Jethro Tull – Living In The Past 2 X 12" Vinyl 1972 U.S Press NM/VG+ VERY RARE
A$
69
$
46
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Media Grading: NM Sleeve Grading: VG+
Excellent copy of this album!!
Notes Spine: "2TS 2106 JETHRO TULL / LIVING IN THE PAST ℗ 1972 WARNER BROS RECORDS INC PRINTED IN USA" Labels: Orange, Reprise design, 2RS 2106, Made in U.S.A. Cover: Gatefold sleeve with 12 page colour booklet, which includes track recoding info. Recordings: Track A1 recorded July 1968 at Sound Techniques, London. Track A2 and A3 recorded November 1968 at Morgan Studio, London. Track A4 recorded February 1969 at Vantone Studio, West Orange, New Jersey
Jethro Tull – Living In The Past
Label: Reprise Records – 2RS 2106, Reprise Records – 2TS 2106 Format: 2 × Vinyl, LP, Compilation, Stereo, Reprise labelsCountry: US Released: 1972 Genre: Rock Style: Classic Rock
Tracklist
A1 Song For Jeffrey Bass – Glenn CornickDrums – Clive BunkerEngineer – Victor Gamm*Flute – Ian AndersonGuitar – Mick AbrahamsProducer – Jethro Tull, Terry EllisVocals – Ian Anderson 3:17 A2 Love Story Bass – Glenn CornickDrums, Percussion – Clive BunkerEngineer – Andy JohnsFlute, Mandolin – Ian AndersonGuitar – Mick AbrahamsProducer – Jethro Tull, Terry EllisVocals – Ian Anderson 3:03 A3 Christmas Song Arranged By [Strings] – David Palmer (2)Bass – Glenn CornickConductor [Strings] – David Palmer (2)Drums – Clive BunkerEngineer – Andy JohnsMandolin, Whistle [Tin] – Ian AndersonProducer – Jethro Tull, Terry EllisVocals – Ian Anderson 3:04 A4 Living In The Past Arranged By [Strings] – Lou TobyBass – Glenn CornickConductor [Strings] – Lou TobyDrums, Percussion – Clive BunkerFlute – Ian AndersonGuitar – Martin BarreProducer – Ian Anderson, Terry EllisVocals – Ian Anderson 3:18 A5 Driving Song Bass – Glenn CornickDrums – Clive BunkerFlute – Ian AndersonGuitar – Martin BarreProducer – Ian Anderson, Terry EllisVocals – Ian Anderson 2:37 A6 Bouree Bass – Glenn CornickDrums – Clive BunkerEngineer – Andy JohnsFlute – Ian AndersonGuitar – Martin BarreProducer – Ian Anderson, Terry Ellis 3:40 B1 Sweet Dream Arranged By [Orchestra] – David Palmer (2)Bass – Glenn CornickConductor [Orchestra] – David Palmer (2)Drums – Clive BunkerEngineer – Andy JohnsFlute, Guitar [12 String] – Ian AndersonGuitar – Martin BarreProducer – Ian Anderson, Terry EllisVocals – Ian Anderson 4:02 B2 Singing All Day Bass – Glenn CornickDrums – Clive BunkerEngineer – Andy JohnsFlute, Balalaika, Organ [Hammond] – Ian AndersonGuitar – Martin BarreProducer – Ian Anderson, Terry EllisVocals – Ian Anderson 3:04 B3 Teacher Bass – Glenn CornickDrums – Clive BunkerEngineer – Andy JohnsGuitar – Martin BarreOrgan [Hammond] – John EvanProducer – Ian Anderson, Terry EllisVocals – Ian Anderson 4:07 B4 Witch's Promise Bass – Glenn CornickDrums – Clive BunkerEngineer – Andy JohnsFlute – Ian AndersonGuitar, Acoustic Guitar – Martin BarrePiano, Keyboards [Mellotron] – John EvanProducer – Ian Anderson, Terry EllisVocals – Ian Anderson 3:50 B5 Alive And Well And Living In Bass – Glenn CornickDrums – Clive BunkerEngineer – Robin BlackFlute – Ian AndersonGuitar – Martin BarreProducer – Ian AndersonVocals – Ian Anderson 2:45 B6 Just Trying To Be Acoustic Guitar, Vocals – Ian AndersonCelesta – John EvanEngineer – Robin BlackProducer – Ian Anderson 1:35 Recorded Live At Carnegie Hall C1 By Kind Permission Of Bass – Glenn CornickDirected By [Mixing] – Ian AndersonDrums – Clive BunkerEngineer – Dave Palmer (2), John Burns, Kim KingFlute – Ian AndersonGuitar – Martin BarreMixed By [Engineer] – Robin BlackPiano – John EvanWritten-By – Evan* 8:43 C2 Dharma For One Backing Vocals, Percussion – Clive Bunker, John Evan, Martin BarreBass – Glenn CornickDirected By [Mixing] – Ian AndersonDrums – Clive BunkerEngineer – Dave Palmer (2), John Burns, Kim KingFlute – Ian AndersonGuitar – Martin BarreMixed By [Engineer] – Robin BlackVocals – Ian AndersonWritten-By – Bunker*, Anderson* 9:11 D1 Wond'ring Again Acoustic Guitar – Ian AndersonBass – Glenn CornickDrums, Glockenspiel – Clive BunkerEngineer – Robin BlackGuitar – Martin BarrePiano – John EvanProducer – Ian AndersonVocals – Ian Anderson 4:11 D2 Hymn 43 Bass – Jeffrey Hammond-HammondDrums – Clive BunkerEngineer – John BurnsFlute – Ian AndersonGuitar – Martin BarrePiano – John EvanProducer – Ian Anderson, Terry EllisVocals – Ian Anderson 3:16 D3 Life Is A Long Song Acoustic Guitar – Martin BarreBass – Jeffrey Hammond-HammondDrums – Barriemore BarlowEngineer – John Wood, Victor Gamm*Flute, Acoustic Guitar – Ian AndersonPiano – John EvanProducer – Ian AndersonVocals – Ian Anderson 3:18 D4 Up The 'Pool Bass – Jeffrey Hammond-HammondDrums – Barriemore BarlowEngineer – Victor Gamm*Flute, Acoustic Guitar – Ian AndersonGuitar – Martin BarreOrgan [Hammond] – John EvanProducer – Ian AndersonVocals – Ian Anderson 3:10 D5 Dr. Bogenbroom Bass – Jeffrey Hammond-HammondDrums – Barriemore BarlowEngineer – John Wood, Victor Gamm*Flute, Acoustic Guitar – Ian AndersonGuitar – Martin BarrePiano, Harpsichord – John EvanProducer – Ian AndersonVocals – Ian Anderson 2:59 D6 From Later Bass – Jeffrey Hammond-HammondDrums, Percussion – Barriemore BarlowEngineer – John Wood, Vic GammFlute – Ian AndersonGuitar – Martin BarrePiano, Organ [Hammond] – John EvanProducer – Ian AndersonVocals – Ian Anderson 2:06 D7 Nursie Engineer – Victor Gamm*Producer – Ian AndersonVocals, Acoustic Guitar – Ian Anderson 1:35Companies, etc.
- Phonographic Copyright (p) – Warner Bros. Records Inc.
- Licensed From – Chrysalis Records Ltd.
- Recorded At – Western Recorders
- Recorded At – Island Studios
- Recorded At – Vantone Sound Studios
- Recorded At – Morgan Studios
- Recorded At – Sound Techniques, London
- Recorded At – Carnegie Hall
- Recorded At – Fedco Audio Labs
- Mixed At – Morgan Studios
- Published By – Essex Music
- Copyright (c) – Warner Bros. Records Inc.
Credits
- Bass – Glenn Cornick, Jeffrey Hammond-Hammond
- Directed By [Remixing] – Ian Anderson
- Drums, Percussion – Barriemore Barlow, Clive Bunker
- Engineer – Andy Johns, John Burns, John Wood, Robin Black, Victor Gamm*
- Guitar – Mick Abrahams
- Guitar, Acoustic Guitar – Martin Barre
- Photography By – Tony Loew*, Brian Ward (5), Ed Caraeff, Jackie O'Lochlainn, Michael Graber (3), Ruan O'Lochlainn, Sam Emerson
- Piano, Organ [Hammond] – John Evan
- Producer – Ian Anderson, Jethro Tull, Terry*
- Remix [Remixing Engineer] – Robin Black
- Vocals, Flute, Acoustic Guitar – Ian Anderson
- Written-By – Ian Anderson (tracks: Except C1, C2)
Techniques, London.
Remixing done at Morgan Studio, London.Barcode and Other Identifiers
- Matrix / Runout (Side A runout (etched)): 2CH-1035 S1 2TS-2106-A 31480-1B
- Matrix / Runout (Side B runout (etched)): S 1 2TS-2106-B 31481-1A 2CH 1035
- Matrix / Runout (Side C runout (etched)): S 2TS-2106 31482-C 1A 2CH 1035
- Matrix / Runout (Side D runout (etched)): S 1 2TS-2106 31483-2A 2CH-1035
The Goldmine Standard for grading is used for my listings:
Mint (M)
Vinyl
Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.
CD
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Cassette
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.
Near Mint (NM or M-)
Vinyl
A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.
CD
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Cassette
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.
Very Good Plus (VG+)
Vinyl
Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
CD
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Cassette
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG)
Vinyl
Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.
CD
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Cassette
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
CD
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Cassette
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.
Poor (P), Fair (F)
Vinyl
Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.
CD
The CD may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Cassette
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.
Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
price rating
