JETHRO TULL. "LIVING IN THE PAST" 2LP UK 1972. HARDBACK G/F. CHRYSALIS LABEL.

	£		55
	$		73

Jethro Tull ‎– Living In The Past Label: Chrysalis ‎– CJT1 Format: 2 × Vinyl, LP, Album, Compilation, Stereo, Gatefold Country: UK Released: Jul 1972 Genre: Rock Style: Folk Rock, Prog Rock Living In The Past (Vinyl, LP, Album, Compilation, Stereo) for sale More Images
Tracklist Position Title/Credits Duration A1 Song For Jeffrey Guitar – Mick Abrahams A2 Love Story Guitar – Mick Abrahams Mandolin – Ian Anderson A3 Christmas Song Arranged By [Strings], Conductor – David Palmer (2) Mandolin, Whistle [Tin] – Ian Anderson A4 Living In The Past Arranged By [Strings], Conductor – Lou Toby A5 Driving Song A6 Bouree B1 Sweet Dream Arranged By [Orchestra], Conductor – David Palmer (2) Guitar [12 String] – Ian Anderson B2 Singing All Day Balalaika, Organ [Hammond] – Ian Anderson B3 Teacher B4 Witches Promise Acoustic Guitar – Martin Barre Mellotron – John Evan B5 Inside B6 Just Trying To Be Celesta – John Evan C1 By Kind Permission Of Engineer – Dave Palmer (2), Kim King Engineer [Mixing] – Robin Black Written-By – Evan* C2 Dharma For One Backing Vocals – Clive Bunker Backing Vocals, Percussion – John Evan, Martin Barre Engineer – Dave Palmer (2), Kim King Engineer [Mixing] – Robin Black Written-By – Bunker*, Anderson* D1 Wond'ring Again Glockenspiel – Clive Bunker D2 Locomotive Breath D3 Life Is A Long Song Acoustic Guitar – Martin Barre D4 Up The 'Pool D5 Dr. Bogenbroom Harpsichord – John Evan D6 From Later D7 Nursie Companies, etc. Phonographic Copyright (p) – Chrysalis Records Ltd. Published By – Chrysalis Music Ltd. Published By – Ian Anderson Music Ltd. Recorded At – Sound Techniques, London Recorded At – Morgan Studios Recorded At – Vantone Sound Studios Recorded At – Western Recorders Recorded At – Carnegie Hall Recorded At – Island Studios Remixed At – Morgan Studios Made By – The Cavendish Press Ltd. Printed By – The Cavendish Press Ltd. Pressed By – The Gramophone Co. Ltd. Credits Acoustic Guitar – Ian Anderson (tracks: B6, D1, D3 to D5, D7) Bass – Glenn Cornick (tracks: A1 to B5, C1 to D1), Jeffrey Hammond-Hammond (tracks: D2 to D6) Design, Artwork [Album] – CCS (2) Drums – Barriemore Barlow (tracks: D3 to D6), Clive Bunker (tracks: A1 to B5, C1 to D2) Engineer – Andy Johns (tracks: A2, A3, A6 to B4), John Burns (tracks: C1, C2, D2), John Wood (tracks: D3, D5, D6), Robin Black (tracks: B5, B6, D1), Victor Gamm* (tracks: A1, D3 to D7) Engineer [Remixing], Remix – John Burns Executive-Producer – Terry Ellis Flute – Ian Anderson (tracks: A1, A2, A4 to B2, B4, B5, C1, C2, D2 to D6) Guitar – Martin Barre (tracks: A4 to B5, C1 to D6) Mastered By – Peckie*, Pecko*, Porky (5), Porkie* Organ [Hammond] – John Evan (tracks: B3, D4, D6) Percussion – Clive Bunker (tracks: A2, A4, C2) Photography By – Tony Loew*, Brian Ward (5), Ed Caraeff, Jackie O'Lochlainn, Michael Graber (3) Piano – John Evan (tracks: B4, C1, D1 to D3, D5, D6) Producer – Ian Anderson (tracks: A4 to B6, D1 to D7), Jethro Tull (tracks: A1 to A3), Terry* (tracks: A1 to B4, D2) Vocals – Ian Anderson (tracks: A1 to A5, B1 to B6, C2 to D7) Written-By, Directed By [Remixing] – Ian Anderson Notes

Original UK press released with green Chrysalis labels. Released in a leather textured gatefold sleeve with 22-page booklet stapled to the inside. Pages 5 and 6, and pages 19 and 20 are sealed together on three sides to provide a pouch for the records.
Made and printed by The Cavendish Press Ltd., Leicester.
Cat# CJT1 appears on spine of sleeve
℗1972

Living in the Past Review by Bruce Eder Listen to this collection, put together to capitalize on the explosive growth in the group's audience after Aqualung, and it's easy to understand just how fine a group Jethro Tull was in the early '70s. Most of the songs, apart from a few heavily played album tracks ("Song for Jeffrey," etc.) and a pair of live tracks from a 1970 Carnegie Hall show, came off of singles and EPs that, apart from the title song, were scarcely known in America, and it's all so solid that it needs no apology or explanation. Not only was Ian Anderson writing solid songs every time out, but the group's rhythm section was about the best in progressive rock's pop division. Along with any of the group's first five albums, this collection is seminal and essential to any Tull collection, and the only compilation by the group that is a must-own disc.