Jimi Hendrix Experience - LA Forum April 26, 1969 NM-

$

55

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UP FOR AUCTION IS:
A BEAUTIFUL
NEAR MINT
COPY
of

A ZIPPER Records Pressing
LA4M42669
of
THE JIMI HENDRIX EXPERIENCE
 AT THE
"LOS ANGELES FORUM, APRIL 26, 1969"

ZIPPER RECORDS of CANADA
 LA4M42669

MATRIXES:
LA4M42669-A
LA4M42669-B
LA4M42669-C
LA4M42669-D

VINYL is: Near Mint
HAS ONLY BEEN PLAYED ONE TIME - IN STUNNING CONDITION
COVER is: Near Mint-
 BEAUTIFUL AND FULL OF RICH COLOUR

PLEASE REVIEW PHOTOS
 


SOME HISTORY BEHIND THE ALBUM:

This review is from: The L.A. Forum Concert, April 26th, 1969  Let me state this as simply as possible -- if you are a fan of the Jimi Hendrix Experience, you must have this album in your collection. This is not only one of the Experience's best live concerts on disc, it stands as one of the best live concerts I have ever heard by any artist. I hate to use this cliched phrase, but this record really does approach "desert island" status for me, due to the quality of the music and the fact that one is able to get a sense of Jimi's personality as a performer from the manner in which he speaks to the audience in numerous spots.

The record documents the Experience's performance at the L.A. Forum on April 26, 1969. 

1. Introduction [2:32]
2. Tax Free [15:42]
3. Foxy Lady [5:03]
4. Red House [10:55]
5. Spanish Castle Magic [11:28]
6. Star Spangled Banner [2:21]
7. Purple Haze [6:39]
8. I Don't Live Today [6:41]
9. Voodoo Chile (Slight Return) [10:04]
10. Sunshine of Your Love [1:55]
11. Voodoo Chile (Slight Reprise) [5:42]
Total time: 78 minutes, 55 seconds

But, back to the music. The sound quality of this recording is excellent -- instruments and vocals are clear and the balance is good. "Introduction," the opening track, is just awesome to listen to. You get to hear the band introduced by an emcee (incorrectly, as "The Hendrix Experience"), some extensive tuning up, and Jimi's positive personality shining through as he delivers a variation of his often-used pre-concert benediction to the crowd: "And we want you to forget about everything that happened yesterday, last night or this morning. Just forgot about everything but what's goin' on down now. It's up to you all, and it's up to us too, so let's get our feelings together." Classic!

The opening song, "Tax Free," is a 15-minute instrumental written by the Swedes Bo Hansson and Jan Karlsson and, though it appears on other Hendrix albums, such as the excellent and out-of-print "Live at Winterland," this rendition is just scorching. From the opening chords, you know you're in for something special. I think this cut features some of Hendrix's best guitar playing live or in-studio, period. It's 15 minutes of blues-heavy guitar improvisation and creative distortion effects.

Next come excellent versions of Hendrix staples "Foxy Lady" and a 10-minute rendition of the Hendrix blues song "Red House." "Red House," with its slow blues tempo and long guitar improvisations, is a nice change of pace and a great song in its own right. A fiery rendition of "Spanish Castle Magic" follows and a version of "Purple Haze" where a playful Hendrix substitutes lyrics in some places ("Excuse me while I kiss that policeman"). A lively "Voodoo Chile (Slight Return)" follows, and an instrumental cover of the Cream classic "Sunshine of Your Love." "Voodoo Chile (Slight Reprise)" closes things out as Jimi thanks the crowd.

"First things first. This is one great #$%&*!! concert!" -- and who states that after the show, Hendrix met up with engineer Eddie Kramer and prepared mixes of the show with the intent of eventually releasing them as a live album; of course, this never happened until now.

Bottom line -- get this album for the awesome L.A. Forum concert. You'll be glad you did.



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The GOLDMINE STANDARD
for
RECORD GRADING

 
THE TRUTH BEHIND THE GRADES
 
Most of the time, LPs are sold with two grades — one for the record and one for the cover. We list only one grade, however, because with some exceptions, albums without covers are worthless, and covers without the accompanying record are worthless. If an album is graded VG for the cover and VG+ for the record, add the two values together and divide by 2 to get a rough estimate of the value of a “mixed-grade” LP.

Most records are graded visually. This is because most record dealers have lot of records — hundreds of thousands in some cases — and they don’t have the time to play their entire stock. That said, some defects are easy to see, such as scratches and warps. Others are subtle, such as groove wear from using a cheap or poorly aligned tone arm. It has been our experience that older LPs (1950s to about 1971) tend to play better than they look, and newer LPs (at least until 1989) tend to play worse than they look.
When grading your records, do so under a strong light. Look at everything carefully, and then assign a grade based on your overall observations.
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Here are the standard grades for record albums, from best to worst.

SEALED ALBUMS  
Still-sealed albums can — and do — bring even higher prices than those in our listings. However, you must be careful when paying a premium for sealed LPs of any kind for several reasons:

1.  They may have been re-sealed.
2.  The records may not be in Near Mint condition.
3.  The record inside may not be the original or most-desirable pressing.
4.  Most bizarre of all, the wrong record my be inside. (I’ve had this happen to me; I opened a sealed album by on MCA artist only to find a record by a different MCA artist inside! Fortunately, I didn’t pay a lot of or that sealed LP. I would have been quite upset if I had!)

MINT (M)
These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition.

There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller.

NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect.

Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

Near mint records are shiny and free of visible defects. No writing, stickers, other markings or spindle marks appear on the label. No major factory defects are present; a record and label obviously pressed off center is not Near Mint.

If played, an NM record will do so without surface noise. Near Mint records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.

NM covers have no creases, ring wear or seam splits of any kind.

These are high standards, and they are not on a sliding scale. A record or sleeve from the 1950s must meet the same standards as one from the 1990s or 2000s to be Near Mint!

It is estimated that no more than 2 to 4 percent of all records remaining from the 1950s and 1960s are truly Near Mint. This is why they fetch such high prices, even for more common items. They must meet these standards to qualify.
 
VERY GOOD PLUS (VG+) OR EXCELLENT (E)
A good description of a VG+ Record is “except for a couple of minor things, this would be Near Mint.”

Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it is toward the high end of the grade, (sometimes called VG++ or E+).

VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that don’t affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, so long as repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ Covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable locataion. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

VERY GOOD (VG)

Many of the imperfections found on a VG+ Record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a an NM record — are among the biggest bargains in record collecting, because moost of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money.

VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail.

When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise won’t overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG covers will have many signs on human handling. Ring wear in the middle or along the edges of the cover, where the edge of a record would reside, is obvious; it may appear on all three sides, thought it won’t be obvious upon looking. Someone might have written on it or stamped a price tag on it, too.

GOOD (G), GOOD PLUS (G+) OR VERY GOOD MINUS (VG-)

Lower-grade records go for 10 to 15 percent of the Near Mint value, if you are lucky.

Good does not mean bad! The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noicse and groove wear. The label is worn and exhibits significant ring wear, heavy writing or obvious damage caused by tring to remove tape or stickers and failing miserably.

A Good to VG- cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as huge radio station letters written across the front to deter theft.

If the item is common, it’s probably better to pass it up. But if you’ve been seeking it for a long time, get it cheap and look to upgrade.

POOR (P) AND FAIR (F)

Poor and Fair records go for 0 to 5 percent of the Near Mint value, if they go at all.

More likely, they end up going in the trash. Records are cracked, impossibly warped or skip and/or repeat when an attempt is made to play them. Covers are so heavily damaged that you almost want to cry.

Only the most outrageously rare items ever sell for more than a few cents in this condition — again, if they sell at all

7" - standard 45 RPM co - cut-out pc - picture sleeve sl - slight UK- United Kingdom (British Pressing) 10" - 10-inch vinyl LP dj - Disc Jockey (promo) pi - picture Insert (CD Single) sm spl - Seam Split US - United States (domestic pressing) 12" - 12-inch single ep - Extended Play promo - promotional copy soc - sticker on cover va - various artists bb - bb hole in cover imp - import ps - picture sleeve (45) sol - slicker on label wlp - white label promo boot - bootleg lp - 12" vinyl album quad - quadraphonic ss - still sealed woc - writing on cover cc - cut corner m - mono Lp re - reissue s/t - self titled wol - writing on label cd - compact disc nap - not affecting play ri - reissue tc - title cover (12" and CD's) xol - "x" on label cd3 - 3" compact disc single non-lp- not on full-length LP or CD rpm - revolutions per minute ti - title insert (CD single) * check the context, as "m" can also mean "mint" cd5 - 5" compact disc single oc - original cast recording rw - ring wear toc - tape on cover   coh - cut-out-hole ost - original soundtrack s - stereo Lp tol - tape on label