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AMG Review by Richie Unterberger

One of the more overlooked highlights of "new music" in the 1980s, blending a smorgasbord of multi-cultural influences into a whimsical and effective whole. It's not billed as such, but this could be most properly classified as late-20th century art songs, with a far greater accessibility to the rock and pop audience than most projects of this nature. It doesn't sound like it could work on paper--why would you want to hear such disparate influences as Cole Porter and middle eastern-like chanted background vocals mixed together, along with about ten other styles? But it does, in a fashion that's more seductive than challenging.

Kahondo Style ?– Green Tea & Crocodiles

TracklistHide Credits

Companies etc

• Pressed By – MPO
• Printed By – Offset France
• Recorded At – D. H. Audio Engineering Studio
• Mastered At – Translab

Credits

• Cello, Bass, Zither, Trumpet, Chorus – Stuart Jones
• Cover – Pierre Cornuel
• Drums – Steve Noble
• Flute, Khene, Shakuhachi, Accordion, Other – Clive Bell
• Guitar [Guitars], Bouzouki, Other – Peter Cusack
• Performer [Arc] – Max Eastley
• Photography By – Caroline Forbes
• Producer – Jean Rochard
• Recorded By – Dave Hunt
• Trombone [Alto, Soprano, Baritone] – Alan Tomlinson
• Violin, Alto Saxophone, Chorus – Sianed Jones
• Vocals – Kazuko Hohki

Notes

Barcode and Other Identifiers

• Matrix / Runout (Side A): MPO NATO 1279 A
• Matrix / Runout (Side b): MPO NATO 1279 B
• Rights Society: SACEM SACD SDRM SGDL

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.