HUSKER DU Zen Arcade 2xlp 1984 SST ORIGINAL PRESSING Ni

$

25

MarsPlymouth store


HUSKER DU Zen Arcade 2xlp 1984 SST ORIGINAL PRESSING Nice Copy RARE




Description

 HUSKER DU

ZEN ARCADE 2xlp  

YEAR: 1984

LABEL: SST

CONDITION SLEEVE: NM- ( looks very nice ,  a hint of  light shelfwear , NICE edges and spine ,  please see scans for better idea of condition )

CONDITION VINYL: NM-/VG++ ( nice sheen , a few light surface marks/scuffs ,  but still overall VERY nice)

PLEASE SEE MY OTHER AUCTIONS FOR MORE RARE HUSKER DU LPs 

IMPOSSIBLE TO FIND ORIGINAL SST PRESSING WITH NO BARCODE  NOT A REISSUE! IN STORAGE SINCE 1986 

Review

by Stephen Thomas Erlewine

In many ways, it's impossible to overestimate the impact of Hüsker Dü's Zen Arcade on the American rock underground in the '80s. It's the record that exploded the limits of hardcore and what it could achieve. Hüsker Dü broke all of the rules with Zen Arcade. First and foremost, it's a sprawling concept album, even if the concept isn't immediately clear or comprehensible. More important are the individual songs. Both Bob Mould and Grant Hart abandoned the strict "fast, hard, loud" rules of hardcore punk with their songs for Zen Arcade. Without turning down the volume, Hüsker Dü try everything -- pop songs, tape experiments, acoustic songs, pianos, noisy psychedelia. Hüsker Dü willed themselves to make such a sprawling record -- as the liner notes state, the album was recorded and mixed within 85 hours and consists almost entirely of first takes. That reckless, ridiculously single-minded approach does result in some weak moments -- the sound is thin and the instrumentals drag on a bit too long -- but it's also the key to the success of Zen Arcade. Hüsker Dü sound phenomenally strong and possessed, as if they could do anything. The sonic experimentation is bolstered by Mould and Hart's increased sense of songcraft. Neither writer is afraid to let his pop influences show on Zen Arcade, which gives the songs -- from the unrestrained rage of "Something I Learned Today" and the bitter, acoustic "Never Talking to You Again" to the eerie "Pink Turns to Blue" and anthemic "Turn On the News" -- their weight. It's music that is informed by hardcore punk and indie rock ideals without being limited by them.

Biography

by Stephen Thomas Erlewine

Hüsker Dü and R.E.M. were the two American post-punk bands of the '80s that changed the direction of rock & roll. R.E.M. became a superstar band; Hüsker Dü never was more than a cult favorite. Nevertheless, their albums between 1981 and 1987 have proven remarkably influential; they provided the sonic blueprint for the roaring punk-pop hybrid that crossed over into the mainstream in the early '90s. Not only did they shape the sound of the music, they shaped the way independent bands made the transition to the major labels; they showed other bands that it was possible to record uncompromising music on a major label without losing any integrity or creative control. From the Replacements to Nirvana, the Pixies to Superchunk, nearly every major and minor band that appeared in the alternative underground in the late '80s and '90s owed a major debt to Hüsker Dü, whether they were aware of it or not.

The band's two songwriters, guitarist Bob Mould and drummer Grant Hart, both had a knack for writing songs that essentially followed conventional pop structures, complete with memorable melodies, but were still punk songs. Hüsker Dü took the Buzzcocks' pioneering punk-pop and made it harder, both musically and lyrically. Throughout their career, Hüsker Dü never lost their edge, never turned down their amplifiers, never compromised their music. While Hart and bassist Greg Norton were an unfailingly strong rhythm section, Mould would prove to be one of the most influential guitarists of the decade. With his slashing rhythms, distorted strumming, and blazing leads, he set the stage for the alternative guitar heroes of the late '80s and the '90s.

Payment must be made with PAYPAL within 7 days of auctions end unless previous arangements have been made directly with me. If you have not been in contact within 10 days of auction. A non-paying bidder alert will be filed with eBay.
 

1. 7inch Shipped within the USA First-Class Mail is $3.50 add .50 for each addition
2. 7inch to Canada is $4.00
3. 7inch Worldwide is $6.00 Airmail add $1.00 for each addition
4. LP Shipped within the USA Media Mail is $4.00 add $1.00 for each addition LP
5. LP Shipped to Canada is $5.00 LP
6. LP Shipped Worldwide is $12.00 Airmail add $2.00 for each addition
7. CD Shipped within the USA First-Class Mail is $3.50 add .50 for each addition
8. CD Shipped to Canada is $4.50
9. CD Shipped Worldwide is $6.00 add $2.00 for each addition

Payment must be made with PAYPAL within 7 days of auctions end unless previous arangements have been made directly with me. If you have not been in contact within 7 days of auction. A non-paying bidder alert will be filed with eBay.
 

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