JIMI HENDRIX ELECTRIC LADYLAND STUNNING 1960s PRESS LP
$
60
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Description
JIMI HENDRIX~ELECTRIC LADYLAND~STUNNING 1960s PRESS LP!
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Jimi Hendrix Experience "Electric Ladyland" Label:Reprise Records Catalog#:2RS 6307 Released:1968
STUNNING COPY OF THIS ORIGINAL REPRISE PRESSING FROM CIRCA 1968! 2-TONE STEAMBOAT LABELS AND HEAVYWEIGHT CARDBOARD COVER! COVER IS IN EXCELLENT CONDITION WITH SOME RINGWEAR. THERE ARE NO CUTS OR MARKS OF ANY KIND ON THE COVER! VINYL IS NEAR MINT - TRULY RARE FOR THIS PARTICULAR ALBUM WHICH ALWAYS SEEMS TO BE WELL-PLAYED.
THE BEST COPY WE'VE SEEN IN 20 YEARS!
Tracklist? A1 .... And The Gods Made Love A2 Have You Ever Been (To Electric Ladyland) A3 Crosstown Traffic A4 Voodoo Chile Bass – Jack Cassidy* Organ – Steve Winwood B1 Little Miss Strange Written-By – Noel Redding B2 Long Hot Summer Night Piano – Al Kooper B3 Come On (Part 1) Written-By – Earl King B4 Gypsy Eyes B5 Burning Of The Midnight Lamp C1 Rainy Day, Dream Away Organ – Mike Finnigan Congas – Larry Faucette Drums – Buddy Miles Horn – Freddie Smith C2 1983...(A Merman I Should Turn To Be) Flute – Chris Wood (2) C3 Moon, Turn The Tides...Gently Gently Away D1 Still Raining, Still Dreaming Organ – Mike Finnigan Congas – Larry Faucette Drums – Buddy Miles Horn – Freddie Smith D2 House Burning Down D3 All Along The Watchtower Arranged By – Jimi Hendrix Written-By – Bob Dylan D4 Voodoo Child (Slight Return) Credits? Art Direction – Ed Thrasher Engineer – Eddie Kramer, Gary Kellgren Liner Notes – Jimi Hendrix Photography [Back Cover Photo] – Karl Ferris Photography [Black-and-white Photos] – Linda Eastman Photography [Liner Photography In Part By] – David Sygall Producer, Directed By – Jimi Hendrix Written-By – Jimi Hendrix (tracks: A1 to A4, B2, B4 to D2, D4)
Jimi Hendrix's third and final album with the original Experience found him taking his funk and psychedelic sounds to the absolute limit. The result was not only one of the best rock albums of the era, but also Hendrix's original musical vision at its absolute apex. When revisionist rock critics refer to him as the maker of a generation's mightiest dope music, this is the album they're referring to. But Electric Ladyland is so much more than just background music for chemical intake. Kudos to engineer Eddie Kramer (who supervised the remastering of the original two-track stereo masters for this 1997 reissue on MCA) for taking Hendrix's visions of a soundscape behind his music and giving it all context, experimenting with odd mic techniques, echo, backward tape, flanging, and chorusing, all new techniques at the time, at least the way they're used here. What Hendrix sonically achieved on this record expanded the concept of what could be gotten out of a modern recording studio in much the same manner as Phil Spector had done a decade before with his Wall of Sound. As an album this influential (and as far as influencing a generation of players and beyond, this was his ultimate statement for many), the highlights speak for themselves: "Crosstown Traffic," his reinterpretation of Bob Dylan's "All Along the Watchtower," "Burning of the Midnight Lamp," the spacy "1983...(A Merman I Should Turn to Be)," and "Voodoo Chile (Slight Return)," a landmark in Hendrix's playing. With this double set, Hendrix once again pushed the concept album to new horizons.
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you’re getting this record just to own but not to play
Poor = the sky’s the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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