JIMI HENDRIX BAND OF GYPSYS RARE ORIG '70 CAPITOL LP BOB LUDWIG MASTER VERY NICE

$

140

WE CURRENTLY HAVE  NEARLY 300  LISTED ITEMS

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·       JIMI HENDRIX – BAND OF GYPSYS – ORIGINAL 1970 CAPITOL RECORDS STEREO LP STAO-472

·       ORIGINAL U.S. PRESSING

·       ORIGINAL LIME-GREEN CAPITOL LABEL

·       CAPITOL RECORDS, JACKSONVILLE, FLA PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, A RECORD CLUB- , OR A COUNTERFEIT PRESSING.

·       The bidders should note that this is a rare ORIGINAL Bob Ludwig-mastered “hot pressing” of this album, with his initials “RL” (Robert Ludwig) etched in the trail-off vinyl of the disc. All the wonderful elements of Bob Ludwig’s trademark mastering style are here: incredible clarity and balanced channel separation, vivid and spacious “ambience” sound, as well as wide dynamic and frequency range of the sound spectrum.  As is almost always the case with Bob Ludwig’s masterings, the Bob Ludwig-mastered pressings of this album are CONSIDERABLY rarer than the regular, non-Ludwig copies of this album.  (interestingly, side 2 is co-mastered with another mastering legend: Lee Hulko)

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       NO ANNOYING 'RIAA' STAMP (BLURB) ON THE COVER!!!  (ONLY THE FIRST PRESSINGS OF THIS TITLE DID NOT HAVE ONE!)

·       THE RECORD HAS A 'STERLING' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years. Helping him out were longtime friends Billy Cox on bass and Buddy Miles on the drums because the Experience had broken up in June of 1969, following a show in Denver. This rhythm section was vastly different from the Experience. Buddy Miles was an earthy, funky drummer in direct contrast to the busy, jazzy leanings of Mitch Mitchell. Noel Redding was not really a bass player at all but a converted guitar player who was hired in large part because Hendrix liked his hair! These new surroundings pushed Hendrix to new creative heights. Along with this new rhythm section, Hendrix took these shows as an opportunity to showcase much of the new material he had been working on. The music was a seamless melding of rock, funk, and R&B, and tunes like "Message to Love" and "Power to Love" showed a new lyrical direction as well. Although he could be an erratic live performer, for these shows, Hendrix was on -- perhaps his finest performances. His playing was focused and precise. In fact, for most of the set, Hendrix stood motionless, a far cry from the stage antics that helped establish his reputation as a performer. Equipment problems had plagued him in past live shows as well, but everything was perfect for the Fillmore shows. His absolute mastery of his guitar and effects is even more amazing considering that this was the first time he used the Fuzz Face, wah-wah pedal, Univibe, and Octavia pedals on-stage together. The guitar tones he gets on "Who Knows" and "Power to Love" are powerful and intense, but nowhere is his absolute control more evident than on "Machine Gun," where Hendrix conjures bombs, guns, and other sounds of war from his guitar, all within the context of a coherent musical statement. The solo on "Machine Gun" totally rewrote the book on what a man could do with an electric guitar and is arguably the most groundbreaking and devastating guitar solo ever.

 (EXCERPT FROM AN ONLINE REVIEW BY SEAN WESTERGAARD, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The importance of this phenomenal album – recorded on New Year’s eve in the legendary Fillmore East auditorium - cannot be overestimated. For many people (yours truly included), this was Jimi's finest hour, and a true, befitting swan song. Easily one of top-20 most important Rock albums ever recorded and just as easily one of top-5 greatest live performances ever captured on vinyl.

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters) ; a superficial scuff (not expected to be audible) covers much of 'Machine Gun"

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has some ring wear.  On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 5 (front side) and 4 (back side)

-        Cover has a few tiny wrinkles along the spine

-        Visible shelf wear noted on the spine.

-        Cover has some visible fraying/tattering on the top and bottom seams.

-        The gatefold cover has partially split seams on 1 out of 4 "legs" of the cover (about 1 inches / 1 inch = 2.5 centimeters).

-        Cover has three corners slightly worn / dinged (nothing significant)

-        The cover has a few tiny scratch marks on both sides (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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