EVERYTHING'S EVENTUAL VINYL

**SEALED 2016 U.S. LP**

**JOHN PRINE**

**IN SPITE OF OURSELVES**

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John Prine ?– In Spite Of Ourselves

Label: Oh Boy Records ?– OBR-019-LP Format: Vinyl, LP, Album, Reissue
Country: US Released: 29 Jul 2016 Genre: Folk, World, & Country Style: Country

TracklistHide Credits

A1 –John Prine W/ Iris DeMent (We're Not) The Jet Set Acoustic Guitar, Electric Guitar – Jason Wilber (2)Bass [Upright Bass] – David JacquesDrums – Kenny MaloneMandolin, Accordion – Phil ParlapianoPedal Steel Guitar [Pedal Steel] – Don Dugmore*Vocals [Vocal] – Iris DeMentVocals [Vocal], Acoustic Guitar – John PrineWritten-By – Bobby Braddok* 2:36 A2 –John Prine W/ Connie Smith So Sad (To Watch Good Love Go Bad) Acoustic Guitar – Jason Wilber (2)Bass [Upright Bass] – David JacquesDrums – Paul GriffithPedal Steel Guitar [Pedal Steel] – Dan DugmorePiano – Phil ParlapianoVocals [Vocal] – Connie SmithVocals [Vocal], Acoustic Guitar – John PrineWritten-By – Don Everly 2:29 A3 –John Prine W/ Lucinda Williams Wedding Bells / Let's Turn Back The Years Acoustic Guitar – Jason Wilber (2)Bass [Upright Bass] – David JacquesFiddle – Shawn CampPedal Steel Guitar [Pedal Steel] – Dan DugmorePiano [Wurlitzer Piano], Organ [B-3 Organ] – Phil ParlapianoVocals [Vocal] – Lucinda WilliamsVocals [Vocal], Acoustic Guitar – John PrineWritten-By [Let's Turn Back The Years] – Hank WilliamsWritten-By [Wedding Bells] – Claude Boone 3:47 A4 –John Prine W/ Trisha Yearwood When Two Worlds Collide Acoustic Guitar – Jason Wilber (2)Bass [Upright Bass] – David JacquesDrums – Pat McInerneyPedal Steel Guitar [Pedal Steel] – Al PerkinsPiano – Glen D. Hardin*Vocals [Vocal] – Trisha YearwoodVocals [Vocal], Acoustic Guitar – John PrineWritten-By – Bill Anderson (2), Roger Miller 2:21 A5 –John Prine W/ Melba Montgomery Milwaukee Here I Come Acoustic Guitar, Electric Guitar – Jason Wilber (2)Bass [Upright Bass] – David JacquesDobro – Gene WootenDrums – Paul GriffithPedal Steel Guitar [Pedal Steel] – Buddy EmmonsPiano – Phil ParlapianoVocals – John PrineVocals [Vocal] – Melba MontgomeryWritten-By – Lee Fikes 2:21 A6 –John Prine W/ Emmylou Harris I Know One Acoustic Guitar – Jim RooneyBass [Upright Bass] – David JacquesDrums – Larry AtamanuikElectric Guitar – Jason Wilber (2)Fiddle, Mandolin – Sam BushPedal Steel Guitar [Pedal Steel] – Al PerkinsPiano – Glen D. Hardin*Vocals [Vocal] – Emmylou Harris, John PrineWritten-By – Jack Clement 2:41 A7 –John Prine W/ Dolores Keane It's A Cheating Situation Acoustic Guitar – Arty McGlynn, Jim RooneyBass [Upright Bass] – James BlennerhassettKeyboards – Glen D. Hardin*Percussion – Pat McInerneyVocals [Vocal] – Dolores KeaneVocals [Vocal], Acoustic Guitar – John PrineWritten-By – Claude Putman, Jr.*, Sonny Throckmorton 2:56 A8 –John Prine W/ Patty Loveless Back Street Affair Bass [Upright Bass] – David JacquesDobro – Al PerkinsDrums – Larry AtamanuikElectric Guitar – Jason Wilber (2)Fiddle – Sam BushPiano – Glen D. Hardin*Vocals [Vocal] – Patty LovelessVocals [Vocal], Acoustic Guitar – John PrineWritten-By – Billy Wallace (3) 2:47 B9 –John Prine W/ Lucy Smith (2) Loose Talk Acoustic Guitar – Jason Wilber (2)Bass [Upright Bass] – David JacquesDobro – Dan DugmoreDrums – Paul GriffithMandolin, Accordion – Phil ParlapianoPercussion – Pat McInerneyVocals [Vocal] – John Prine, Lucy Smith (2)Written-By – Ann Lucas, Freddie Hart 2:44 B10 –John Prine W/ Iris DeMent Let's Invite Them Over Acoustic Guitar – Jason Wilber (2)Bass [Upright Bass] – David JacquesDobro, Pedal Steel Guitar [Pedal Steel] – Dan DugmoreDrums – Kenny MalonePiano – Phil ParlapianoVocals [Vocal] – Iris DeMentVocals [Vocal], Acoustic Guitar – John PrineWritten-By – Onie Wheeler 2:11 B11 –John Prine W/ Fiona Prine 'Til A Tear Becomes A Rose Acoustic Guitar – Jim RooneyMandolin – Kieran KaneVocals [Vocal] – Fiona PrineVocals [Vocal], Acoustic Guitar – John PrineWritten By – Sharon & Bill RiceWritten-By – Bill Rice, Sharon Rice 2:50 B12 –John Prine W/ Dolores Keane In A Town This Size Acoustic Guitar – Jim RooneyAcoustic Guitar, Electric Guitar – Arty McGlynnBass [Upright Bass] – James BlennerhassettMandolin – Kieran KanePercussion – Pat McInerneyVocals [Vocal] – Dolores KeaneVocals [Vocal], Acoustic Guitar – John PrineWritten-By – Kieran Kane 3:31 B13 –John Prine W/ Iris DeMent We Could Acoustic Guitar – Jason Wilber (2)Bass [Upright Bass] – David JacquesDrums – Kenny MalonePedal Steel Guitar [Pedal Steel] – Dan DugmorePiano – Phil ParlapianoVocals [Vocal] – Iris DeMentVocals [Vocal], Acoustic Guitar – John PrineWritten-By – Felice Bryant 2:17 B14 –John Prine W/ Melba Montgomery We Must Have Been Out Of Our Minds Acoustic Guitar – Jason Wilber (2)Bass [Upright Bass] – David JacquesDobro – Gene WootenDrums – Paul GriffithPedal Steel Guitar [Pedal Steel] – Buddy EmmonsPiano, Mandolin – Phil ParlapianoVocals [Vocal] – Melba MontgomeryVocals [Vocal], Acoustic Guitar – John PrineWritten-By – Melba Montgomery 2:16 B15 –John Prine W/ Iris DeMent In Spite Of Ourselves Acoustic Guitar – Marty StuartAcoustic Guitar, Vocals [Uncredited] – John PrineVocals [Vocal] – Iris DeMentWritten-By – John Prine 3:33 B16 –John Prine Dear John (I Sent Your Saddle Home) Acoustic Guitar – Jim RooneyBacking Vocals ["The Grifting Cowboys" Background Vocals] – Al Perkins, David Jacques, Duke Duczer, Glen D. Hardin*, Jason Wilber (2), Jim Rooney, Pat McInerney, Shawn CampBass [Upright Bass] – David JacquesDrums – Pat McInerneyElectric Guitar – Jason Wilber (2)Fiddle – Shawn CampLead Vocals – John PrinePedal Steel Guitar [Pedal Steel] – Al PerkinsPiano – Glen D. Hardin*Written-By – Aubrey A. Gass*

 

Tracks Include : see  LP listings above 

CONDITION

 

Jacket:  NEW VG++ (Sealed but has small tear in shrink near middle opening, very light corner bumps) 

Vinyl: NEW 

        

 

 

 

 

 2016 SEALED PRESSING

 

****JOHN PRINE****

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Grading records is not a ‘Scientific’ exercise, instead it is a subjective activity. I do my best to listen carefully to both sides of the record before grading based on the listening experience. Flaws, if any, that I hear will be reflected in the grade rating, and if noteworthy, will be mentioned. The nature of how records are played (i.e. physical contact between the moving grooves and the stylus tip) makes it a medium where flaws are often inherent in the process. Also, please keep in mind that there may well be subtle differences between turntables. Records are not the ‘sterile’ medium of CDs. Flaws generally range from somewhat normal quiet background noise in run-ins between tracks to more serious issues such as pressing flaws, groove wear, skips, repeats and long scratches producing consistent ticks or pops.

I try to follow a grading system similar to Goldmine where I will have NM, NM-, VG+, VG, VG- etc. I may also have combinations such as VG+/NM-. Generally, I do not sell records below the VG+ rating unless somewhat rare, in which case I will point out the issues.

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