JOHN LEE HOOKER It Serve You Right To Suffer LP IMPULSE/ABC 1965 US reissue+foc
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JOHN LEE HOOKERwith MILT HINTON, BARRY GALBRAITH, PANAMA FRANCIS, DICKY WELLS
The most elemental of the electric blues giants, one of few to both inspire and draw from rock & roll idols
"IT SERVE YOU RIGHT TO SUFFER"
<reissue, originally published in 1965>
Produced by Bob Thiele
Engineer: Bob Arnold
LP IMPULSE/ABC RECORDS AS 9103 STEREO
PRINTED IN U.S.A. MID/LATE-70s REPRESSING
GATEFOLD COVER WITH ABC INNER SLEEVE
THICK CARDBOARD COVER (AMERICAN STYLE)
This version: without barcode, without MCA logo or MCA distribution,
on cover the catalog is A-9103, on labels AS-9103
Barcode and Other Identifiers
LABEL: ABC IMPULSE - GREEN/BLUE LABEL & WHITE 'ABC IMPULSE LOGO - BLACK TEXT
Catalog on cover: (front, spine & rear) A-9103
(inside cover, left panel) Mono-A-9103 Stero-AS-9103
Catalog on labels: AS-9103-A / AS-9103-B
Matrix / Runout (Side A, Etched): T1 AS-9103-A- 4(inside a circle)
Matrix / Runout (Side B, Etched): T1 AS-9103-B- 1(inside a circle)
On label (Side A): All Songs Composed by: John Lee Hooker
All Songs Published by: John Lee Hooker Music Corp. - BMI
On label (Side B): Bands 1, 2 & 4 Composed by: John Lee Hooker
Bands 1, 2 & 4 Published by: John Lee Hooker Music Corp. - BMI
On Inside Sleeve: Impulse Records, a product of ABC-Paramount Records, Inc.
Made in U.S.A.
Recorded Nov. 23, 1965
Notes by Stanley Dance Contributing Editor, Jazz Magazine
On Back Sleeve: Recorded 1965 Printed in U.S.A.
A Product of ABC-Paramount Records, Inc.
from my records collection
tracklisting
Side A: SHAKE IT BABY - COUNTRY BOY
BOTTLE UP AND GO - YOU'RE WRONG
Side B: SUGAR MAMA - DECORATION DAY
MONEY - IT SERVE YOU RIGHT TO SUFFER
grading
RECORD EX but (please, read above description)
SLEEVE VG+ but (please, see pictures and read above description)
With Panama Francis on drums, Milt Hinton on bass, and Barry Galbraith on second guitar,
the result is some of the best John Lee Hooker material with a band that you're likely to come across.
The other musicians stay in the pocket, never overplaying or trying to get Hooker to make chord changes
he has no intention of making. This record should be played for every artist who records with Hooker nowadays,
as it's a textbook example of how exactly to back the old master. The most surreal moment occurs
when William Wells blows some totally cool trombone on Hooker's version of Berry Gordy's "Money."
If you run across this one in a pile of 500 other John Lee Hooker LPs,
grab it; it's one of the good ones...(AllMusic)
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