HARRY BELAFONTE At Carnegie Hall *1959 Living Stereo Excellent Vinyl Double LP*
  $   27

 


$ 27 Sold For
Oct 25, 2015 Sold Date
Oct 18, 2015 Start Date
$   20 Start price
4   Number Of Bids
  USA Country Of Seller
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Description

Artist: HARRY BELAFONTE

Title: Belafonte At Carnegie Hall

Label: RCA VICTOR LSO-6006

Year: 1959

Format: 12” VINYL 33-1/3 RPM DOUBLE ALBUM

Sound: LIVING STEREO

Cuts include:

Side 1: Introduction: Darlin' Cora / Sylvie / Cotton Fields / John Henry / Take My Mother Home

Side 2: The Marching Saints / Day O / Jamaica Farewell / Man Piaba / All My Trials

Side 3: Mama Look a Boo Boo / Come Back Liza / Man Smart (Woman Smarter) / Hava Nageela / Danny Boy / Merci Bon Dieu

Side 4: Cu Cu Ru Cu Cu Paloma / Shenandoah / Matilda

* Condition *

Jacket: VG++

Jacket Comments: Gatefold 2 record set

Vinyl: EXCELLENT

Record Comments: Great Record!!

Album Notes:
Personnel includes: Harry Belafonte (vocals); Roger Corman (conductor); Danny Barrajanos (vocals, bongos, conga); Millard Thomas, Aphael Boguslav (guitar); Norm Keenan (bass)
Recorded at Carnegie Hall, New York, New York on April 19-20, 1959
Liner notes by Bob Bollard
The shows from this collection were held in June of 1959 as benefit performances at Carnegie Hall in New York City. Belafonte draws deeply from his back catalog, offering a wide scope of styles and interpretations as the artist pushes the creative boundaries into a variety of native folk music. His stories and fables are melodically woven with accompaniment supplied by diverse ensembles. They range from the sole acoustic guitarist and hand percussion heard on "Darlin' Cora" to the 47-piece orchestra incorporated into the epic singalong "Mathilda." Belafonte's presentation is divided into several disparate themes and motifs. "Moods of the American Negro" contains the soul-stirring tales of "John Henry" and the emotive "Sylvie," while "In the Caribbean" conjures up favorites, including his trademark calypso anthems "Day-O," "Jamaica Farewell," and the cerebrally solemn "All My Trials." He concludes with "'Round the World," a catchall that boasts selections extending from the traditional Jewish "Hava Nageela" to the sublime "Danny Boy" and equally captivating "Shenandoah." The program ends with a nearly quarter-hour "Mathilda," allowing the audience to participate in a call-and-response of the chorus in which Belafonte summons a reaction from specific demographics and patrons within the venue -- such as "women over 40" and "people in the tiers." At Carnegie Hall, remains a testament to Harry Belafonte as a formidable and thoroughly entertaining presence at the zenith of his abilities. ~ Lindsay Planer

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