Keith Christmas ?– Pigmy LP B & C Records ?CAS 1041 UK 1971
  £   16
  $   21

 


£ 16 Sold For
Mar 14, 2018 Sold Date
Mar 7, 2018 Start Date
£   7 Start price
3   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

BobTheMusicMan – Vinyl, Music & Other Media auctions

 

Discogs information:

Keith Christmas ?– Pigmy

Label: B & C Records ?– CAS 1041 Format: Vinyl, LP, Album 
Country: UK Released: 1971 Genre: Rock, Pop Style: Folk Rock

Tracklist

A1 Travelling Down 4:08 A2 Timeless And Strange 4:40 A3 Evensong 4:26 A4 Spanky 3:28 A5 Poem 1:58 B1 The Waiting Grounds 3:27 B2 Song For A Survivor 9:17 B3 Forest And The Shore 7:06

Credits

  • Arranged [Choral] By – Robert Kirby (tracks: B3)
  • Arranged [String] By – Robert Kirby
  • Backing Vocals – Kathy Kissoon* (tracks: B2), Mac Kissoon (tracks: B2), Mike London (tracks: B2)
  • Bass – Adrian Shaw (tracks: B1), Calvin "Fuzzy" Samuels (tracks: B2, B3)
  • Drums – Conrad Isadore* (tracks: B2, B3), Roger Powell (2) (tracks: B1)
  • Engineer [Mix] – Jerry Boys
  • Engineer [Sound] – Roger Beale
  • Orchestra – The London Symphony Orchestra
  • Organ, Piano – Ian Whiteman (tracks: B1), Rod Argent (tracks: B2, B3)
  • Photography By – Keith Morris (8)
  • Producer – Sandy Roberton
  • Psaltery – Bob Stewart (4) (tracks: A2)
  • Saxophone – Ray Warleigh (tracks: B2)
  • Vocals, Acoustic Guitar, Electric Guitar – Keith Christmas
  • Written-By – Keith Christmas

Notes

On Back Sleeve: String Arrangements on side one by Robert Kirby
All titles by Keith Christmas Libra Music Ltd.
Produced by Sandy Roberton for September Productions Ltd.
B&C Records Ltd., 37 Soho Square, London, W.1.
Printed and made by E.J. Day Group, London and Bedford

Barcode and Other Identifiers

  • Matrix / Runout (Side A, Stamped): CAS 1041A-2U
  • Matrix / Runout (Side B, Stamped): CAS 1041B-2U

 

Our grading in condition section above.

Records graded to Record Collector guidelines.

Mint (M)

The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.

Excellent (EX)

The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good (VG)

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable

Good (G)

The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc

Fair (F)

The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor (P)

The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing

Bad (B)

The record is unplayable or might even be broken, and is only of use as a collection-filler

CD’s and CASSETTES

As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.

 

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