HORACE SILVER QUINTET Horace-Scope-W63 RVG EAR-SOPHISTICATED YET SWINGING BOP
  $   43

 


$ 43 Sold For
May 11, 2015 Sold Date
Apr 20, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

HORACE SILVER QUINTET Horace-Scope-W63 RVG EAR-SOPHISTICATED YET SWINGING BOP






A VG MINUS LP ON BLUE NOTE BLP 4042

FROM 1962 A DEEP GROOVE MONO PRESSING WITH WEST 63RD STREET ADDRESS BOTH SIDES

RECORDED BY RUDY VAN GELDER WITH RVG AND “THE EAR” IN THE DEAD WAX BOTH SIDES

WITH BLUE MITCHELL, JUNIOR COOK, GENE TAYLOR AND ROY BROOKS

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Horace-Scope is the third album by Horace Silver's classic quintet -- or most of it, actually, as drummer Louis Hayes was replaced by Roy Brooks starting with this session. The rhythmic drive and overall flavor of the group are still essentially the same, though, and Horace-Scope continues the tight, sophisticated-yet-swinging blueprint for hard bop pioneered on its two classic predecessors. The program is as appealing as ever, and even though not as many tunes caught on this time -- at least not on the level of a "Juicy Lucy" or "Sister Sadie" -- Silver's writing is tuneful and tasteful. The best-known selections are probably the lovely closing number "Nica's Dream," which had been around for several years but hadn't yet been recorded on a Silver LP, and the genial, laid-back opener "Strollin'." But really, every selection is full of soulful grooves and well-honed group interplay, the qualities that made this band perhaps the top hard bop outfit of the early '60s. Silver was in the midst of a hot streak that wouldn't let up for another few years, and Horace-Scope is another eminently satisfying effort from that period.

THE FRONT LACQUERED GLOSSY COVER WITH VERY LIGHT RUB WEAR UNDER ANGLED LIGHT. BACK COVER STOCK WITH OBVIOUS RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. LIGHT CREASE LINES APPARENT ON FRONT TOP & BOTTOM LEFT EDGES. BACK BOTTOM LEFT CORNER WITH SMALL PEEL BACK OF PRINTED LAYER. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

SPINDLE HOLE WITH SOME LIGHT RUB MARKS. THE
HIGH LUSTER VINYL BLANK WITH ASSORTED LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION. THE APPEARANCE OF THE VINYL GOES TO VG MINUS, BUT WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING SURPRISINGLY QUITE FINE HERE.

FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION
RARELY SEEN LP WHICH NOW FETCHES 300 PLUS WHEN SEEING THE LIGHT OF DAY

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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DOMESTIC: FREE USPS MEDIA MAIL WITH TRACKING. USPS 1 day Priority Express or 2-4 day Priority available for fee shown by Ebay postage calculator for your zip code.  606 (GS 6.9.3 (606))


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