JOE COCKER, With A Little Help From My Friends USA 1st pressing LP Jimmy Page
$
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Description
Joe Cocker – With A Little Help From My Friends Label: A&M Records – SP-4182, A&M Records – SP 4182 Format: Vinyl, LP, Album, Stereo, Pitman Pressing Country: US Released: Apr 23, 1969 Genre: Rock Style: Blues Rock, Pop Rock Tracklist Hide Credits A1 Feeling Alright Written-By – Dave Mason Written-By – Dave Mason 4:12 A2 Bye Bye Blackbird Written-By – Dixon*, Henderson* Written-By – Dixon*, Henderson* 3:28 A3 Change In Louise Written-By – Chris Stainton, Joe Cocker Written-By – Chris Stainton, Joe Cocker 3:22 A4 Marjorine Written-By – Chris Stainton, Joe Cocker Written-By – Chris Stainton, Joe Cocker 2:13 A5 Just Like A Woman Written-By – Bob Dylan Written-By – Bob Dylan 5:18 B1 Do I Still Figure In Your Life? Written-By – Pete Dello Written-By – Pete Dello 3:59 B2 Sandpaper Cadillac Written-By – Chris Stainton, Joe Cocker Written-By – Chris Stainton, Joe Cocker 3:18 B3 Don't Let Me Be Misunderstood Written-By – B. Benjamin*, G. Caldwell*, S. Marcus* Written-By – B. Benjamin*, G. Caldwell*, S. Marcus* 4:41 B4 With A Little Help From My Friends Written-By – John Lennon-Paul McCartney* Written-By – John Lennon-Paul McCartney* 4:05 B5 I Shall Be Released Written-By – Bob Dylan Written-By – Bob Dylan 3:38 Companies, etc. Pressed By – Columbia Records Pressing Plant, Pitman Produced For – Tarantula Productions Published By – Almo Music Corp. Published By – Warner Bros. - Seven Arts Music Published By – Tro-Andover Music, Inc. Published By – Dwarf Music Published By – Gil Music Corp. Published By – Bennie Benjamin Music Inc. Published By – MacLen Music Mastered At – A&M Mastering Studios Credits Arranged By [Strings] – Nick Harrison (tracks: B5) Backing Vocals – Brenda Holloway (tracks: A1), Brenda's Sister (tracks: A1), Madeline Bell (tracks: A2, B1, B4), Merry Clayton (tracks: A1), Rosetta Hightower (tracks: A2, B4), Su Wheetman (tracks: A3, B1, B5), Sunny Hightower (tracks: A2), Sunny Wheetman (tracks: A3, B1, B4, B5) Bass – Carol Kaye (tracks: A1), Chris Stainton (tracks: A2 to B5) Design [Album] – Tom Wilkes (2) Drums – B.J. WIlson (tracks: A5, B4), Clem Cattini (tracks: A2, A4, B2), Kenny* (tracks: B3), Mike Kelly* (tracks: A3, B1, B5), Paul Humphries* (tracks: A1) Guitar – Albert Lee (tracks: A4), David Cohen (tracks: A1), Henry McCullough (tracks: A3, B1, B3, B5), Jimmy Page (tracks: A4, A5, B2, B4), Tony Visconti Maracas, Tumbi [Tumba] – Laudir* Mixed By – Tony Visconti Organ – Chris Stainton (tracks: A2, B2), Matthew Fisher (tracks: A5), Steve Winwood (tracks: B1, B5), Tommy Eyre (tracks: B3, B4) Photography By [Back Cover Shots] – Eric Hayes, Herb Greene Photography By [Front Cover] – Martin Keeley Piano – Artie Butler (tracks: A1), Chris Stainton (tracks: A2 to A4, B2), Tommy Eyre (tracks: A5) Producer – Denny Cordell
USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL COMPANY INNER SLEEVE.
SLEEVE: VERY GOOD+, SOME SHELF, CORNER, EDGE AND RING WEAR. PEN MARK ON REAR. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.
DISC: VERY GOOD+. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES AND FINGERPRINTS. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
- 1. USA IS $6.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.
- 2. INTERNATIONAL BY TRACKED AND INSURED PRIORITY AIR MAIL FOR UP TO THREE LPs IS $74.99 [EXCEPT CANADA, WHICH IS $54.99]. This is now the only reliable, tracked and insured way we can ship international packages.
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