JOHN LENNON & YOKO ONO Two Virgins NM- RARE Apple T-5001 1ST PRESS

$

95

Vinyl:  NM  TOP COPY! Play Graded. Sounds Great!  Apple Photo Labels are Clean. This is the Original 1968 Apple 1st Pressing! T-5001.  One of the most notorious records in history, especially considering that it is rarely listened to on its own merits.  Famously rejected for distribution by Apple's longtime distributors, Capitol, the deed went to Tetragrammaton.   Ringo's first reaction to seeing the cover is my favorite:  he remarked to John:  "I see you have The (London) Times, there..."   See Review Below!
In the Dead Wax:  Side 1:  T-5001-1 Side 2:  T-5001-2

Cover: NM  TOP COPY! (see photos)  Includes Tetragrammaton company Inner Sleeve.  The sleeve has a number written on it on one side, in the corner.
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Goldmine Standards.    I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.   

AllMusic Review by William Ruhlmann

At the time of its release, this duo album by John Lennon and Yoko Ono gained its greatest notice for its cover, a photograph that depicted the two standing before the camera naked. The recording, too, can be described as naked, in that it contains no music that would interfere with one's ability to hear the normal sounds of life. The record is not unlike what you might get if you turned on a tape recorder for a random half-hour in your home -- snatches of inaudible conversation far away from the microphone, footsteps, wind, and so on. Conceptual "music" in the Cage-ian sense, yes, but not popular music of the kind with which John Lennon had been previously associated in any sense at all.