JOHN COLTRANE w/PAUL CHAMBERS & HANK MOBLEY MISTY NIGHT SEALED ORIG PRESTIGE LP
$
57
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· JOHN COLTRANE with PHILLY JOE JONES, HANK MOBLEY, AL COHN, ZOOT SIMS, RED GARLAND, PAUL CHAMBERS AND OTHERS – ON A MISTY NIGHT - ORIGINAL 1978 PRESTIGE/FANTASY MONO 2-LP SET (DOUBLE ALBUM) P-24084
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***
· BELIEVED TO BE PRESSED ON THE ORIGINAL LIME-GREEN PRESTIGE/FANTASY LABEL, '70s STYLE (SORRY, WE ARE NOT ENTIRELY CERTAIN)
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· THREE “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 7.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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This double-LP compilation was first released in the late '70s and features tunes from two distinct fall of 1956 John Coltrane (tenor saxophone) sessions. Billed as the "Prestige All-Stars," the September 7 confab with fellow tenor tooters Hank Mobley, Al Cohn, and Zoot Sims, as well as Red Garland (piano), Paul Chambers (bass), and Art Taylor (drums) yielded the Tenor Conclave (1956) album. Less than three months later, Coltrane was backing Tadd Dameron (piano), John Simmons (bass), and Philly Joe Jones (drums) for tracks that would be issued as Mating Call (1957). The intimacy of "How Deep Is the Ocean" dispels the "too many cooks spoil the pot" adage. Cohn's cool and supple tone sets the pace for the quarter-hour long reading. Saving the best for last, Coltrane brings up the rear with the final solo after Garland, Simmons, and Chambers have taken their own passes at the chorus. The midtempo "Just You, Just Me" uncovers an alternate facet of the involved parties -- especially as, one by one, the respective tenors assume the helm. The personalities of each player stand out when presented in such a context, making it among the disc's many indispensable entries. With obvious overtones and sonic references to Charlie Parker's classic "Blues for Alice," the Mobley composition "Bob's Boys" is a fiery tenor-lovers dream as the primary participants are offered up in practically every configuration possible. Particularly potent are the four saxes as they quite literally respond to one another -- passing ideas and inspiration around like a joint. The November 30 date was the last of 1956 for Coltrane as he finds himself integrated into a Dameron-led outing with the pianist also supplying all of the thoroughly excellent tunes. Interested parties are encouraged to check out the title piece "On a Misty Night" -- a lovely excursion that provides Coltrane the chance to let loose with his trademark lyrical phrasing. One need only hear the sweet and sinuous opening to realize the presence of true genius. Also, note the juxtaposition of the higher pitch -- during the intro -- to the lower, earthier quality Coltrane possesses in the verses. Likewise, the bluesy "Romas," the lovely, melodic "Gnid," and the rocket-fuel pacing of "Super Jet," are similarly outstanding. However, the real heart is Dameron's ballad "Soultrane." Here again, Coltrane incorporates a wider range of sound to a tremendous emotional effect. He even quietly but confidently asserts a few bars of playful double-time, if for no other reason than to give the performance a bit of a lift that may be part of the reason for its well-deserved placement in the rarefied strata of Coltrane's most revered works.
(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID)
(b) The records are believed to come in their original stock inner sleeves.
(c) The records are apparently pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has one corner slightly worn (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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