Hard-Ons Hot for Your Love, Baby LP 1987 punk

	A$		50
	$		33

Hard-Ons Hot for Your Love, Baby LP 1987 punk

Original Australian pressing on Waterfront Records.

The Hard-Ons are a punk rock band from Sydney, Australia that originally formed in 1981. They have been called Australia's most commercially successful independent band, with over 250,000 total record sales.

The Hard-Ons' origins can be traced to Western Sydney's Punchbowl Boys High School, where all band members were students. The first version of the band featured Keish de Silva on guitar and vocals, Peter Black on guitar and Brendan Creighton on drums. In 1982 Creighton left and was replaced by Ray Ahn on bass guitar with de Silva taking over the drumming. Being too young to play in pubs, the band featured at birthday parties and school dances. On 20 June 1984, the Hard Ons played their first official show at the Vulcan Hotel in Ultimo. Quickly gaining a considerable following, the band released its debut EP Surfin' On My Face the following year. This was the beginning of a series of releases for the band that netted them remarkable run of 17 consecutive #1 listings on the Australian independent music charts.

Subsequent recordings like Smell My Finger, Dickcheese, Love Is A Battlefield Of Wounded Hearts and Yummy! set the blueprint for the 'Hard-Ons sound': messy pop-punk with metal and psychedelia elements. The band also showed their independent punk spirit, with the members deliberately controlling their own careers: recording, booking and promoting themselves, creating their own artwork (mostly done by Ahn), choosing support bands and even managing the merchandise desk whilst on tour.

While maintaining a solid if underground following in Australia, the Hard Ons were particularly popular in Europe, scoring a Top 10 hit in Spain and a Top 5 slot in Greece with their 1989 album Love is a Battlefield of Wounded Hearts. That album also made the Top 5 in the NME chart. At the time, this made the Hard Ons only the third Australian band after Nick Cave and the Bad Seeds and the Go Betweens to have achieved this. In 1989 the group also recorded a split EP with British band The Stupids. Two years later they teamed up with Henry Rollins and released a version of "Let There Be Rock" that was released in a limited edition on 10" vinyl.

A 1987 BEAT Magazine article described the Hard-Ons' sound as "Motörhead meets the Beach Boys"; a quote that goes some way towards describing the band's take on the punk rock genre. Though originally inspired by punk bands such as Sex Pistols, The Buzzcocks, The Damned, Ramones and The Saints, the band also blended pop, psychedelia and metal elements; "death-pop" as once described by Ray Ahn. The band were also noteworthy not only within punk but also within rock music for having their lead vocals handled by de Silva, the group's drummer. The physical challenge of drumming to the band's fast punk rock songs as well as singing (as opposed to shouting) made for charismatic live performances. Guitarist Black provided another original touch to the band with his distinctive guitar sound that is both melodic and messy, often making use of feedback.

Although not as widely known as some classic punk and independent bands, the Hard-Ons have carved a niche in the world of punk rock and have assembled a cult following of fans worldwide. They are Australia's most successful independent band, with over 250,000 records sold worldwide and 17 consecutive #1 hits on the Australian alternative charts. Their popularity far outreaches Australia, with large cult followings in Spain and Greece. At one time there was a Hard Ons cover band in the UK known as Suck n Swallow.

A1   Love Song For Cindy     

A2   Coffs Harbour Blues 

A3   School Days  

A4   It's Cold Outside 

A5   Then I Kissed Her (Arabic) 
  

B1   By My Side  

B2   I'll Come Again  

B3   Fifteen    

B4   Keish's New Song   

B5   From My Window  

B6   Rock 'N' Roll All Nite  

CONDITION:

SLEEVE:  EX+ to NM—

RECORD:  EX   A few faint marks, nothing audible. Crackle on run-ins.

RECORD GRADINGS

(May be further qualified by + or - )

M = Mint

Must be in perfect condition with no audible or visible defects whatsoever. The record and cover/sleeve should be exactly as brand new.

NM = Near Mint

Almost mint but has one or two minor visible marks on the cover/sleeve or surface with sound quality remaining perfect.

EX = Excellent

Not quite perfect. There may a slight chance of minor deterioration in sound quality. The cover/sleeve may show slight wear.

VG = Very Good

The surface and cover/sleeve shows visible signs of wear due to the fact that it has been played on a regular basis. There will be some audible surface noise but it will not effect the listening experience.

G = Good

The sound quality has deteriorated due to having been played often. The cover/sleeve and surface will show considerable signs of wear and tear with some possible damage.

F = Fair

Has been neglected, but is still playable. There will be major audible defects such as loud clicks or jumping. The cover/sleeve maybe badly damaged.

P = Poor

Technically playable, but with serious deterioration in condition and sound quality. The cover/sleeve will be badly damaged.

VP = Very Poor

In terrible condition and absolutely unplayable. Would only be of use as a last resort to complete a collection.

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