JETHRO TULL Stand Up SCARCE 160g TEXTURED ISLAND PINK LP

	£		35
	$		46

ONEADAYRECORDS – Simply Delivering Quality Music to the World.

Postage: UK £4.25. Europe (including Russia) £12. Rest of World £16. ALL signed for in quality, safe packaging – I NEVER use mailing envelopes.

NOTE: I now apply the Ebay ‘4-day’ rule for non-payment. I try to keep my P&P prices as low as possible after the very significant Royal Mail price increases and will never compromise on solid, safe packing.

Artist or Band: JETHRO TULL

Album Title: Stand Up.

Producer(s): Terry Ellis & Ian Anderson.

TRACK LIST:

Side 1: A New Day Yesterday; Jeffrey Goes to Leicester Square; Bourée; Back to the Family; Look Into the Sun.

Side 2: Nothing is Easy; Fat Man; We Used to Know; Reasons for Waiting; For a Thousand Mothers.

Label/Format: Island – pink ‘i’ Island and more unusual pressing with the deeply textured finish and deep inner ring ridge as per the first issues.

Label Conditions: Both in magnificent condition with real deep pink colour and freshness. Any spindle traces are tiny, few and faint. The record has a couple of three surface marks, but plays superbly with very little unwanted, the marks ignored.

Cat Number: ILPS 9103.

Mode / Speed: Stereo / 33.3 rpm.

Weight of this Record: 160 grams. A very impressive weight for this record.

Country of Manufacture: England.

Rarity: I have seen fewer of these on the textured ‘i’ label than even first issues. It has very wide grooves and has audiophile sound quality. The music areas end very close to the label rims, especially on side two. Wider grooves mean better audio quality – fact – and they will not be seen wider than on this unique pressing.

Original Year of Release: 1969. This from 1970,

Matrix Nos: ILPS + 9103 + A2 / ILPS + 9103 + B2 (deeply punched, as per the very first issue) [side two cut into the label rim as the music ends so close to it]

Musicians: Ian Anderson - flute, acoustic guitar, Hammond organ, piano, mandolin, balalaika, mouth organ and vocals; Glen Cornick - bass guitar; Clive Bunker - drums, percussion; Martin Lancelot Barre - electric guitar, flute.

Brief Info: Within the genre of ‘classic’ rock, there are few better albums than this second Jethro Tull set. Everything about this album is perfect – great songs, sublime packaging, fantastic sound and performance and issued on one of the best labels ever – no collection is complete without a copy of ‘Stand Up’. Following the brilliant debut album, Mick Abrahams departed to form Blodwyn Pig, this was never going to be easy, but the band rose to even greater heights. Beautifully packaged with it’s ‘working’ pop-up woodcut design cover, the details on the front are little short of remarkable as I hope my close-up pictures show. Musically, for me anyway, this is Jethro Tull’s best album, not a second of wasted time, every track is sublime and beautifully recorded too. This pressing hugely impressive with very wide grooves containing ultimate information and sonic delivery. Blending heavy and mellow songs with gorgeous instrumentation including strings, the details hidden within these vintage grooves are never-ending. A very heavy, thick record to easily match, if not better the very first pressing, both have the deeply punched matrixes. This offers very impressive sound quality that has no distortion and little unwanted. This can never be taken for granted on these types, an album with many flute parts and this instrument often can distort or clip on overplayed copies, and let’s face it, many, if not most of the early ones were. Often used on less than worthy equipment that often damaged those delicate grooves. This one is focused, sharp and clear and most fans of genuine classic rock will enjoy this lovely copy that includes an unusually clean cover with the pop-up feature totally pristine and undamaged (please see close-ups). The main area, as many collectors will know is the back. This is very rarely seen devoid of significant grubbiness and discolouration. This one has to be one of the very best I have seen for a considerable time.

Cover’s Potential for Wear (and Damage): Very high. The delicate pop-up bends and tears easily and always nice to see one in near pristine condition. The cover’s back is seldom seen devoid of heavy grubbiness, ringwear and ageing and this has barely any – few will ever avoid it especially with the heaviest pressings inside all these years. This is a very fine all-round copy that gives near full justice to this evergreen classic.

Cover Grade and Format: NEAR EXCELLENT: arguably better and this hardly does this full justice. An unlaminated gatefold format with the original ‘pop-up’ cut-out feature inside (this is beautiful and little short of as made). Printed and made in England on matt smooth card, uncredited.

Cover Front: One of classic rock covers with stunning artwork, and this does it very fine justice with little to fault. A little rubbing to the corner tips and tiny traces on the edges here and there but the main business area, that gorgeous woodcut artwork, looks fantastic. Clean, fresh with no rubbing, creasing or sticker issues. It retains strong colour with the attractive yellow and black finish, later ones were much paler.

Cover Back: Now to one of rock’s most unforgiving backs: this is rarely seen devoid of major grubbiness, ring wear and rubbing. Although not pristine, this is still in very fine condition and more than complements that wonderful front. Most of any ageing, in the form of toning, is on the spine edge. Any other marks are few, light and faint with minimal rim impression or grubbiness. A few fine hairline spine edge creases.

Cover Inner Gatefold: I am not going to waste time and lots of text on this centrefold. This looks lovely and has little at all to fault. The pop-up feature is immaculate, folds up and down perfectly and is crisp, uncreased or thickened.

Top Edges: A little patchy rubbing on the front, moderate near right corner. The white back shows little.

Bottom Edges: The front is rubbed, again the back is white and shows little.

Right Edge(s), and Type: The front is very crisp and neat and practically unworn. The back opening edges are clean and also sharp with barely any wear. Any thickening or burring very slight indeed. All edges are guaranteed untrimmed.

Spine and Text: The spine has darkened with aged but remains solid, straight and folded square. A little patchy rubbing to the text, but most remains solidly intact

Corners: Light+ to moderate corner rubbing, but crisp and quite neat shape is retained.

Cover Summary: A lovely cover, few will avoid a little edge and corner rubbing. The business areas look lovely. So gentle hints of age but many fans will enjoy it.

The Inner Sleeve: NEAR EXCELLENT: a plain white unlined inner with a little gentle creasing the and the edges intact with no repairs. The previous owner put a lining inside which I have left. .

Vinyl Condition/Visual Grading: EXCELLENT(-): only because of three surface marks but have no sound. A top-quality heavyweight pressing with any other surface marks few, fine and faint. Very clean and intense black and retains a fine shine. This cut has very wide and deep grooves for maximum sound and audio quality. Not for the visual perfectionist, but this is still a very fine looking record and it will please many collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]

Sound Quality and Audio Grading: This classic album plays even above it’s visual grading with very little nothing to fault. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is astonishing with a wide dynamic range and very detailed sound – this is a real hi-fi recording and a pleasure to listen too. It gave me that rare tingle factor that stopped by compiling this listing until it had finished. The louder tracks give stunning sonic delivery with incredible detail and punch. Any surface sounds are gentle and very infrequent and no pops or significant clicks noted and this is an exceptional clean pressing for (at times) a demanding album. The early Jethro Tull band were truly inspired on this set and clearly the band themselves were delighted with it as stated on the cover. Beautifully recorded and produced with incredible instrumentation and Anderson never sounding better. Few copies will match or outperform this very early, and quite scarce textured label pressing. Both channels are clean and sharp and all remains focused, clear and precise with no clipping to those delicate high frequencies. Nothing spoilt my immense pleasure when play-grading this wonderful record. This copy will prove very difficult to find better and merits strong recommendation. Nothing beats the pleasure in holding and hearing a heavyweight pink copy of this vintage evergreen classic – this has remained one of my favourite albums of all-time since I first heard it way back in 1971 as a schoolboy. The copy I bought at the time being on the pink rim format that never sounded quite this good.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Terrarium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand+ based on over 8,000+ items sold in over 10 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffeners cannot be bent by hand, so what chance 2 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.

NOTE: First Time Bidders: Please ask me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of FOUR days if no payment is received. I will then cancel the dispute to end the, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site and they take the Ebay consequences (a strike or removal from the system). Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.25

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £8. (this includes insurance of £500). Add £2 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12 (enhanced Royal Mail insurance is an optional extra £3). Add £3 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16 (£17 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.