JACKIE McLEAN ALTO MADNESS ORIG 57 PROMO MONO LP NY DG
$
195
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· JACKIE McLEAN with JOHN JENKINS, PHIL WOODS, DOUG WATKINS AND ART TAYLOR – ALTO MADNESS - ORIGINAL 1957 PRESTIGE RECORDS MONO LP 7114
· ORIGINAL U.S. PRESSING
· *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STAMP ON THE COVER AND THE LABEL CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL YELLOW AND BLACK 'PRESTIGE' RECORDS LABEL WITH ‘FIREWORKS’ MOTIF AND 50TH STREET, NYC ADDRESS ON THE LABEL
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Altoists Jackie McLean and John Jenkins previously shared equal billing with Phil Woods, Gene Quill, and Hal McKusick for the album Bird Feathers, on which the saxophonists paid tribute to Charlie Parker on Parker's blues "Bird Feathers" supported by the fine boppish rhythm section of pianist Wade Legge, bassist Doug Watkins, and drummer Art Taylor. McLean, Jenkins, Legge, Watkins, and Taylor also recorded the five tracks here heard on Alto Madness at the same May 3, 1957 session that produced "Bird Feathers," and they continued the tribute to Parker in practically every phrase they played. McLean became much more individual within a few years, while Jenkins would fade from the scene altogether. This likable jam session features plenty of tradeoffs by the two altoists.
(EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
PLEASE NOTE THIS IS A RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD+. CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters) . PLEASE NOTE: the record has a deep 1-inch gouge on the title track, which looks scary and DOES produce series of clicks and pops, but does not sound the part – in other words, it does not sound as bad as it looks and does not cause the record to “skip” or “stick”)
(b) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
(e) True Stereo copies of this album are NOT known to exist.
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a partially split top seam (between 1 and 2 inches / 2.5 to 5 centimeters)
- Cover has some light ring wear (nothing significant); (VISIBLE ON BACK SIDE ONLY) ; On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant)
- Minor shelf wear noted on the seams (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No stamps (save for the promo stamp)
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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