JOHN FAHEY v.4 NM ORIG'66 TAKOMA LP TRUE 1st MONO PRESS

$

41

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·       JOHN FAHEY – THE GREAT SAN BERNARDINO BIRTHDAY PARTY AND OTHER EXCURSIONS – ORIGINAL 1967 TAKOMA RECORDS MONO LP C-1008

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK TAKOMA LABEL WITH SIMPLE TYPESET/LAYOUT AND SILVER PRINT

·       DEEP GROOVE PRESSING (ON ONE SIDE ONLY)

·       RARE MONO PRESSING, MANY TIMES RARER THAN STEREO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL "TEXTURED" (CRUDE FINISH) COVER.

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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This hodgepodge of tracks from 1962-66 was among the last of Fahey's early Takoma albums to make it onto CD (which it did in 2000). Perhaps that's because Fahey himself has a low estimation of the record. Nevertheless, it stands as his most, well, far-out work, and one of his most innovative. Edited together from several pieces, the 19-minute "The Great San Bernardino Birthday Party" anticipated elements of psychedelia with its nervy improvisations and odd guitar tunings. The six briefer pieces that comprised the rest of the record also broke ground with their unsettling moods and dissonances: "Knott's Berry Farm Molly" suddenly moving from a characteristically placid instrumental to backwards tapes that Fahey assembled on a tape recorder, and the lo-fi "Will the Circle Be Unbroken" putting some aggressive picking against a mysterious church organ played by Flea. The beautiful "900 Miles" also had unexpected instrumental accompaniment, by Nancy McLean on flute, while future Canned Heat member Al Wilson played "veena" (sitar) on "Sail Away Ladies." Despite Fahey's curmudgeonly dismissal of the record several decades later, it's an important, if uneven, effort that ultimately endures as one of the highlights of his discography.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a "deep groove" [ON ONE SIDE ONLY] (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 5:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split top seam (less than 1 inch / 2.5 centimeters) [tiny piece of scotch tape placed in that corner]

-         Cover has a partially split bottom seam (less than 1 inch / 2.5 centimeters)

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2 (front side) and 3 (back side)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Two tiny greasy stains noted on the back panel (less than ¼ square inch in size each)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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