HARRY BELAFONTE At Carnegie Hall *1959 Living Stereo Excellent Vinyl Double LP*
$
27
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Description
Artist: HARRY BELAFONTE
Title: Belafonte At Carnegie Hall
Label: RCA VICTOR LSO-6006
Year: 1959
Format: 12” VINYL 33-1/3 RPM DOUBLE ALBUM
Sound: LIVING STEREO
Cuts include:
Side 1: Introduction: Darlin' Cora / Sylvie / Cotton Fields / John Henry / Take My Mother Home
Side 2: The Marching Saints / Day O / Jamaica Farewell / Man Piaba / All My Trials
Side 3: Mama Look a Boo Boo / Come Back Liza / Man Smart (Woman Smarter) / Hava Nageela / Danny Boy / Merci Bon Dieu
Side 4: Cu Cu Ru Cu Cu Paloma / Shenandoah / Matilda
* Condition *
Jacket: VG++
Jacket Comments: Gatefold 2 record set
Vinyl: EXCELLENT
Record Comments: Great Record!!
Album Notes:
Personnel includes: Harry Belafonte (vocals); Roger Corman (conductor); Danny Barrajanos (vocals, bongos, conga); Millard Thomas, Aphael Boguslav (guitar); Norm Keenan (bass)
Recorded at Carnegie Hall, New York, New York on April 19-20, 1959
Liner notes by Bob Bollard
The shows from this collection were held in June of 1959 as benefit performances at Carnegie Hall in New York City. Belafonte draws deeply from his back catalog, offering a wide scope of styles and interpretations as the artist pushes the creative boundaries into a variety of native folk music. His stories and fables are melodically woven with accompaniment supplied by diverse ensembles. They range from the sole acoustic guitarist and hand percussion heard on "Darlin' Cora" to the 47-piece orchestra incorporated into the epic singalong "Mathilda." Belafonte's presentation is divided into several disparate themes and motifs. "Moods of the American Negro" contains the soul-stirring tales of "John Henry" and the emotive "Sylvie," while "In the Caribbean" conjures up favorites, including his trademark calypso anthems "Day-O," "Jamaica Farewell," and the cerebrally solemn "All My Trials." He concludes with "'Round the World," a catchall that boasts selections extending from the traditional Jewish "Hava Nageela" to the sublime "Danny Boy" and equally captivating "Shenandoah." The program ends with a nearly quarter-hour "Mathilda," allowing the audience to participate in a call-and-response of the chorus in which Belafonte summons a reaction from specific demographics and patrons within the venue -- such as "women over 40" and "people in the tiers." At Carnegie Hall, remains a testament to Harry Belafonte as a formidable and thoroughly entertaining presence at the zenith of his abilities. ~ Lindsay Planer
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