JOHN CALE / TERRY RILEY Church Of Anthrax US LP on Columbia - Velvet Underground
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** RECORD COLLECTOR **
JOHN CALE / TERRY RILEY
Church Of Anthrax
US LP released on Columbia Records. Late 90s pressing?
Dark red Columbia labels, with Columbia logo on top.
AL 30131-1E / BL 30131-1D
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A one-time-only collaboration between former Velvet Underground co-founder John Cale and minimalist composer Terry Riley, 1971's Church of Anthrax doesn't sound too much like the solo work of either.
Around this time, Riley's works were along the lines of "A Rainbow in Curved Air" or "Poppy Nogood and the Phantom Band": pattern music with an obsessive attention to repetition and tricks with an analogue delay machine that gave his music a refractory, almost hallucinogenic quality.
Though Cale was trained in a similar aesthetic (he played with La Monte Young, surely the most minimal of all minimalist composers), he had largely left it behind by 1971, and so Church of Anthrax mixes Riley's drones and patterns with a more muscular and melodic bent versed in both free jazz and experimental rock.
Not quite modern classical music, but not at all rock & roll either, Church of Anthrax sounds in retrospect like it was a huge influence on later post-minimalist composers like Andrew Poppy, Wim Mertens, and Michael Nyman, who mix similar doses of minimalism, rock, and jazz.
On its own merits, the album is always interesting, and the centrepiece "The Hall of Mirrors in the Palace at Versailles" is probably the point where Riley and Cale approach each other on the most equal footing.
Tracks Are :-
Side One
Church Of Anthrax
The Hall Of Mirrors In The Palace At Versailles
Side Two
The Soul Of Patrick Lee
Ides Of March
The Protege
Released on 'Columbia Records'
Catalogue No. C 30131
Disc is in EX condition (some light surface marks)
Sleeve is in EX condition
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