JOHN COLTRANE BLUE TRAIN Blue Note DEEP GROOVE W63RD STREET RVG EAR
  $   100

 


$ 100 Sold For
Aug 25, 2013 Sold Date
Aug 18, 2013 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

JOHN COLTRANE BLUE TRAIN Blue Note DEEP GROOVE W63RD STREET RVG EAR







A G ORIGINAL LP ON BLUE NOTE 1577

A DEEP GROOVE PRESSING WITH 47 WEST 63RD NYC ON BOTH LABELS AND WITH THE EAR AND RVG IMPRESSED IN THE DEAD WAX BOTH SIDES

SIDE ONE LABEL WITH REGISTERED R, SIDE TWO LABEL WITHOUT

A MINT COPY NOW GOES FOR ALMOST TWO GRAND

RECORDED BY RUDY VAN GELDER

WITH LEE MORGAN, CURTIS FULLER, JOHN COLTRANE, KENNY DREW, PAUL CHAMBERS, PHILLY JOE JONES

TRACKS AS SHOWN ON THE LABEL PHOTOS

COVER STOCK WITH OBVIOUS RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. BACK COVER ROUGH TO THE TOUCH. BACK WITH LABEL AND INKED LETTERS. OLD TAPE MARKS BACK SIDE. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

SPINDLE HOLE WITH RUB MARKS. THE
VINYL BLANK WITH VARIOUS ASSORTED SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION. WE'VE TEST PLAYED THIS LP ON A PROFESSIONAL SOUND SYSTEM WITH A VPI TURNTABLE WITH A GRADO REFERENCE 1 WOOD CARTRIDGE. SIDE ONE FOR ABOUT THE FIRST QUARTER INCH WITH BACKGROUND NOISE AND SOME LIGHT CLICKS, THEN TAPERING OUT. SIDE TWO BEGINNING WITH AUDIBLE BACKGROUND/SURFACE NOISE THEN TAPERING OUT. THE REST OF THE LP LP SOUNDED QUITE FINE, OCCASIONALLY WITH SOME LIGHT SURFACE/BACKGROUND NOISE BUT NOT A DISTRACTION. ACTUALLY SOUNDING QUITE FINE OVERALL, CONSIDERING THE VINYL APPEARANCE. A VERY PLAYABLE COPY WITH AURAL ENJOYMENT AND PRICED ACCORDINGLY. IF YOU ARE LOOKING FOR A BEAUTIFUL APPEARANCE COPY THIS IS NOT THE LP FOR YOU.

?PLEASE
NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.

FROM THE ALLMUSIC.COM WEBSITE:
Review by Lindsay Planer  
Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train -- Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry -- touching upon all forms in between. The personnel on Blue Train is arguably as impressive as what they're playing. Joining Coltrane (tenor sax) are Lee Morgan (trumpet), Curtis Fuller (trombone), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums). The triple horn arrangements incorporate an additional sonic density that remains a trademark unique to both this band and album. Of particular note is Fuller's even-toned trombone, which bops throughout the title track as well as the frenetic "Moments Notice." Other solos include Paul Chambers' subtly understated riffs on "Blue Train" as well as the high energy and impact from contributions by Lee Morgan and Kenny Drew during "Locomotion." The track likewise features some brief but vital contributions from Philly Joe Jones -- whose efforts throughout the record stand among his personal best. Of the five sides that comprise the original Blue Train, the Jerome Kern/Johnny Mercer ballad "I'm Old Fashioned" is the only standard; in terms of unadulterated sentiment, this version is arguably untouchable. Fuller's rich tones and Drew's tastefully executed solos cleanly wrap around Jones' steadily languid rhythms. Without reservation, Blue Train can easily be considered in and among the most important and influential entries not only of John Coltrane's career, but of the entire genre of jazz music as well.
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AUCTION BIDDERS : PAYMENT IS EXPECTED WITHIN 24 HOURS OF SALE TIME  524 (GS 6.6.4 (524))


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