Glen Campbell - Ghost on the Canvas

€ 19

$ 22

€ 19 Sold For

Apr 2, 2017 Sold Date

Apr 11, 2016 Start Date

1 Number Of Bids

Switzerland Country Of Seller

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Description

Allgemein

Artikel Name: Ghost on the Canvas
Genre: Pop/Rock Produkt Typ: LP (Vinyl) Label: Surfdog Records Titelanzahl: 16

Trackliste LP - 1

1. Glen Campbell - Better Place 2. Glen Campbell - Ghost on the Canvas 3. Glen Campbell - Billstown Crossroads 4. Glen Campbell - Thousand Lifetimes 5. Glen Campbell - It's Your Amazing Grace 6. Glen Campbell - Second Street North 7. Glen Campbell - In My Arms 8. Glen Campbell - May 21st, 1969 9. Glen Campbell - Nothing But the Whole Wide World 10. Glen Campbell - Wild and Waste 11. Glen Campbell - Hold On Hope 12. Glen Campbell - Valley of the Son 13. Glen Campbell - Any Trouble 14. Glen Campbell - Strong 15. Glen Campbell - Rest Is Silence 16. Glen Campbell - There's No Me...Without You

Beschreibung

Few artists get the luxury of crafting their final album as a conscious farewell, but Glen Campbell isn’t just any artist. Campbell is a titan with a legacy that begins before he started to record solo albums, so if anyone deserves to craft a career-capping final record it is he, even if this opportunity is bittersweet, tainted by the knowledge that he was diagnosed with Alzheimer’s sometime during its recording. His disease does hang over Ghost on the Canvas, its sadness surfacing on the instrumental interstitials written by Roger Manning, but this album bears none of the ghoulish fetishization of death that haunts Rick Rubin’s latter-day productions of Johnny Cash. No, producer Julian Raymond has crafted Ghost on the Canvas as a specific sequel to the very good 2008 Meet Glen Campbell, which consciously re-created Campbell’s golden decade of 1967-1977 through newly written songs and covers of modern rockers. Raymond uses the same formula here, finding tunes by Manning, Paul Westerberg (the title track), Jakob Dylan (“Nothing But the Whole Wide World”), Robert Pollard (“Hold on Hope”), and Teddy Thompson (“In My Arms”), then crafting sturdy originals with Campbell, all evoking such luxuriant dramatic classics as “Wichita Lineman” without succumbing under self-conscious weight. It’s a delicate trick that, apart from those too elegiac instrumentals, never once seems forced, a testament to Raymond’s skills as a producer and Campbell’s as a musician and singer. Perhaps Ghost on the Canvas doesn’t revisit every high in Campbell’s history, but it pays honor to his legacy and feels like an appropriate and subtly moving farewell. [Ghost on the Canvas was re-released on LP in 2016.] ~ Stephen Thomas Erlewine

Stephen Thomas Erlewine