LED ZEPPELIN I RARER 1st Orange Cover, UK 70 Plum EX LP

	£		142
	$		188

ONEADAYRECORDS – Delivering Quality Music to the World

Please see my Detailed Packing Description Further Down & All Shipping Costs and Options – NOTE: I now apply the Ebay ‘4-day’ rule for non-payment.

Artist or Band: LED ZEPPELIN

Album Title: Led Zeppelin (One).

Producer: Jimmy Page.

Executive Producer: Peter Grant.

TRACK LIST:

Side 1: Good Times Bad Times; Babe I’m Gonna Leave You; You Shook Me; Dazed and Confused.

Side 2: Your Time is Gonna Come; Black Mountain Side; Communication Breakdown; I Can’t Quit You Baby; How Many More Times.

Label/Format: Atlantic – Red and Maroon (‘Plum’) format with early Warner Credits.

Label Conditions: Both look fantastic: ultra clean, fresh and highly attractive. Any spindle marks are tiny, very few and faint.

Cat Number: 588171.

Mode / Speed: Stereo / 33.3 rpm.

Weight of this Record: 142 grams. A very impressive weight for this record.

Country of Manufacture: England.

Rarity & Note: The title itself on the ‘Plum’ label is moderately scarce with the orange coloured cover. The turquoise covers are far rarer and command vast prices, mostly out of reach for the ‘average’ collector. This is an early copy with an attractive cover that includes the first silver strip on the bottom edge (soon removed thereafter) and a record that offers clean and very powerful sound that generates real excitement when played at volume on a quality system.

PLEASE NOTE: The only blemish on the hugely impressive sound is click from a tiny mark near the beginning of ‘How Many More Times’, that initially gave a milli-second jump. I increased my tracking weight to by an extra 0.3 grams (to maximum for my Rondo Red) and the (possible) jump seemed even less apparent. But I am going to state, this has a tiny, split-second skip just to avoid disappointment. Every turntable treats tiny blemishes differently and some may track this tiny, fine mark and some will not. If this is an issue, DO NOT BID, but as the rest of the album plays with superb, ultra clean sound, this tiny blink-of-any-eye blemish will be begotten as quick as it came and went.

Original Year of Release: 1969

Matrix Nos: 588171 A // 1 1 2 2 6 & 588171 B // 1 2 7 (these are error corrected)

Musicians: Jimmy Page – Robert Plant – John Bonham – John Paul Jones.

Brief Info: A very small run of early copies were issued in a turquoise sleeve lettered sleeve and some had Superhype credits. These were quickly changed to the more familiar orange versions as per this – the reasons still after all these years seems unclear with rumour and counter-rumour and now it seems even uncertain if the turquoise covers and Superhype credits were even the very first. I cannot say with any degree certainty either, I prefer to explain what I have on offer and it’s condition. What is certain, the legend started here, formed from the ashes of the Yardbirds, and this self-assured debut album immediately established them in their own right. Faultless musicianship combined with strong material to create an emphatic statement of power and purpose. Blues standards are extensively reworked and original songs are as immense and memorable as found on any debut album ever made. Page’s guitar explores the instrument’s potential with dazzling runs of sonic inventiveness, while Plant takes the lead vocal into new realms of expression. Raw and loud this has moments of true brilliance and many still are convinced this was their best ever album – a tough call for sure. Led Zeppelin albums are always best enjoyed on the Plum labels, they are thicker and heavier and have slightly deeper grooves and very loud and dynamic sound qualities that are never bettered – all audiophile collectors and fans will know exactly what I mean. Of all the Led Zeppelin albums I find, this first album is always the one that seems the most played often in the poorest conditions. Okay it’s the oldest, but not by much. It simply was adored by early owners and often played into submission. When clean and lightly played copies come along, they are not to be taken for granted. This is a super example with a very nice cover and clean record that has only very light and faint surface marks that have no sound bar the one blemish noted above. A tiny, very fine mark emits one click and one very faint second and a possible split-second groove skip. Again as stated, by increasing my tracking weight a little, this jump was almost inconpicuous, but that will vary from deck-to-deck. Some may indeed track it okay, some may not. As this is the only blemish of any note to the fantastic sound quality this vintage record offers, I for one, can easily live with it. With so many played to destruction and covered in deep, penetrating scratches and heavy crackle, this milli-second blemish pales almost into insignificance with the rest of the brilliance on offer. But, as I always say, if you have doubts on this small flaw, DO NOT BID.

Cover Grade and Format: EXCELLENT(+): with any blemishes mostly ‘natural’ and light. A fully laminated, single format with orange lettering and includes the scarce silver strip on the bottom edge. It was printed and made in England by MacNeill.

Lamination – Front & Back: This iconic rock cover is very attractive indeed and retains a genuine freshness and I will never state this lightly. The laminate both sides is very shiny and clear with any marks few and faint, seen under light. I mention ‘natural’ blemishes: well there is the usual fine lifting on the spine edge, being a pale cover, this has minimal visibility or visual impact and few will ever not have this as the very least. This said, this ‘lift-line’ is very thin indeed and it hardly even shows and is possibly the least I have yet seen. All other areas sees the laminate fully adhered and with so creases, both sides will prove very hard to find much better or more attractive, especially the rarer first orange with the silver strip. Even under light, there are minimal traces of friction rubs or dulling so that famous old giant Zeppelin artwork can be enjoyed to maximum advantage, fully focused and precise with superb clarity. Fogged laminate ruins the graphic, but no worries on that score here. Nice to see the silver-grey strip present too, most see it omitted. Even the laminate end lines have avoided grime-lines and any toning spots are tiny faint. A very impressive cover these seldom wear this well.

Top & Bottom Edges: The top has little to fault at all. The bottom has two or three small surface chips, biggest near the right corner.

Right Edge(s), and Type: Clean, very sharp with no wear and guaranteed, untrimmed. Record entered on this right outside edge.

Spine and Text: Solid, mainly straight with just a little mild compression. The ends are tapered in manufacture. A rub-chip near the bottom corner but all text is perfect and unworn.

Corners: Small tip rubs are rarely avoided, not the most robust of covers and many can get very tatty and aged. These all retain very fine shape.

Cover Summary: A strongly attractive example with genuine freshness and pure good looks – and this is a cover 41-years-old as reitterated by its original inner sleeve date code. With so few blemishes, this should please most-all collectors.

The Inner Sleeve: NEAR EXCELLENT: many do not even consider these important – I disagree. This Polydor-style polylined inner has it’s history too and being date coded 0670 tells the owner the era of manufacture. Okay, not a first-made, but in terms of this classic album, still an early one (please see my close-up picture of this detail). An inner that has only lightly aged with reasonably modest discolouration and mild glue browning on the seams. The window circles are very crisp and neat with a crystal-clear lining that is firmly in place with very gentle crinkle. No edge splits or tears (or repairs) with no hard creases, writing or marks, just the usual record impression and this looks just right for it’s considerable vintage.

Vinyl Condition/Visual Grading: EXCELLENT: a very fine visual copy that is very clean, shiny, intense black and quite heavily pressed. Very fine surface marks seen under light with just the odd one or two more more visible but with NO sound. Just the one tiny mark, as stated, that causes the click and (possible) milli-second skip. This so fine and faint, I had to follow the label-to-stylus position to even find it. Compared to many, if not most seen on the Plum labels, that are played to near destruction with deep penetrating scratches, grubby and dulled surfaces and labels with multitudes of spindle marks. This super copy is light years away from any of that, I would never even contemplate buying or offering records such rubbish. A copy that offers superb sound and fine looks, this should please many, if not most collectors. If the tiny flaw is an issue, I state again, do NOT bid.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]

Sound Quality and Audio Grading: This landmark album for most all plays even above it’s strong visual grading. Massively powerful, distortion-free sound, all frequencies are sharp and clear - sound quality is astonishing with a wide dynamic range and very detailed sound. An album of immense sonic power and raw dynamics, this record is capable of awesome intensity when played at high volume on worthy equipment. ‘Dazed and Confused’ – my personal favourite Led Zeppelin track ever – plays with incredible clout. For some time, the sound is restrained with that beautiful eeriness, but you can just feel it’s ready to explode at any time and the finale does just that with a cresendo of sheer raw volume. This gave me that rare ‘tingle factor’ that only the very best recordings and albums ever can. Check out too the start of side two with it’s incredibly hard-to-track solo organ introduction that almost never plays devoid of some (often severe) crackle or distortion. In fact I have heard examples of this that literally break-up totally with severe noise and horrible groove-wear sound and echo, and this even on clean looking copies. This intro is critical and highly uncompromising, few examples will play this even well let alone ‘perfectly’. Only the exceptional copies that have received few plays on more sympathetic equipment have any real chance these days. Here, this impossibly difficult intro plays very well indeed (this too on a high-end and critically revealing turntable that takes no prisoners in revealing all). This organ passage is notoriously hard and most will fail to please the more discerning listener. This gives a great account of itself on this ultimate intro test with little unwanted. Few will play it much better (unless a new copy can be found, likely eh?). When the bass and drums kick in, VERY hard it can almost make you leave your seat, the slam on the drum is astonishing with Bonzo’s crashing stick-work immense. This has minimal surface sounds or crackle and with just one moderate click and a faint secondary one (with POSSIBLE mille-second jump this is still an exceptional clean pressing for a highly demanding album. Hear those running basslines grinding and the percussion has real zing and breathtaking realism. Page’s guitar splinters through the speaker-cloth as does Plant’s awesome, expressive vocals. This is powerhouse blues-rock at its very best. I filed this under ‘Rock Classic’ and this is a supreme example of the genre. Remember this album’s age and vintage and what it could have been subjected too. I know I state this often in my adverts, but so many vintage classics were written off by worn or damaged sylus that stripped and wrecked those delicate groove walls. Clearly this has had one small accident in the past, but that said, it has pulled through with just the one tiny blemish. This offers genuine thrilling sound. Some listeners like to just be reminded with the odd minor blemish that are actually listening to a 41-year-old record, if clinical silence is demanded, well the digital format will offer just that. But the sheer thrill and drama of the original mix and mastertape sound that only vinyl truly offers will not be beaten. A copy that appears well stored and quite lightly handled and certainly not overplayed, this was highly enjoyable (to say the least). Only the tiny obvious, slightly marred what is an outstanding record but all the huge plusses outweighed any tiny blink-of-an-eye negative. This record will prove difficult to find better and merits strong recommendation. an evergreen rock masterpieces that simply refuses to age. I state for the last time: if you have doubts over the one rev groove flaw, do not bid.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with QED Silver terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

First-time, zero-rated bidders, who do not ask permission to bid, will be cancelled immediately and blocked – NO exceptions. For winning bidders who I consider excessively slow to make contact or submit payment, I will use my right to block future bids. If any bidder who wins in the final seconds is present to do so, surely they can at least email me to inform of intention and payment method? If swift or prompt payment is a problem, please do not bid.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand based on over 7,000+ items sold in nearly 10 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffeners cannot be bent by hand, so what chance 3 or 4 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). I will not respond to questions on shipping costs as all the details are included here and on ALL of my adverts. Details below:

NOTE: First Time Bidders: I will cancel ALL first-time bidders with no feedbacks or excessive negatives who do not ask me if its OK to bid first – NO EXCEPTIONS.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of FOUR days if no payment is received. I will then cancel the dispute to end the, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site and they take the Ebay consequences (a strike or removal from the system). Small businesses need prompt payment to trade and these strict rules WILL be applied. If you cannot pay, DO NOT BID.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £2 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£46 maximum]) = £10. (Royal Mail insurance is an optional extra £3). Add £3 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£46 maximum]) = £14. Add £4 per extra LP. (Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: Please do not bid if you have negative feedback unless checking first, I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.