JIMMY REED JIMMY REED AT CARNEGIE HALL RARE ORIG'62 VEE JAY MONO LP DG BEAUTIFUL

$

35

WE CURRENTLY HAVE   MORE THAN 600   LISTED ITEMS

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·       JIMMY REED – JIMMY REED AT CARNEGIE HALL – ORIGINAL 1962 VEE JAY RECORDS MONO DOUBLE ALBUM LP VJLP 2-1035 (THIS IS NOT A REISSUE ON ABC-BLUESWAY LABEL)

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK VEE JAY LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW”) BAND ALONG THE LABEL’S EDGE AND “BRACKETS” VERSION OF THE LABEL (VEE JAY LOGO IS ENCAPSULED IN WHITE BRACKETS)

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       THE RECORD HAS A 'BELL SOUND' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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In several respects, this is a very strange album, though the music isn't strange at all and is in fact quite typical vintage Jimmy Reed. First, despite what the title might lead you to believe, this is not a live recording; all 23 of the tracks were done in the studio. Not only that, they weren't even performed at New York's famed venue Carnegie Hall, although producer Calvin Carter would later claim they were; instead, everything was cut elsewhere. According to Pete Welding's notes to the record in the year (1961) the double LP was first issued, one-half is devoted to "recreations of some of Jimmy's most celebrated and biggest-selling recordings," while "the second LP here is Jimmy's celebratory recreation of his highly successful appearance at august Carnegie Hall this past May." Even that doesn't really clear up things, however, as it certainly seems as if in many if not all cases where songs were previously issued by Vee Jay on other Reed releases, the versions used here are identical. It seems like a lot of trouble to go to for creating an album that, to be blunt, is pretty deceptively titled and packaged. For all that, however, the music is pretty good, if not exactly essential given that there are more legitimately packaged and logically assembled Jimmy Reed best-ofs. In some ways, it almost does make for a greatest-hits compilation, as it contains most of Reed's most popular tunes -- "Bright Lights, Big City," "Big Boss Man," "Honest I Do," "Hush Hush," "Ain't That Lovin' You Baby," "Going to New York," "Take Out Some !nsurance," "You Don't Have to Go," "Baby, Want You Want Me to Do" -- though his one big post-1961 hit, "Shame Shame Shame," isn't here. The other songs here don't quite measure up to the standards of the aforementioned tunes, and though Reed's performances of these are reliably consistent, the sometimes criticized similarity of his material also makes them kind of monotonous when heard in such bulk and proximity. If this were the only Reed anthology in existence, though, it would serve as a pretty good overview of his highly accessible brand of R&B/blues. And as it was the best such thing available at its time of release, it was highly popular and influential, making the Top 50 at a time when few blues LPs charted.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The records are pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The records come in their original stock inner sleeves.

(d)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3 (front side) and 4 (back side)

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).   Yellowing is also noted on the INSIDE gatefold

-         Cover has a few tiny wrinkles along the spine (nothing significant)

-         Visible shelf wear noted on the seams  (a small section on the lower spine is completely 'bald')

-         Cover has three corners slightly worn / dinged / bent (just a beginning of the split seam)

-         Cover has all four corners slightly worn / dinged / bent (just a beginning of the split seam)

-         The cover has a few tiny scratch marks on the back side.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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