Jeff Wayne – The War Of The Worlds 2 X 12" 1978 Aussie Press VG+/VG+ RARE
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52
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Description
Media Grading: VG+. One record has slight warp. Sleeve Grading: VG+ Booklet in great condition. Please check out pics before bidding.
Jeff Wayne – Jeff Wayne's Musical Version Of The War Of The Worlds
Label: CBS – S2BP 220201, CBS – 96000 Format: 2 x Vinyl, LP, Album Country: Australia Released: 1978 Genre: Electronic, Rock, Pop Style: Art Rock, Prog Rock, Symphonic RockTracklist
Hide Credits The Coming Of The Martians A1 The Eve Of The War A2 Horsell Common And The Heat Ray B1 The Artilleryman And The Fighting Machine Vocals [Artilleryman] – David Essex Vocals [Artilleryman] – David Essex B2 Forever Autumn Lyrics By – Paul Vigrass Lyrics By – Paul Vigrass B3 Thunderchild Performer [Performed By] – Chris Thompson Performer [With] – Billy Lawrie, Gary Osborne, Paul Vigrass Performer [Performed By] – Chris Thompson Performer [With] – Billy Lawrie, Gary Osborne, Paul Vigrass The Earth Under The Martians C1 The Red Weed And Parson Nathaniel Vocals [Beth] – Julie Covington Vocals [Parson Nathaniel] – Philip Lynott* Vocals [Beth] – Julie Covington Vocals [Parson Nathaniel] – Philip Lynott* D1 Brave New World And Dead London Vocals [Artilleryman] – David Essex Vocals [Artilleryman] – David Essex D2 Epilogue Voice [Voices] – Jerry Wayne Voice [Voices] – Jerry WayneCompanies, etc.
- Phonographic Copyright ℗ – CBS Records
- Copyright © – CBS Records
- Published By – April Music Ltd.
- Published By – Jeff Wayne Music Ltd.
- Published By – Leeds Music
- Recorded At – Advision Studios
- Mastered At – Tape One
- Lacquer Cut at – CBS Records, Artarmon – MX179973
- Lacquer Cut at – CBS Records, Artarmon – MX179974
- Lacquer Cut at – CBS Records, Artarmon – MX179975
- Lacquer Cut at – CBS Records, Artarmon – MX179976
Credits
- Art Direction [Art Director], Design [Logo Design] – John Pasche
- Bass – Herbie Flowers
- Composed By, Orchestrated By, Conductor, Producer, Keyboards – Jeff Wayne
- Directed By [Dramatic And Narrative Sections Directed By] – Charles Dubin
- Drums – Barry Morgan
- Effects [SFX] – Pest*
- Executive-Producer, Directed By [Dramatic And Narrative Sections Directed By] – Jerry Wayne
- Featuring – Chris Thompson, David Essex, Julie Covington, Justin Hayward, Phil Lynott
- Guitar – Chris Spedding
- Guitar, Performer [The Heat Ray], Featuring – Jo Partridge
- Keyboards, Synthesizer [Synthesisers] – Ken 'Prof' Freeman*
- Lacquer Cut By – DB*
- Lyrics By, Written-By – Gary Osborne
- Mastered By – Bill Foster
- Narrator [Journalist], Featuring – Richard Burton (2)
- Painting – Geoff Taylor (4), Michael Trim, Peter Goodfellow
- Percussion – Barry Da Souza*, Ray Cooper, Roy Jones
- Performer – Justin Hayward (tracks: A1, B2)
- Recorded By – Geoff Young
- Recorded By [Assisted By] – Laurence Diana
- Written-By [Dramatized By] – Doreen Wayne
- Zither, Tar (lute), Santoor [Santur] – George Fenton
Notes
Released in a gatefold sleeve with lavishly illustrated full colour 16 page 29.5x29.5cm booklet.The spine and labels list the title simply as "War Of The Worlds". Labels also show artist as Various.
Side C and D runout grooves show matrices as follows:
Side C: "MX179975" is actually "MX1799745", but the "4" is crossed out.
Side D: "MX179976" is actually "MX1799756" but the 5 is crossed out
Side D: "S2BP201" is actually "S2SBP201" but the second "S" is crossed out.
All characters in all matrices are stamped, except for "DB", which is always hand-etched.
Sleeve:
© 1978 CBS Records ℗ 1978 CBS Records. CBS is a trademark of CBS Inc., U.S.A.
Booklet:
All songs published by April Music Limited/Jeff Wayne Music Limited, except "Forever Autumn" published by Leeds Music/Jeff Wayne Music Limited
A 48 track production recorded at Advision Studios, London
Mastered at Tape One, London
Adapted from the H. G. Wells classic "The War Of The Worlds"
Labels:
℗ 1978 CBS Records
Made in Australia by a registered user of the trade marks
Barcode and Other Identifiers
- Matrix / Runout (Side A label): MX179973
- Matrix / Runout (Side B label): MX179974
- Matrix / Runout (Side C label): MX179975
- Matrix / Runout (Side D label): MX179976
- Matrix / Runout (Side A runout groove stamped and hand-etched): MX179973 SBP237138-1 S2BP201- DB
- Matrix / Runout (Side B runout groove hand-etched and stamped): DB MX179974 SBP237138-2 S2BP201-2
- Matrix / Runout (Side C runout groove hand-etched and stamped): DB MX179974̶ 5 SBP237139-3 S2BP201
- Matrix / Runout (Side D runout groove hand-etched and stamped): DB MX179975̶ 6 SBP237139-4 S2S̶ BP201
- Other (Side A and B labels): SBP 237138
- Other (Side C and D labels): SBP 237139
The Goldmine Standard for grading is used for my vinyl listings:
Mint (M)
The sleeve and cover are absolutely perfect in every way. To qualify as Mint, the record must never have been played and is possibly still sealed. Mint should be used sparingly as a grade, if at all. Note that a record can be sealed and not Mint. There could be sleeve discoloration, ring wear, or vinyl warp if guidelines on how to store vinyl were not followed. If you suspect your record is in Mint condition, do not play it.
Near Mint (NM or M-)
A nearly perfect record. A Near Mint (NM) record has more than likely never been played. The vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. The sleeve of a 45 of EP should have no more than the most minor defects, such as any sign of slight handling. The LP cover should have no creases, folds, seam-splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc. Many dealers won’t give a grade higher than NM, implying (perhaps correctly) that no record is ever truly perfect.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a VG+ record should sound the same as a Near Mint (NM) one. Vinyl surfaces may show some signs of wear, such as slight scuffs or very light scratches. Slight warps that do not affect the sound are okay. The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some wear, slightly turned-up corners, or a small seam-split. An LP cover may have sparse signs of wear and may be marred by a cut-out hole, indentation, or cut corner. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.
Very Good (VG)
The defects found in a Very Good Plus (VG+) record will be more pronounced in a Very Good (VG) item. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, such as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, a VG item will not have all of these problems at the same time.
Good, Good Plus (G, G+)
A record in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam-splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and “ticks” will almost certainly accompany the playback.
Poor, Fair (P, F)
The record is cracked, badly warped, and won’t play through without skipping or repeating. The picture sleeve could be water damaged, split on more than one seam, and heavily marred by wear or writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon. Poor (P) or Fair (F) records are generally worth very little, at most 5% of the Near Mint (NM) price.
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