Gershwin: Porgy and Bess/ Maazel/ Cleveland Orchestra 1977 3 x LP Box Set NM
  $   26

 


$ 26 Sold For
Oct 28, 2015 Sold Date
Aug 12, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description


Gershwin: Porgy and Bess/ Maazel/ Cleveland Orchestra

Label:
London FFrr OSA-13116
Format:
3 x LP Box Set, Album, Vinyl, Stereo
Country:
UK, England

Released:
1977
Genre:
Classical, Stage & Screen
Style:
Opera

Tracklist

Porgy And Bess

A     Introduction And Act 1, Scene 1; Catfish Row; A Summer Evening (Start); Jazzbo Brown Blues; Summertime; A Woman Is A Sometime Thing; Here Comes De Honey Man; They Pass By Singin'     28:21
B1     Act 1, Scene 1 (Concl.); Oh Little Stars     8:17
B2     Act 1, Scene 2; Serena's Room - The Following Night; Gone, Gone, Gone; Overflow; My Man's Gone Now     21:06
C     Act 2, Scene 1; Catfish Row - A Month Later; It Takes A Long Pull To Get There; I Got Plenty O' Nuttin; Buzzard Song; Bess, You Is My Woman; Oh, I Can't Sit Down     30:58
D1     Act 2, Scene 2; Kittiwah Island - Evening. The Same Day; I Ain' Got No Shame; It Ain't Necessarily So; What You Want Wid Bess?     15:44
D2     Act 2, Scene 3; Catfish Row - Before Dawn. A Week Later (Start); Oh, Doctor Jesus; Strawberry Woman; Crab Man; I Loves You, Porgy     16:21
E1     Act 2, Scene 3 (Concl.)     2:22
E2     Act 2, Scene 4; Serena's Room - Dawn Of The Following Day; Oh, Hev'nly Father; Oh, De Lawd Shake De Heavens; Oh, Dere's Somebody Knockin' At De Do'; A Red Headed Woman     17:03
E3     Act 3, Scene 1; Catfish Row - The Next Night; Clara, Clara; Death Of Crown     8:55
F1     Act 3 Scene 2; Catfish Row - The Next Afternoon; There's A Boat Dat's Leavin' Soon For New York     13:37
F2     Act 3, Scene 3; Catfish Row - A Week Later; Good Mornin', Sistuh!; Oh, Bess, Oh Where's My Bess; Ow Lawd, I'm On My Way     17:40

Companies etc

    Phonographic Copyright  – The Decca Record Company Limited

Credits

    Baritone Vocals [Crown] – McHenry Boatwright
    Baritone Vocals [Jake] – Arthur Thompson
    Bass Vocals [Frazier, Jim] – Christopher Deane
    Bass Vocals [Porgy] – Willard White
    Choir – Cleveland Orchestra Children's Chorus, The, Cleveland Orchestra Chorus, The
    Chorus Master [Cleveland Orchestra Children's Chorus, The] – Becky Seredick
    Chorus Master [Cleveland Orchestra Chorus, The] – Robert Page
    Composed By – George Gershwin
    Conductor – Lorin Maazel
    Libretto By, Lyrics By – DuBose Heyward
    Liner Notes – Lehman Engel
    Lyrics By – Ira Gershwin
    Mezzo-soprano Vocals [Annie] – Alpha Floyd
    Mezzo-soprano Vocals [Lily] – Isola Jones
    Mezzo-soprano Vocals [Maria, Strawberry Woman] – Barbara Conrad (2)
    Mezzo-soprano Vocals [Serena] – Florence Quivar
    Orchestra – Cleveland Orchestra, The
    Performer [Coroner] – Alan Leatherman
    Performer [Detective] – Robert Snook
    Performer [Jasbo Brown], Piano – Joela Jones
    Performer [Mr. Archdale] – John Buck
    Performer [Policeman] – Ralph Neally
    Performer [Scipio] – Donald Zucca
    Soprano Vocals [Bess] – Leona Mitchell
    Soprano Vocals [Clara] – Barbara Hendricks
    Tenor Vocals [Mingo, Undertaker] – James Vincent Pickens
    Tenor Vocals [Peter, Nelson] – William Brown
    Tenor Vocals [Robbins, Crab Man] – Samuel Hagan
    Tenor Vocals [Sporting Life] – François Clemmons

Notes

32p. booklet included. Made in UK, distributed in US.

- Porgy and Bess is an English-language opera composed in 1934 by George Gershwin, with a libretto written by DuBose Heyward and Ira Gershwin from Heyward's novel Porgy and later play of the same title. Porgy and Bess was first performed in New York City on September 30, 1935 and featured an entire cast of classically trained African-American singers—a daring artistic choice at the time. After an initially unpopular public reception, the Houston Grand Opera production of the opera gained popularity, eventually becoming one of the best-known and most frequently performed operas.

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General standards For Record Grading


(M) Mint
Record still shrink wrapped, new copy of a record.

(NM)
Near Mint Almost perfect record that has usually only
been played 1-3 times, in "like new" condition, no visual defects.

(NM-/ EX+)
Almost near mint, maybe a few very light marks but
nearly perfect.

(VG+/ EX)
Very Good Plus / Excellent Record
will show minor signs that it was played but otherwise handled by a
previous owner who took good care of it. Record surface may show
light scuffs or very light scratches that don't affect one's listening
experiences. Slight warps that do not affect the sound are "OK".

The label may have some ring wear or discoloration, but it should
be barely noticeable. The center hole will not have been misshapen
by repeated play. Picture sleeves will have some slight wear, lightly
turned up corners, or a slight seam split.

An LP cover may have slight signs of wear also and may be marred by a
cut-out hole, indentation or corner indicating it was taken out of print
and sold at a discount. In general, if not for a couple things wrong with
it, this would be Near Mint.

All but the most mint-crazy collectors will find a Very Good Plus (VG+)
record highly acceptable.

(VG)
Very Good Record has more wear than VG+ with some
more surface noise, light pops, scuffs or light scratches. Generally
still a great playing copy, no skips. Jacket may have more shelf wear,
a little writing, sticker residue, punch out/cut out holes or corners.

(VG-)
Very Good- Record has noticeable groove wear, discoloration,
surface noise, louder pops, marks & scratches/ scuffs but still a decent playing copy, no skips. Cover may has heavier shelf wear, more discoloration and split seams.

(G/ G+)
Good/ Good Plus Record still plays without skipping
but has considerable amounts of groove wear, discoloration, surface noise, scuffs, and/or scratches.  Sleeve has a lot of wear and some defects such
as split seams, heavy creasing, writing, marks, sticker residue, etc...

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