HIGH WATER BLUES V.A. Field Recordings MISSISSIPPI, LOUISIANA 65-70 LP NM/EX
$
46
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Description
Various ?– High Water Blues Label: Flyright Records ?– FLY LP 512 Format: Vinyl, LP, Compilation, Mono Country: UK Released: 1974 Genre: Blues Style: Louisiana Blues, Delta Blues, Harmonica Blues TracklistHide Credits A1 –Isaiah Chattman Cold In Hand Vocals, Guitar – Isaiah Chattman Written-By – Isaiah Chattman A2 –L.V. Conerly Hard Headed Woman Vocals, Guitar – L.V. Conerly Written-By – L.V. Conerly A3 –L.V. Conerly High Water Vocals, Guitar – L.V. Conerly Written-By – L.V. Conerly A4 –John Henry "Bubba" Brown Sister Kate Guitar – Melvin Brown (8) A5 –John Henry "Bubba" Brown Corinna Vocals, Guitar – John Henry "Bubba" Brown Written-By – Trad.* A6 –Fiddlin' Joe Martin Good Morning Little Schoolgirl Vocals, Guitar – Fiddlin' Joe Martin Written-By – Trad.* A7 –Woodrow Adams Pony Blues Drums – Fiddlin' Joe Martin Guitar – Curtis Allen Vocals, Guitar – Woodrow Adams Written-By – Trad.* B1 –Houston Stackhouse Return Mail Guitar – Carey "Ditty" Mason Vocals, Guitar – Houston Stackhouse Written-By – R. McCullum* B2 –Houston Stackhouse Talkin' 'Bout You Guitar – Carey "Ditty" Mason, Willie Kinebrew Vocals, Guitar – Houston Stackhouse Written-By – Houston Stackhouse B3 –Woodrow Adams How Long Drums – Fiddlin' Joe Martin Guitar – Curtis Allen Vocals, Guitar – Woodrow Adams Written-By – Trad.* B4 –Cary Lee Simmons Doodleville Blues Vocals, Guitar – Cary Lee Simmons Written-By – Cary Lee Simmons B5 –Boogie Bill Webb Seven Sisters Blues Vocals, Guitar – Boogie Bill Webb Written-By – Boogie Bill Webb B6 –Charlie Taylor (4) I Got The Blues Violin – Willis Taylor Vocals, Guitar – Charlie Taylor (4) Written-By – Charlie Taylor (4) B7 –Charlie Taylor (4) Midnight Blues Guitar – Willis Taylor Vocals, Guitar – Charlie Taylor (4) Written-By – Charlie Taylor (4) Credits Liner Notes – David Evans (8) Recorded By – Cheryl T. Evans, David Evans (8) Notes "Field recordings of Mississippi and Louisiana Blues 1965/70."
With an insert leaflet.
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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