JACKSON BROWNE INSANELY RARE UNRELEASED 1966 3-SONG 10-INCH NINA DEMOS ACETATE

$

500

WE CURRENTLY HAVE  MORE THAN 400  LISTED ITEMS

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·       JACKSON BROWNE  - UNDOCUMENTED AND UNKNOWN TO EXIST 3-TRACK NINA DEMO ACETATE - INSANELY RARE  ORIGINAL 1967 NINA DEMO VERSION OF THREE (3) VERY EARLY JACKSON BROWNE TRACKS, NEVER RELEASED IN ANY MANNER, SHAPE OR FORM)

·       ORIGINAL U.S. PRESSING

** ULTRA-RARE ONE-OF-A-KIND ONE-SIDED 10-INCH, 33rpm MONO ACETATE (REFERENCE PRESSING), APPARENTLY NEVER RELEASED**

• This acetate consists of 3 out of 30 of the legendary unreleased "Nina Publishing Demos", one of the rarest unreleased Rock recordings in history: some 100 Nina Demos copies were originally pressed, of which AT LEAST 70 were either deliberately destroyed or remained unaccounted for; to the best of our knowledge ONLY ONE known copy has been offered for sale online in the entire history of eBay (and none have been offered elsewhere). Without any hesitation, we claim that this acetate IS EVEN RARER than the Nina Demos publisher demo test pressing (please see our other auctions for the Nina Demos test pressing) and may, in fact, be a unique, one-of-a-kind item.

·       The tracks on this acetate were recorded at Columbia Records Studio in Los Angeles, California in October 1966 and PRECEDE those recorded at New York's Jaycina Studios in February 1967. We believe that these are the earliest known Jackson Browne recordings.

·       PLAIN WHITE, GENERIC COLUMBIA MUSIC PUBLISHING LABELS WITH TYPEWRITTEN TITLES, ARTIST NAME, SPEEED, AND FORMAT (MONO)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST (AND THE ONLY KNOWN) U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       CLEAN, WEAR-FREE LABEL

·       As far as we know, this recording has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Jackson Browne had more to show for his time in New York (1966-1967) than a small stash of cash. One afternoon in February 1967 he stepped into Jaycina Studio with Elektra staff producer Peter Siegel and, in the span of hours, did a two-track recording, guitar and vocal, of more than twenty of his tunes. The session wasn't that unusual; publishing companies often have their staff writers catalog their material on tape. But instead of doing the next usual thing-making single-song acetates of the songs and plugging them to the appropriate artists and/or producers- Nina Music pressed the songs from the Jaycina session and a two-hour Columbia session from the previous year...thirty Jackson Browne tunes in all...onto two long-playing records. (Ten Steve Noonan songs, a couple of them co-written by Jackson, were also included in a nod to Noonan, also signed with Nina at the time).

One hundred copies of the unorthodox showcase LP's, packed in plain white jackets, were distributed in the music community. The records, which came to be known collectively as the Nina Demos, are a treasure. Comprising virtually every demoable song in Jackson Browne's repertoire at the time, they tell an enlightening tale of an eighteen-year-old doing his conscientious best to pin down his life as well as his art.

To Browne's credit his Nina Demo songs don't stray far from his own experience. A favorite, and convincing, theme is that of the earnest, motivated and optimistic young man on the threshold of discovery and growth. In "Holding" Browne writes of holding his door open to the wind. In "Love Me Lovely" he advises his girl in tried-and-true folk-song style to make the most of today with him because tomorrow he's out that door. In "And I See" he compares the drawing of the day with the drawing of his personal growth.

The problem with the Nina Demo isn't his folk/pop-flavored melodies, which are alternately bright and-with his fondness for diminished chords-moody, catchy, and with enough surprises to keep a listener's interest. Rather, the problem is how Jackson himself sounds...like a singer in search of a voice. Not that there isn't evidence of the singer as purposeful striver, too. For example, he's mechanically proficient-he knows how to hold his notes. Also he seems to have done a noble job of ridding his voice of obvious cops from other singers (although a faint British accent peppers his performance on a couple of tunes, which, along with his nature-boy stance, evokes Donovan, whom Jackson had seemed to harbor an interest in). But his singing reveals that he hadn't learned a far more important lesson yet...how to feel with his voice. His vocals, dragging and wooden, tend to turn his more plaintive songs into dirges, and to sabotage his upbeat tunes. In short they illustrate why Jackson, for all the Nina Demo evidence of his young genius, was signed to a songwriter contract instead of recording contract with Elektra Records in 1967.

Jackson was hardly happy with the demos. He didn't see a purpose in bunching so many of his songs on long-playing records when artists and producers were typically plugged with only one or two tunes at a time for a given recording project. And he felt humiliated by his vocal performance. He was so upset, in fact, that he personally hunted out and destroyed nearly half of the copies.

 (Excerpt from 'The Story of a Hold Out' by Rich Wiseman; Dolphin Books ISBN: 0-385-17830-1)

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PLEASE NOTE: THIS ACETATE APPARENTLY NEVER HAD A CUSTOM COVER;  THE ALBUM WILL BE SHIPPED IN A PLAIN, GENERIC [WHITE] CARDBOARD COVER. ACETATES AND REFERENCE PRESSINGS ARE RARELY – IF EVER – FOUND IN CUSTOM (STOCK) COVERS.

While this acetate is in a very decent state of preservation, we do expect bidders to understand that the aluminum-based, shellac-coated acetates can never be graded by using the exact, same stringent standards used by collectors for modern long-play, hi-fi LPs or singles. The buyer – if not familiar with acetate (reference) recordings - should be cautioned that these discs were intended for brief, limited use only; they were meant to be played only a few times, then discarded or destroyed. In view of this, the surface layer of the disc is manufactured in such a manner that it will wear off pretty quickly, even under normal conditions -- and specially if not handled with due care. Each subsequent playing increases wear and tear of the disc’s surface layer and diminishes the disc’s playability. This disc appears to have been unplayed recently and the grooves are still well-formed and fully visible.

This acetate is in about VERY GOOD- (VG-) condition, with some minor, superficial scuffs. Absolutely NO part of the shellac (surface layer) of the disc is  missing, and the surface layer is NOT dented, chipped, broken or otherwise compromised.

ON A SCALE FROM 1-10 (where 10 is the best), WE GRADE RECORD AS 4+ TO 5

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·       COVER : This acetate comes without any custom jacket, and will be shipped in a plain, generic, white cardboard cover.

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FINE (BUT IMPORTANT!) PRINT

 (1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored  (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever;  Thank You & Good Night!

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