D2 Act 2, Scene 3; Catfish Row - Before Dawn. A Week Later (Start); Oh, Doctor Jesus; Strawberry Woman; Crab Man; I Loves You, Porgy 16:21
E1 Act 2, Scene 3 (Concl.) 2:22
E2 Act 2, Scene 4; Serena's Room - Dawn Of The Following Day; Oh, Hev'nly Father; Oh, De Lawd Shake De Heavens; Oh, Dere's Somebody Knockin' At De Do'; A Red Headed Woman 17:03
E3 Act 3, Scene 1; Catfish Row - The Next Night; Clara, Clara; Death Of Crown 8:55
F1 Act 3 Scene 2; Catfish Row - The Next Afternoon; There's A Boat Dat's Leavin' Soon For New York 13:37
F2 Act 3, Scene 3; Catfish Row - A Week Later; Good Mornin', Sistuh!; Oh, Bess, Oh Where's My Bess; Ow Lawd, I'm On My Way 17:40
Companies etc
Phonographic Copyright – The Decca Record Company Limited
Credits
Baritone Vocals [Crown] – McHenry Boatwright
Baritone Vocals [Jake] – Arthur Thompson
Bass Vocals [Frazier, Jim] – Christopher Deane
Bass Vocals [Porgy] – Willard White
Choir – Cleveland Orchestra Children's Chorus, The, Cleveland Orchestra Chorus, The
Chorus Master [Cleveland Orchestra Children's Chorus, The] – Becky Seredick
Chorus Master [Cleveland Orchestra Chorus, The] – Robert Page
Composed By – George Gershwin
Conductor – Lorin Maazel
Libretto By, Lyrics By – DuBose Heyward
Liner Notes – Lehman Engel
Lyrics By – Ira Gershwin
Mezzo-soprano Vocals [Annie] – Alpha Floyd
Mezzo-soprano Vocals [Lily] – Isola Jones
Mezzo-soprano Vocals [Maria, Strawberry Woman] – Barbara Conrad (2)
Mezzo-soprano Vocals [Serena] – Florence Quivar
Orchestra – Cleveland Orchestra, The
Performer [Coroner] – Alan Leatherman
Performer [Detective] – Robert Snook
Performer [Jasbo Brown], Piano – Joela Jones
Performer [Mr. Archdale] – John Buck
Performer [Policeman] – Ralph Neally
Performer [Scipio] – Donald Zucca
Soprano Vocals [Bess] – Leona Mitchell
Soprano Vocals [Clara] – Barbara Hendricks
Tenor Vocals [Mingo, Undertaker] – James Vincent Pickens
Tenor Vocals [Peter, Nelson] – William Brown
Tenor Vocals [Robbins, Crab Man] – Samuel Hagan
Tenor Vocals [Sporting Life] – François Clemmons
Notes
32p. booklet included. Made in UK, distributed in US.
- Porgy and Bess is an English-language opera composed in 1934 by George Gershwin, with a libretto written by DuBose Heyward and Ira Gershwin from Heyward's novel Porgy and later play of the same title. Porgy and Bess was first performed in New York City on September 30, 1935 and featured an entire cast of classically trained African-American singers—a daring artistic choice at the time. After an initially unpopular public reception, the Houston Grand Opera production of the opera gained popularity, eventually becoming one of the best-known and most frequently performed operas.
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(M) Mint Record still shrink wrapped, new copy of a record.
(NM) Near Mint Almost perfect record that has usually only
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(NM-/ EX+) Almost near mint, maybe a few very light marks but
nearly perfect.
(VG+/ EX) Very Good Plus / Excellent Record
will show minor signs that it was played but otherwise handled by a
previous owner who took good care of it. Record surface may show
light scuffs or very light scratches that don't affect one's listening
experiences. Slight warps that do not affect the sound are "OK".
The label may have some ring wear or discoloration, but it should
be barely noticeable. The center hole will not have been misshapen
by repeated play. Picture sleeves will have some slight wear, lightly
turned up corners, or a slight seam split.
An LP cover may have slight signs of wear also and may be marred by a
cut-out hole, indentation or corner indicating it was taken out of print
and sold at a discount. In general, if not for a couple things wrong with
it, this would be Near Mint.
All but the most mint-crazy collectors will find a Very Good Plus (VG+)
record highly acceptable.
(VG) Very Good Record has more wear than VG+ with some
more surface noise, light pops, scuffs or light scratches. Generally
still a great playing copy, no skips. Jacket may have more shelf wear,
a little writing, sticker residue, punch out/cut out holes or corners.
(VG-) Very Good- Record has noticeable groove wear, discoloration,
surface noise, louder pops, marks & scratches/ scuffs but still a decent playing copy, no skips. Cover may has heavier shelf wear, more discoloration and split seams.
(G/ G+) Good/ Good Plus Record still plays without skipping
but has considerable amounts of groove wear, discoloration, surface noise, scuffs, and/or scratches. Sleeve has a lot of wear and some defects such
as split seams, heavy creasing, writing, marks, sticker residue, etc...
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