JOHN STEWART CALIFORNIA BLOODLINES RARE ORIG '68 CAPITOL COLORBAND LABEL LP N/M

$

21

WE CURRENTLY HAVE  NEARLY 200  LISTED ITEMS

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·       JOHN STEWART - CALIFORNIA BLOODLINES - ORIGINAL 1968 CAPITOL RECORDS STEREO LP ST-203

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK CAPITOL LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW) BAND ALONG THE LABEL’S EDGE AND CAPITOL’S LOGO ON TOP (12 O’CLOCK POSITION) OF THE LABEL

·       CAPITOL RECORDS, SCRANTON, PA  PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-A1/-A1'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Issued in 1969, California Bloodlines is regarded by many to be singer/songwriter John Stewart's finest work. That's debatable, but it is a hell of an album. Stewart, who had finally left behind the Kingston Trio to pursue a solo career, solidified it here. Well known as the guy who wrote "Daydream Believer" for the Monkees, Stewart proved to be a credible, sometimes even enigmatic performer in his own right. Nick Venet produced California Bloodlines. He took Stewart to Nash Vegas and enlisted a host of studio cats who existed largely outside of Chet Atkins' countrypolitan mafia: drummer Kenneth A. Buttrey, bassist Norbert Putnam, harmonicat Charlie McCoy, Lloyd Green on pedal steel, and others, including the most sought-after upright pianist in country music history: Hargus "Pig" Robbins. Incidentally, many of these same musicians played on Bob Dylan's Nashville Skyline session. Musically, California Bloodlines is a study in contradictions. Texturally thin like Stewart's voice, the songs are romantic visions of people and places that come out of a present which is already in the past and a past inhabited by ghosts. But this is also where Stewart excels lyrically. His portraits of spirits are made nearly flesh in his songs, which are ambitious lyrically if not musically, such as the title track, "The Pirates of Stone County Road," "Razor-Back Woman," "Some Lonesome Picker," "July You're a Woman," and "You Can't Look Back," with Green's pedal steel dancing throughout the melody and filling in each line. But perhaps the most beautiful track on the album is the elegiac "Missouri Birds," with its lilt and slow-stepped observations about space and time. And while generally regarded as a folk artist, Stewart's country roots are displayed here are as deep as Mickey Newbury's, even if he wasn't born in Texas. This is a glorious recording which kicks off an erratic yet never dull career with a bang.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

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·                               CONDITION:

·                               THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.  Minor pressing blemish noted on 'Shackles and Chains' (nothing major)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3  (front side) and 4 (back side)

-         Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

-         Cover has a few tiny wrinkles along the spine

-         Visible shelf wear noted on the bottom seam

-         Cover has one corner slightly dinged (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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