JODY GRIND One Step On LP UNITED ARTISTS 1969 US 1st press HEADS, HANDS & FEET
£
18
$
24
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Description
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JODY GRINDTIM HINKLEY, IVAN ZAGNI, BARRY WILSON
plus LOUIS CENNAMO
British progressive rock band Jody Grind issued two obscure albums combining hard rock, jazz,
blues, and classical influences with lineups emphasizing Hammond organ, guitar, and drums.
Prone to long instrumental riffing and rather ponderous, stern original material
"ONE STEP ON"
Produced by Hugh Murphy
1969 LP UNITED ARTISTS RECORDS STEREO UAS 6774
PRINTED IN U.S.A. ORIGINAL FIRST PRESSING
on BLACK/ORANGE UA LABEL
THICK CARDBOARD COVER (AMERICAN STYLE)
Barcode and Other Identifiers
LABEL: UA - BLACK/ORANGE LABEL - SILVER TEXT
Catalog on cover: UAS 6774
Catalog on labels: UAS 6774 (Side 1 / Side 2)
Matrix / Runout (Side A, Etched): UAS-6774-1
Matrix / Runout (Side B, Etched): UAS-6774-2
On labels: rim text reads "Liberty UA. Inc., Los Angeles, California"
All compositions published by Heatside Music, Inc. (BMI)
Produced by Hugh Murphy
(Shel Talmy Productions)
Licensed from Transatlantic Records, London, England
(on Side 1 only): *Published by Gideon Music, Inc. (BMI)
On Back Sleeve: © Liberty/UA, Inc., Los Angeles, Calif. - Printed in U.S.A.
from my records collection
tracklisting
Side A: ONE STEP ON
a) In My Mind b) Nothing At All c) Interaction d) Paint It Black
Side B: LITTLE MESSAGE - NIGHT TODAY - U.S.A. - ROCK 'N' ROLL MAN
grading
RECORD EX but (please, read above description)
SLEEVE VG but (please, see pictures and read above description)
Jody Grind's debut album was early progressive rock with a somewhat jazzier orientation
than most such bands, though the playing was a good sight more impressive than the singing and songwriting.
There's a fairly grim tone to the original material, all (save a cover of the Rolling Stones' "Paint It Black")
written by Tim Hinkley and Ivan Zagni, who wrench extended heavy blues and jazzy solos out
of their organ and guitar, respectively. The showcase is an 18-minute, four-part suite,
"One Step On," that -- like many long rock tracks of the time -- goes on for way too long,
incorporating horn fanfares, lurching tempos, and operatic vocals (and, yes, a drum solo).
Shown to best advantage on "Little Message" and the most appealing song on the album,
"Night Today," Hinkley's skilled Hammond organ work stands up well to the keyboards
of well-known early prog rockers like Keith Emerson,
Vincent Crane (of the Crazy World of Arthur Brown), and Brian Auger...(AllMusic)
price rating
