KING CRIMSON In the Court of the Crimson King ORIG LP
  $   31

 


$ 31 Sold For
Jul 20, 2010 Sold Date
Jul 13, 2010 Start Date
$   15 Start price
7   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

                    DON'T REGRET TOMOROW, YOU DIDN'T BID TODAY!!!


PLEASE READ THE IMPORTANT NOTICE AT THE END OF THIS PAGE!!!

 

 **THEIR BEST RECORDING WITH GREG LAKE ON VOCALS**

       **KING CRIMSON**

**In the Court of the Crimson King** 

                           KILLER MUSIC RECORDED IN 1969!!! 

 

                              BEAUTIFUL GATEFOLD COVER!!!

 

ORIGINAL U.S.A PRESSING (TRICOLOR LABEL)  ATLANTIC RECORDS STEREO SD 19155

Review by Lindsay Planer

This reissue of King Crimson's debut, In the Court of the Crimson King (1969), renders all previous pressings obsolete. In the late '90s, Robert Fripp remastered the entire Crimson catalog for inclusion in a 30th anniversary edition. Nowhere was the upgrade more deserved (or necessary) than on this rock & roll cornerstone. Initially, King Crimson consisted of Robert Fripp (guitar), Ian McDonald (reeds/woodwind/vibes/keyboards/Mellotron/vocals), Greg Lake (bass/vocals), Michael Giles (drums/percussion/vocals), and Peter Sinfield (words/illuminations). As if somehow prophetic, King Crimson projected a darker and edgier brand of post-psychedelic rock. Likewise, they were inherently intelligent — a sort of thinking man's Pink Floyd. Fripp demonstrates his innate aptitude for contrasts and the value of silence within a performance, even as far back as "21st Century Schizoid Man." The song is nothing short of the aural antecedent to what would become the entire heavy alternative/grunge sound. Juxtaposed with that electric intensity is the ethereal noir ballad "I Talk to the Wind." The delicate vocal harmonies and McDonald's achingly poignant flute solo and melodic counterpoint remain unmatched on an emotive level. The surreal and opaque lyrics are likewise an insight to Peter Sinfield's masterful wordplay, which graced their next three releases. The original A-side concludes with the powerful sonic imagery of "Epitaph." The haunting Mellotron wails, and Fripp's acoustic — as well as electric — guitar counterpoints give the introduction an almost sacred feel, adding measurably to the overall sinister mood. Giles' percussion work provides a pungent kick during the kettle drum intro and to the aggressive palpitation-inducing rhythm in the chorus. "Moonchild" is an eerie love song that is creepy, bordering on uncomfortable. The melody is agile and ageless, while the instrumentation wafts like the wind through bare trees. Developing out of the song is an extended improvisation that dissolves into a non-structured section of free jazz, with brief guitar lines running parallel throughout. The title track, "In the Court of the Crimson King," completes the disc with another beautifully bombastic song. Here again, the foreboding featured in Sinfield's lyrics is instrumentally matched by the contrasting verbosity in the chorus and the delicate nature of the verses and concluding solos.

 

SONGS:

1  21st Century Schizoid Man/Mirrors  Fripp, Giles, Lake, McDonald ...  7:24 
2  I Talk to the Wind  Fripp, Giles, Lake, McDonald ...  6:05 
3  Epitaph/March for No Reason/Tomorrow and Tomorrow  Fripp, Giles, Lake, McDonald ...  8:47 
4  Moonchild/The Dream/The Illusion  Fripp, Giles, Lake, McDonald ...  12:12 
5  The Court of the Crimson King/The Return of the Fire Witch/The Dance of the  Fripp, McDonald, Sinfield  9:22 

 

CONDITION:

RECORD: I JUST FINISHED LISTENING TO THIS RECORD AND IT SOUNDS GREAT!!! WITH JUST LOW BACK NOISE ON MORE SILENT PARTS, AND VISUALLY: HAS FEW THIN SUPERFICIALLINES (SEEN UNDER A LAMP) AND SOME ALMOST INVISIBLE SLEEVE SCUFFS (ONLY SEEN UNDER A LAMP) PLAYING GREAT!! WITH NO SKIPS, AND NO REPETITIONS!!! 

GATEFOLD COVER: VERY NICE!! WITH ALMOST NO RING WEAR! WEAR OR SMALL TEAR ON JUST THE TIPS OR POINTS OF CORNERS, IT IS STILL VERY HARD!!! NO SPLITS, NO CUTS, NO SAWS, NO PUNCH HOLES, NO WRITTING, LOOKS GREAT!!! (SEE PICTURE)

ORIGINAL BROWN ATLANTIC RECORD SLEEVE INCLUDED!!

                           

                                          WARNING:

                   IF YOU DON´T HAVE THIS RECORD

                  YOUR COLLECTION IS INCOMPLETE

 

WE HAVE MORE PROG ROCK, JAZZ, NEW WAVE, PUNK, ELECTRONICA, AND ROCK LISTED, CLICK ON UPPER RIGHT (VIEW SELLER`S OTHER ITEMS) AND SAVE ON SHIPPING WHEN YOU BUY TWO OR MORE .

 

***EMAIL ME FOR ANY QUESTIONS BEFORE

                         BIDDING

 

 

IMPORTANT NOTICE:

I ONLY SHIP ONCE A WEEK ON SATURDAY!!! THAT IS THE REASON WHY I FINISH MY AUCTIONS 2 OR 3 DAYS BEFORE, SO YOU CAN HAVE TIME TO PAY (IF PAYING BY PAYPAL)BEFORE FRIDAY, SO I CAN PACK AND SEND YOUR ITEM ON THE SAME WEEK THE AUCTION FINISHES, IF YOU SEND PAYMENT BY MAIL PLEASE LET ME KNOW TO PACK AND TAKE YOUR ITEM THE NEXT WEEK, THANKS!!!

WE SHIP TO ITALY, BUT SOMETIMES (AND I DON'T KNOW WHY) SHIPPING TO THAT COUNTRY IS LASTING AROUND 2 MONTHS TO ARRIVE, SOMETIMES MORE THAN THAT. AND OFCOURSE SOMETIMES LESS, SO IF YOU LIVE IN ITALY, PLEASE BID, IF YOU DON'T NEED YOUR LP TO ARRIVE FAST, THANKS!!

 

SHIPPING AND HANDLING:
$4.00 =  Media Mail/U.S. Delivery confirmation inc.  (add 1.50  each additional LP/disc)

$12.00 =  Priority Mail/U.S. Delivery confirmation inc. (add $1.50 each additional LP)

$8.50 =  Airmail/Canada (add $2.50 each additional Lp/disc)

$12.00 = Airmail/Mexico (add $2.50 each additional Lp/disc)

$15.00 = Airmail to UK/Europe/South America (add $3.50 each additional Lp/disc)

$15.50 = Airmail to Japan/Australia/New Zealand (Add $4.00 each additional LP/disc)

 

(IF THE PACKAGE IS HEAVIER THAN 4 POUNDS I HAVE TO WEIGHT IT AND TELL

YOU THE EXACT COST OF SHIPPING, BECAUSE IT HAS TO BE SENT BY PRIORITY MAIL INTERNATIONAL AND IT COSTS A LITTLE MORE THAN FIRST CLASS)

 

             WE CONVINE SHIPPING SO YOU CAN SAVE MONEY!!!




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