KALEIDOSCOPE side trips orig 1967 psych RARE DJ MONO

$

67

original 1967 U.S. MONO press on Epic label
Kaleidoscope titled "Side Trips"
promotional copy ~ has label designation ~ see scan
CONDITION:
cover: VG++ to Excellent
>faint shelf wear/soiling/fading ~ tiny wear/fray to edges & corners
(tiny bumps to 2 of 'em)
vinyl: Excellent
clean & glossy ~ a bit of lite groovewear & just 1 or 2 tiny faint surface marks
plays excellent,but with a bit of occasional lite surface noise/soft crackle here & there
SELECTIONS:
Egyptian Gardens 3:05
If The Night 1:45
Hesitation Blues 2:25
Please 3:10
Keep Your Mind Open 2:15
Pulsating Dream 1:58
Oh Death 3:25
Come On In 2:07
Why Try 3:43
Minnie The Moocher 2:13
Here’s an excerpt of the "Fuzz , Acid & Flowers" with background on this group
that features David Lindley ~ & this LP:

An explanation for the range of this group's music can be found in the
backgrounds of its personnel. Lindley, born in LA, had previously played
with a number of bands, including The New Christy Minstrels and
The Greenwood Singers and had also played banjo for several labels. He
formed the group in September 1966. They initially called themselves
The Baghdad Blues Band. Feldthouse originated from Ismit in Turkey and
played a wide range ot exotic instruments which included the sax bouzoukee,
dobro, vina, doumbeg and dulcimer as well as the more mundane 12 string guitar
and fiddle. He was responsible for the Eastern influence on tracks like
Egyptian Gardens, Why Try and Keep Your Mind Open on their first album.
Darrow was born in South Dakota, but raised in Claremont, California. His
musical taste encompassed bluegrass, country, blues, jug band, R&B and old
time jazz. Percussionist, Vidican, grew up in Hollywood and Epp was from
Oklahoma City. Apart from the Eastern-influenced songs, other tracks on their
first album included the traditional Come On In, Oh Death and the offbeat
Minnie The Moocher. Another cut Please was chosen as the 'A' side for their
first single with a non-LP track, Elevator Man, a more straight ahead rock track
with some superb guitar playing from Lindley, on the flip. The single went nowhere.
Next off they tried are mixed version of Why Try and a version of Little Orphan Annie,
written by Darrow and Epp, which later tumed up on the Bernice album in a very
different form. However, this 45 made no commercial impression either.

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