JOHN COLTRANE w/PAUL CHAMBERS BAHIA RARE ORIG '64 PRESTIGE STEREO LP RVG NICE
$
34
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· JOHN COLTRANE with RED GARLAND, WILBUR HARDIN, PAUL CHAMBERS, ART TAYLOR AND JIMMY COBB - BAHIA - ORIGINAL 1964 PRESTIGE RECORDS STEREO LP PRST-7353
· ORIGINAL U.S. PRESSING
· ORIGINAL DARK BLUE 'PRESTIGE' LABEL WITH SILVER PRINT AND 'TRIDENT' LOGO.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Bahia is a set that matches together the very different sounding tenors of John Coltrane and Paul Quinichette in a jam-session type setting from 1957 (although three of the five songs were actually composed by pianist Mal Waldron) in addition to Coltrane's final Prestige date, which also has appearances by the trumpeters Freddie Hubbard (on "Then I'll Be Tired of You") and an uncredited Wilbur Harden ("Something I Dreamed Last Night"). (NOTE: the Freddie Hubbard tune is a CD-only bonus track, not present on the original LP release)
(EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new (NOTE: a minor scratch on the closing segment (roughly 1 minute) of 'Something I dreamed last night' is visible but not feelable and is not expected to be audible).
(b) The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS ABOUT VERY GOOD+(+)
The following flaws or imperfections are noted on the cover:
- Small paint/dye stain noted on the bottom seam on back side (less than 1/2 square inch in size)
- A visible water stain affects the area about 1 inch wide along the top seam and spine (VISIBLE ON BACK SIDE ONLY); there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2 (front side) and 4 (back side)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine
- Minor shelf wear noted on the bottom seam (nothing significant)
- Cover has two corners slightly worn / dinged (nothing significant)
- Cover has a light "wrinkle" (crease) in one of the corners. (VISIBLE ON FRONT SIDE ONLY)
- Cover has some writing on its back side (name of the previous owner written in thin blue marker, about 1/8 x 1 inches in size)
- Cover has a visible wrinkle (crease) in the cardboard base on the back panel
NO OTHER VISIBLE FLAWS AND IMPERFECTIONS ON THE COVER
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